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Rain Music
$3.40
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Composed by Victor C Johnson. Choral. Octavo. Lorenz Publishing Company #15/3531H. Published by Lorenz Publishing Company (LO.15-3531H).
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Choral SATB
Sub-instrumentation :
SATB divisi
Publisher :
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Sheet music extract
Rain Music
$ 3.40
Item Number: LO.15-3531H
On the dusty earthdrum beats the falling rain. Now a whispered murmur, now a louder strain. This forward-moving, rhythmically-driven music enhances the dramatic, image-laden text of Kentucky-born poet and playwright Joseph S. Cotter, Jr. Effective unison, two-, three-, and four-part writing throughout and optional parts for rain stick and djembes heighten the musical effect.
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Teaching Key Stage 1 Music (BRYANT ANN)
Musical course - Solfege
[Sheet music + CD]
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experi...
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. Teaching Key Stage 1 contains an entire scheme of work for pupils in Year 1 and Year 2, with a CD of performance and accompaniment tracks and photocopiable resources. The scheme has been devised by Ann Bryant to offer guidance for those with no formal musical training and build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann?s broad experience and imaginative ideas and children will have fun singing the fun, original songs that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant?s training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning Teaching Key Stage 1 Music (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children?s author. / Methods
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Rutgers University Music Dictation: Mixed Choir and Accomp.: Instrumental Album
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Music Minus One
A Course in Basic Musicianship Ear Training and Sight Reading 7 Compact Disks
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Revue - Musicologies Nouvelles - Thematiques 2018
Français
Musical course - Solfege
Lugdivine
L?Opus 5 de Musicologies nouvelles est le premier à s?affranchir des thématiqu...
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L?Opus 5 de Musicologies nouvelles est le premier à s?affranchir des thématiques régulièrement abordées dans notre revue, liées aux sujets du baccalauréat et du concours d?agrégation, que nous continuerons à traiter dans les prochains numéros. Il inaugure un projet éditorial que nous espérons pouvoir développer à plus long terme, visant à offrir une image des tendances et des centres d?intérêt les plus marquants dans la musicologie d?aujourd?hui. Livre 21 X 28 cm 140 pages L?Opus 5 de Musicologies nouvelles est le premier à s?affranchir des thématiques régulièrement abordées dans notre revue, liées aux sujets du baccalauréat et du concours d?agrégation, que nous continuerons à traiter dans les prochains numéros. Il inaugure un projet éditorial que nous espérons pouvoir développer à plus long terme, visant à offrir une image des tendances et des centres d?intérêt les plus marquants dans la musicologie d?aujourd?hui.
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Teaching Foundation Music (BRYANT ANN)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par BRYANT ANN. This book is ideal for primary teachers with little or no experi...
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. 'Teaching Foundation Music' is the first of Ann Bryant's music work schemes for primary teachers. The book includes lots of songs and rhymes with flexible lesson plans built around them as well as a CD of performance and accompaniment tracks to accommodate teachers with limited keyboard skills. This scheme offers guidance for those with no formal musical training and will build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann's broad experience and imaginative ideas and Children will love getting involved and singing the wide range of original songs and rhymes that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant's training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning 'Teaching Key Stage 1 Music' (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children's author./ Méthode / Formation Musicale
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Donelian A. - Training The Ear For The Improvisation Musician Vol 2 + 4 Cd
Musical course - Solfege
Advance Music
Now, Training the Ear Volume 2 heralds new directions for the ardent aural explo...
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Now, Training the Ear Volume 2 heralds new directions for the ardent aural explorer. ?Training the Ear, Volume 2? is targeted towards the specific aural needs of the student of intermediate level harmony with his/her advanced development mind. It is intended to provide a practical aural and theoretical foundation that enables the improviser to process more complex levels of music easily and confidently, and thereby to contribute to raising the standard of music pedagogy. (From the introduction by Armen Donelian)
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Basi Per Chitarra Facile '60
Base Musicale
Playgame Music
Audition pour guitare. Chords inclus.Stand by me - la maison de suPlaybacks mont...
