Format : Sheet music + CD
SKU: BT.DHP-0991530-400
ISBN 9789043104296. Italian.
Il metodo di batteria Real Time Drums i è una collezione efficace e appassionante concepita da Arjen Oosterhout, batterista, compositore e insegnante emerito. Le due raccolte del metodo, propongono nuovi ritmi e schemi di batteria sviluppati a partire da esercizi di tecnica immediatamente applicati a stili quali il rock ed il funk. Ogni esercizio è corredato di indicazioni relative allâ??interpretazione, rispettando uno spazio per lâ??improvvisazione. I metodi sono completati dal CD sul quale sono incise una versione integrale di ogni esercizio seguita da una versione senza accompagnamento per mettere in pratica le tecniche apprese. Real Time Drums - 10 brani e RealTime Drums More Great Grooves sono i complementi ai relativi metodi. I ritmi e i fills presentati nei metodi, vengono elaborati in questi due libri. Le parti di batteria comprendono indicazioni relative allo stile del brano. Queste indicazioni servono come punto di partenza per mettere il batterista sulla buona strada. Spetter poi a lui riempire gli spazi lasciati liberi per creare una propria â??storiaâ?. Con la collezione Real Time Drums, la creativit e il proprio bagaglio musicale si arricchiscono!
SKU: BT.DHP-0981331-400
ISBN 9789043102926. 9x12 inches. German.
German Edition Mit dieser perfekten Methode in zwei Bänden lernen angehende Schlagzeuger auf eine noch nie da gewesene Art und Weise. Verschiedene Stile wie Rock, Stil und Swing werden erklärt und mithilfe der CD-Begleitungen praktisch umgesetzt. Am Ende jedes Kapitels werden die besprochenen Themen und Rhythmen in einem richtigen Song geübt - und der Schlagzeuger bekommt das Gefühl, in einem echten Orchester oder in einer Band zu spielen!BAND 1 bereitet den Anfänger gründlich auf die vielfältigen Aufgaben eines Drummers in Bands oder Orchestern vor. Zunächst geht es darum, die Kontrolle über das Schlagzeug zu gewinnen, dann kommen in thematisch abgeschlossenen Kapitelndie Aspekte Tempo, Dynamik und verschiedene Stile, Grooves und Fills an die Reihe. So gewinnt der Anfänger bereits während er lernt, das Schlagzeug zu beherrschen, Einblick in die Stilarten Rock, Blues, Shuffle, Jazz und Latin. Untekosâ?? sind besondere Ã?bungseinheiten, die Unabhängigkeit, Technik und Koordination trainieren. Die CD, auf der einzelne Fragmente vorgespielt werden und dann zu einer Begleitung selbst gespielt werden können, hilft, alles gleich in die Praxis umzusetzen, Rhythmusgefühl zu entwickeln und auf die anderen Instrumente hören zu lernen.Für alle, die nicht genug bekommen können, gibt es ergänzende Spielbücher: Parallel zu Band 1 können die Stücke in Real Time Drums in Songs und Real Time Drums in More Songs gespielt werden; zu Band 2 gibt es Real Time Drums in Songs and Styles. In die darin enthaltenen Stücke wurden alle in der Methode gelernten Techniken und Stile eingearbeitet. Version allemande.
SKU: BT.DHP-1013073-400
ISBN 9789043115858. 9x12 inches. Dutch.
Met deze succesvolle methode in twee delen leert de drummer op een ongekende manier â??real-timeâ?? drummen. In Real Time Drums worden diverse stijlen, zoals rock, swing, bossanova en funk, behandeld en geoefend, alles met behulpvan de meespeel-cdâ??s. Aan het eind van elk hoofdstuk worden de behandelde themaâ??s en ritmes in een echte song geoefend.In de boeken Real Time Drums in Songs en Real Time Drums in More Songs (bij deel 1) zijn alletechnieken en stijlen verwerkt in geweldige songs. Real Time Drums in Songs and Styles hoort bij deel 2. Dit uitstekende oefen- en speelmateriaal is ook los van de methodeboeken te gebruiken.
SKU: BT.DHP-0970895-400
ISBN 9789073252882. Dutch.
Met deze succesvolle methode in twee delen leert de drummer op een ongekende manier ‘real-time’ drummen. In Real Time Drums worden diverse stijlen, zoals rock, swing, bossanova en funk, behandeld en geoefend, alles met behulpvan de meespeel-cd’s. Aan het eind van elk hoofdstuk worden de behandelde thema’s en ritmes in een echte song geoefend.In de boeken Real Time Drums in Songs en Real Time Drums in More Songs (bij deel 1) zijn alletechnieken en stijlen verwerkt in geweldige songs. Real Time Drums in Songs & Styles hoort bij deel 2. Dit uitstekende oefen- en speelmateriaal is ook los van de methodeboeken te gebruiken.
SKU: BT.DHP-0991531-400
ISBN 9789043104289. Italian.
