Quinta Sonata In C

SKU: FZ.5910

ISBN 9790230659109. 22.00 x 31.00 cm inches.

Anne Fuzeau Classique propose you period copies of classical music scores. These original publications of Loeillet, Telemann and Bellinzani are in facsimile on Fac-similes et Enseignement collection. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger, s. d. Opus I. Sonata III : Largo, Allegro, Adagio, Gavotta Allegro. Telemann Georg Philipp : Die kleine Kammermusik - 1728. Partita 5 : Andante, Vivace, Presto, Vivace, Siciliana, Vivace, Presto. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata quinta : Largo, C barre, Affetuoso, 2/4. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - National Library of Paris (France). - Hessische Landes und Hoch-Schulbibliothek of Darmstadt (Germany). - Civico Museo Bibliographico Musicale of Bologna (Italy).

SKU: ST.C360

ISBN 9790570813605.

Gavotte en Rondeau from Violin Partita No.3 (BWV 1006).

Paper, daylight and candles were often in short supply during Bachâ??s very busy lifetime but simply to view the autograph score in his hand of the Sonatas and Partitas for solo violin is to be bound into a spell by the beauty, skill and extempore furiosity of the script. The cycle has been described as a miracle of implied harmony and rich harmonic textures, â??its freshness and maturity, its depth, its beauty, its response to all moodsâ? informing a work of humanity and genius unparalleled in all the literature for solo violin.

The present arrangement of the Gavotte en Rondeau from Partita No. 3 (BWV1006) is based on Rachmaninoffâ??s intricate harmonisation for piano. â??Ruht Wohlâ?? from the St. John Passion (BWV 245). In the final Chorus from the St. John Passion, Bach imbues the popular dance-forms of the Sarabande and Minuet with a spiritual theme of atonement and reconciliation. The three ritornelli stand like pillars in a palindromic structure whose unbroken melodic line and flowing counterpoint represent a â??timeless continuanceâ??. The original scoring is light and transparent, and transfers appropriately to a choir of cellos without the loss of any counterpoint. Prelude Op. 25 No 3 by Rachmaninoff. Throughout his career as a composer and virtuoso pianist, this Prelude was one of Rachmaninoffâ??s favourite pieces and he dedicated it to his teacher Alexander Siloti. A powerful structure is built up from a small rhythmic motif, reminiscent of Tchaikovskyâ??s representations of fate or Shostakovichâ??s of looming state power. This is contrasted with a lyrical middle section and a final phrase marked leggiero in which the music flies off into the air like a bird.