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Audition pour guitare. Chords inclus.Stand by me - la maison de suPlaybacks montantes pour guitare. Chords inclus.Internationales Hits des années soixante. / Base Musicale
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Basi Per Chitarra Rock 4
Base Musicale
Playgame Music
/ Base Musicale
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Training The Ear
Musical course - Solfege
[Sheet music + CD]
Advance Music
A travers cette méthode d'apprentissage Formation Musicale vous aurez tous les ...
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A travers cette méthode d'apprentissage Formation Musicale vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Training The Ear A. Donelian Cd a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV16300. / Théorie Solfège / Partition Cd
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Training The Ear Vol.2 4 Cd's
Musical course - Solfege
[Sheet music + CD]
Advance Music
A travers cette méthode d'apprentissage Formation Musicale vous aurez tous les ...
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A travers cette méthode d'apprentissage Formation Musicale vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Training The Ear Vol.2 4 Cds a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV16302. / Théorie Solfège / niveau : Débutant/Intermédiaire / Partition Cd
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Ann Bryant: Teaching Key Stage 2 Music: Classroom Resource
Musical course - Solfege
Faber Music Limited
These books are ideal for primary teachers with little or no experience of teach...
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These books are ideal for primary teachers with little or no experience of teaching music while also offering fresh ideas and inspiration to the most expierenced music specialists. From Foundation level to Key Stage 2 these book contain an entire scheme of work for pupils with a CD of performance and accompaniment tracks and photocopiable resources. Devised by Ann Bryant they offer guidance for those with no formal musical training and build the confidence of all primary-level teachers.
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New Busker's Fakebook 1001 All-Time Hit Songs
-
Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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Ear Training Vol.1 (BUSCH SIGI)
Musical course - Solfege
Advance Music
Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Tra...
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Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Translated by Michael Lee. CD narrated by Jerry Granelli. Each of the ten lessons is divided into three parts: Intervals/Chords, Rhythm, Melody. Examples and exercises are played by different instruments, including piano/keyboard, saxophone, trumpet, drums, percussion, and synthesizer. The answer section at the end of the book is ideal for self-study. / Méthode / Méthode / Tout Instrument
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Denis Lamboley: Ear Training: Theory
Français
Musical course - Solfege
Play Music Publishing
Ear Training
19.25 GBP - Sold by Musicroom UK
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Riccardo Solomita: Ear Training: Theory
Italiano
Musical course - Solfege
Play Music Publishing
Ear Training
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Pedro Martinez: Ear Training Formacion Y Desarrollo: Theory
Italiano
Musical course - Solfege
Play Music Publishing
Ear Training Formacion Y Desarrollo
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Roland Perrin: Real Ear Training: Instrumental Tutor
Musical course - Solfege
[Sheet music + Audio access]
Faber Music Limited
Real Ear Training
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Training In Music 4 (BRADLEY DOROTHY)
Education musicale
Ricordi London
Par BRADLEY DOROTHY. / Solfège/Formation Musicale / Education musicale
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Training In Music 2 (BRADLEY DOROTHY)
Education musicale
Ricordi London
Par BRADLEY DOROTHY. / Solfège/Formation Musicale / Education musicale
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Training In Music 3 (BRADLEY DOROTHY)
Education musicale
Ricordi London
Par BRADLEY DOROTHY. / Solfège/Formation Musicale / Education musicale
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Training In Music 1 (BRADLEY DOROTHY)
Education musicale
Ricordi London
Par BRADLEY DOROTHY. / Solfège/Formation Musicale / Education musicale
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Basi Per Chitarra Rock 3
Base Musicale
Playgame Music
by Aurelio FollieriPlaybacks for guitar. Chords included / Base Musicale
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Entrainement Aux Equivalences (FOREST)
Français
Musical course - Solfege
[Sheet music]
Choudens
Par FOREST. Entrainement aux equivalences rythmisueq, niveau fin d'études./ Sol...
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Par FOREST. Entrainement aux equivalences rythmisueq, niveau fin d'études./ Solfège/Formation Musicale / Formation Musicale
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Basi Per Chitarra Fusion
Base Musicale
Playgame Music
by Aurelio Follieri, Alessio MilaniPlaybacks for guitar. Chords included. / Base...
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by Aurelio Follieri, Alessio MilaniPlaybacks for guitar. Chords included. / Base Musicale
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Rhythmic Training Student's Workbook
Musical course - Solfege
Hal Leonard
Une poursuite de la formation de base rythmique, cette collection de progressist...