Il metodo di batteria Real Time Drums i è una collezione efficace e appassionante concepita da Arjen Oosterhout, batterista, compositore e insegnante emerito. Le due raccolte del metodo (la seconda non è ancora disponibile in italiano), propongono nuovi ritmi e schemi di batteria sviluppati a partire da esercizi di tecnica immediatamente applicati a stili quali il rock ed il funk. Ogni esercizio è corredato di indicazioni relative allâ??interpretazione, rispettando uno spazio per lâ??improvvisazione. I metodi sono completati dal CD sul quale sono incise una versione integrale di ogni esercizio seguita da una versione senza accompagnamento per mettere in praticale tecniche apprese. Real Time Drums 10 brani e Real Time Drums More Great Grooves sono i complementi ai relativi metodi. I ritmi e i fills presentati nei metodi, vengono elaborati in questi due libri. Le parti di batteria comprendono indicazioni relative allo stile del brano. Queste indicazioni servono come punto di partenza per mettere il batterista sulla buona strada. Spetter poi a lui riempire gli spazi lasciati liberi per creare una propria â??storiaâ?. Con la collezione Real Time Drums, la creativit e il proprio bagaglio musicale si arricchiscono!
SKU: BT.DHP-1074330-400
ISBN 9789043127752. 9x12 inches. French.
La méthode de batterie Real Time Drums est une collection efficace et passionnante. Chacun des deux volumes propose en neuf chapitres richement documentés, des rythmes et schémas de batterie développés partir dâ??exercices de technique (les moulins, les accents, les claves, par exemple). Sur les compact discs sont enregistrées une version intégrale de chaque exercice suivie dâ??une version où ne subsiste que lâ??accompagnement pour mettre en pratique les techniques dâ??apprentissage sans plus attendre. Real Time Drums : In songs et Real Time Drums : In songs and styles sont les compléments des méthodes. Les rythmes et les fills présentés dans les méthodes sonttraités dans ces ouvrages. Avec la collection Real Time Drums, la créativité se développe et le bagage musical sâ??enrichit !
SKU: BT.DHP-1033421-400
ISBN 9789043118613. German.
Die zwölf Stücke in diesem Buch sind eine weitere Ergänzung zu Real Time Drums - Grundlagen für das Drumset Level 1. Jedem Stück geht eine Seite mit Erklärungen voraus, die wichtige Fills vorstellt oder auch nützliche Tipps gibt. Auf der CD wurden die Stücke mit und ohne Drums eingespielt, so dass der Drummer ein Vorbild bekommt, aber auch beim Mitspielen seinen eigenen Stil entwickeln kann.
SKU: HL.391273
ISBN 9781705156841. UPC: 196288028796. 9.0x12.0x0.404 inches.
Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around â??Groove Workshopsâ? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. Product Details: â?¢ 175 pages total â?¢ 73 videos and over 150 mp3 audio files â?¢ Charts, transcriptions and road maps (and how to create your own) â?¢ Interviews with all the musicians on the drummer's role in the band.
SKU: AP.20207UK
ISBN 9781470613549. UPC: 038081575049. English.
The latest book in Paul Hose's tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces; a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance tracks and play-alongs as well as video demonstrations.This dynamic series of books is not only for the beginner who has never played before, they are for those wishing to explore new areas of their playing and genres of music for the first time. They are also the perfect teaching companion. From your first experience on the drums, to Latin, Jazz, Rudiments, Rhythmic Theory and much more besides, this series of books has it all. Private practitioners and those working at education institutions alike from across the world now have these books in their repertoire.What a great book for learning jazz! Paul Hose has mixed the history, technique, posture, exercises, rhythm at the drum kit and much more in one book! Deep material to really get started in jazz! I am already learning with it! - Nina Pará - Author, Journalist and Teacher, São Paulo, Brazil.
SKU: HL.750421
UPC: 606559312948. 6.0x6.75x1.771 inches.
The first timekeeper designed specifically for the band's timekeeper, Tama's Rhythm Watch, had everything a drummer needed to make sure the time was right, live and in the studio. The original Rhythm Watch featured enough volume to play with real drums, a large, easy-to-read display, a dial for quick tempo adjustments, separate volumes for quarter notes, eighths and triplets-the list went on and on. So who could ask for more? Well, lots of drummers could and did. So Tama listened to what they wanted and made some changes. The RW105 now features a backlit display, 30 different memory settings, and up to nine different beat divisions. The only thing Tama didn't change was the simplicity. Features *Volume loud enough to be heard over drums *Large, easy-to-read backlit display *A dial for quick tempo adjustments *Separate volumes for quarter notes, eighths, and triplets *30 different memory settings (up from 20)*Nine different beat divisions (up from 6).
SKU: BT.MUSAM997458
ISBN 9781849380881.
The little book with all the big songs!
A pocket-sized collection of over 70 hits by the biggest names of the 1980s.
Presented in chord songbook format, with chord symbols, Guitar chord boxes andcompletelyrics.
SKU: FG.55011-372-5
ISBN 9790550113725.
Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work.