SKU: NR.103860
Fur zwei Violinen, Viola und Violoncello, opus 67, 1916/1917 4Stimmen.
SKU: BA.BVK01571
ISBN 9783761815717. 23 x 16 cm inches.
SKU: BA.BA02963
ISBN 9790006428151. 30 x 26 cm inches. Preface: Johann Philipp Hinnenthal.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49005064
ISBN 9790001054195. UPC: 073999787863. 9.0x12.0x0.185 inches. German - English - French.
German - English - French.
SKU: CA.5060100
ISBN 9790007087647.
The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, when Haydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. The fact that six of them were published in 1784 as Kraus's Opus 1 by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume also contains another key work in Kraus's chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799.
SKU: M7.BP-2789
ISBN 9790015278907.
Fröhlich gilt als der bedeutendste Schweizer Komponist der Frühromantik. Die Presse kündigte 1942 an: Es herrscht Schwung und Begeisterung in dieser Musik, vor allem das Klavier, das manchmal mit geradezu Weberscher Brillanz behandelt wird, kommt zu seinem virtuosen Recht. Freilich führt uns Fröhlich auch in sanftere, weichere Regionen. Dies kennzeichnet ihn als Romantiker, dem das Empfindsame noch mehr gilt als die getreue Befolgung traditioneller Kunstregeln.