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Une poursuite de la formation de base rythmique, cette collection de progressistes exercices rythmiques est conçu pour accroître la maîtrise de l'étudiante en musique à l'exécution et la compréhension du rythme. Les exercices commencent très simplement et de procéder à de mètres plus complexes, battre les divisions et les polyrythmies. Le livre peut être utilisé comme un complément à toute méthode, ou comme un livre de forage pour le musicien qui souhaite consolider et élargir son / ses capacités rythmiques. / Théorie Musicale (Matériel Pédagogique)
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Entrainement Aux Equivalences (FOREST)
Français
Musical course - Solfege
[Sheet music]
Choudens
Par FOREST. / Solfège/Formation Musicale / Formation Musicale
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Onomatotek (POZZI MIRTHA)
Français
Musical course - Solfege
[Sheet music]
Lemoine, Henry
Pièces Polyrythmiques En Onomatopées. Par POZZI MIRTHA. Onomatotek présente d...
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Pièces Polyrythmiques En Onomatopées. Par POZZI MIRTHA. Onomatotek présente des polyrythmies vocales, faisant parfois intervenir des jeux avec les mains et les pieds, sur place ou en mouvement. La superposition de cellules rythmiques permet un jeu d'ensemble ainsi qu'un travail sur l'écoute individuelle et collective. Le jeu polyrythmique offre la possibilité d'une participation active à la création d'une musique forte et entrainante, impliquant tout le corps dans le processus sonore. L'instrument-voix, les phénomènes vocaux - respiration, phonation, vibrations... - sont mis au service de la production des sons dans l'espace. Cette pratique des polyrythmies est une composante des musiques traditionnelles de percussion en Afrique, Amérique Latine, Inde... mais elle a aussi attiré des compositeurs de musique contemporaine, notamment Steve Reich avec Clapping music, Terry Riley avec IN C, et bien d'autres. Une volonté pédagogique anime en permanence ce projet : donner des outils pour pratiquer le rythme de façon organique, avec une dimension ludique ainsi que de s'épanouir par la pratique de la musique d'ensemble. Les cellules rythmiques sont construites à partir d'onomatopées, d'interjections, de locutions, de mots inventés, de mots en français, de 'mots de bruits', d'expressions empruntées au langage imagé, souvent insolites ou surprenantes. Les mots sont choisis pour leurs sonorités. L'orthographe des mots en français peut être modifiée afin de donner un caractère plus proche de 'l'écriture d'un brui'. Il s'agit d'enlever aux mots leur signification et de les extraire de leurs rôles habituels. Il y a dans ces polyrythmies une absence de hiérarchie entre les parties. Toutes ont la même importance - on peut cependant trouver des degrés de difficultés. Il faut faire comprendre aux musiciens qui la pratiquent que chaque voix appartient à un 'tout'. La difficulté et la complexité ne se trouvent pas seulement dans chacune d'elles mais dans leurs imbrications, la précision de la mise en place et la cohésion de l'ensemble. La méthode conseillée pour l'étude de la partition est : transmission orale / reproduction / critique et autocritique / mémorisation / et finalement la lecture. Si on souhaite aborder les partitions par la lecture (le déchiffrage), cela devrait se faire à haute voix afin d'être d'emblée dans la production de l'univers sonore. Des jeux musicaux préparatoires sont proposés afin de se familiariser avec le matériel musical. Tous les participants sont invités à étudier et pratiquer toutes les parties de la polyrythmie. L'étude des cellules doit précéder celle de la structure. L'écriture des notes est empruntée aux partitions de percussions. Les valeurs de notes sont généralement brèves, la hauteur est indéterminée, proche du langage parlé. La position de notes dans la portée indique des hauteurs relatives. L'indication métronomique peut être observée avec une certaine souplesse. C'est la pratique qui doit la déterminer, en veillant à préserver la force rythmique de l'ensemble. Le caractère répétitif fait partie de cette musique - comme on peut le trouver dans multiples formes de polyrythmies, notamment en percussion. Il faut éviter la mécanisation dans la répétition des cellules, chercher à avoir toujours une écoute vigilante et conserver l'énergie qui nourrit l'ensemble tout au long de l'exécution. La musique est sans cesse recréée.../ Solfège/Formation Musicale / Formation Musicale
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