Quattro Quartetti

SKU: PR.ZM29230

UPC: 680160653454.

SKU: BT.1238-05-070-MS

ISBN 9789043133296. 9x12 inches. English-German-French-Dutch.

The Lady in Red, one of the most popular love songs ever, wasreleased in 1986 by the world famous Irish singer Chris de Burgh.It quickly climbed to number one in the charts in 25 countriesselling over a million copies. This arrangement for trumpet quartetwill prove a welcome ‘slow item’ in any concert.

Eine der großen Kuschelmelodien“ des weltweit berühmten irischen Sängers Chris de Burgh. Roland Kernen bearbeitete die romantische Liebeserklärung an eine Frau in Rot“, die in 25 Ländern auf Platz 1 der Hitparaden kletterte, für Trompetenquartett.

Chris de Burgh connaît la consécration avec The Lady in Red, une ballade romantique qu’il illumine de son timbre vocal sensible et unique. Roland Kernen en a réalisé un arrangement quatre voix pour quatuor de Trompettes.

Chris de Burgh conosce la consacrazione con Lady in Red, una ballata romantica che s’illumina col suo timbro vocale sensibile e unico. Roland Kernen ha realizzato un arrangiamento a quattro voci per quartetto di trombe.

SKU: BT.DHP-1115120-070

ISBN 9789043142441. 9x12 inches. English-German-French-Dutch.

The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well.

Carnival of Strings is a delightful collection of dances for beginner string orchestras.

De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek.

Carnival of Strings presenteert een leuke verzameling dansmuziek voor beginnende stijkorkesten.

Die De Haske String Orchestra Series bietet attraktive, speziell fu r Streich­orchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu.

Carnival of Strings präsentiert eine reizvolle Sammlung von Tänzen fu r Anfänger-Streichorchester. Titel wie Coconut Calypso und Waltz Away versprechen Stilvielfalt undSpielspaß!

De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des Å“uvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano.

Carnival of Strings met en évidence quatre délicieuses danses, dans un charmant arrangement pour Orchestre Cordes.

De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano. Con CD.Carnival of Strings propone quattro deliziose danze in un piacevole arrangiamento per quartetto d'archi.

SKU: UT.CH-335

ISBN 9790215326538. 9 x 12 inches.

The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition.
Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.