SKU: KN.52748S
This spirited chart, originally recorded in a small group setting on the CD I Remember Jaco (BMG-Novus), is playable at a variety of brighter tempos but should ultimately be performed fast. A solid rhythm section is required, an open solo section is included, and the repeated vamp featuring solo tenor at the end is a rare treat. Duration ca. 4:30.
SKU: KN.52928S
UPC: 822795529289.
Recorded by Bill Watrous on the Columbia album of the same name, this big band masterpiece features a relentless Latin groove, crisp articulations, and full solo choruses for trumpet, tenor and trombone. Perfect as a concert opener or closer! Rhythm section parts are partially notated with chords cued. Duration 4:30.
SKU: KN.43030S
UPC: 822795430301.
From the opening line to the final chord, this chart bristles with excitement. Rich voicings, a superb melody and a relentless swing feel make it a perfect program opener or closer. In addition to an open solo section, solo space is also included for unaccompanied piano and drums. Rhythm section parts are partially notated with chords cued. Duration 5:30.
SKU: KN.61165S
UPC: 822795611655.
This chart conjures up mental images of driving on a curvy mountain road overlooking a picturesque desert valley. This exciting chart for advancing groups has a driving 12/8 funk feel that is sure to engage your band and audiences with its relentless intensity - but without excessive brass range demands (trumpet: D6 and trombone: G4). The harmonies are sturdy and the melodies are memorable. All instrumental sections have interesting, well-articulated parts and solo space is provide for guitar and piano. A guitar chord chard by Jim Greeson is included in each set. Duration 5:55.
SKU: KN.42457S
UPC: 822795424577.
This original samba for medium level groups captures all of the drama and excitement of an event in a bull ring. The opening fanfare leads to the relentless Latin groove that supports the lyrical melody. An open solo section (written or ad lib) features any soloist, with solo sheets provided for all. Duration 3:30.
SKU: KN.09953S
UPC: 822795099539.
This exciting grade 4 arrangement of Joseph Achron's Hebrew Dance, Op. 35, No. 1, reflects the Jewish elements of his roots. The haunting, sorrowful Song features cello (or viola) and violin soloists, and then the Dance explodes on the scene with driving, relentless energy, accelerating to the tumultuous ending. Available in SmartMusic.
SKU: KN.42713S
UPC: 822795427134.
A relentless hip-hop groove drives this upbeat original by Bret Zvacek. Add a catchy melody and an open solo section (written lines provided), and you have a chart that will be a big hit with bands and audiences alike. Rhythm section parts are notated with chords cued. Duration 4:15.
SKU: CF.PPS53F
ISBN 9781491152652. UPC: 680160910151.
Illyria is a region in southern Europe, and the name has been used in books and music throughout history, including Shakespearean plays. Composer Sean O'Loughlin takes beginning students on a musical journey, starting with broad melodic statements by the brass, bold full ensemble statements, a contrasting lyrical section, and concluding with a relentless finish. Journey to Illyria is a sophisticated musical presentation that is still playable by the youngest of students.The title Journey to Illyria comes out of a recent internet search that came up with a similarly titled book by an author named Sean O'Loughlin (no relation). I'm always fascinated by how connected and small this world can seem. After some further research, I found that Illyria is also a name that appears in some fantasy fiction books and even on the TV show Angel. All of this gets wrapped into the music for this piece.It begins with a broad melodic statement by the brass. It develops further at m. 9 and then transitions to a full statement at m. 25 with plenty of imitation between upper and lower voices. A contrasting slower section follows at m. 39, which should bring out the haunting, rich sound of the ensemble. The fast section returns at m. 46 with progressively building imitation to bring back the opening gesture at m. 58. The music then is relentless to the rousing end.
SKU: CL.011-4493-01
Insurrection is a bold, ominous and aggressively spirited musical juggernaut, full of energy from start to finish! Depicting the intensity and unsettled feel of sudden conflict, it begins with a powerfully introspective statement, and quickly shifts gears to a faster, eerier direction with colliding dissonances and staccato rhythms in the high woodwinds. A calmer emotional release follows, before the revolt against authority returns with the relentless and forceful energy of the opening. The dynamics, choppy woodwind flourishes, powerful low brass riffs, and frenzying percussion brings the idea of a rebellion to your next concert program. This a crisp and exciting concert opener or closer that makes even the youngest of players sound advanced beyond their abilities. Exciting music!
SKU: SU.32020151
Setting Century’s three movements each explore human perception of time. Ticking’s relentless violin clock underscores dreamlike melodic fragments. Tolling dilates the ticking into bells, as wind exhalations contrast an eternal string melody. Streaming’s unisons phase into close canons. Long or short, time flies.Flute, Clarinet, Violin, Cello & Piano Duration: 15’ Composed: 1999/2015 Published by: Dorothy Hindman Music Also available: Full Score (Cat. #32020150).
SKU: CF.CPS216F
ISBN 9781491153109. UPC: 680160910601.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.
SKU: AP.12-0571572138
ISBN 9780571572137. English.
Composed for Steven Isserlis in 2004, Carl Vine's Concerto for Cello is an exhilarating 20-minute work that traverses a vast emotional palette. The concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close.
SKU: CL.011-4280-01
This burst of energy will make bands of all levels sound powerful and outstanding! Rhythmic and dark, this relentless work allows every section to be heard as they create a swirling mass of sound and power. Consider this strongly for your next concert or contest!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.032-3955-01
Funk rock with a relentless beat is the best way to describe this exceptional chart for better bands by Andy Clark. Starting out featuring two trumpets or a trumpet-alto sax duet before getting the whole band involved, this is music your students can really relate to. Includes an open solo section for the soloists of your choice over Bb minor blues changes. The ranges are reasonable and it includes an active but playable electric bass part.
SKU: CL.024-4459-01
They’re alive!! The zombies are taking over the band, and they’ve started with your trombone section! This clever piece combines special percussion and wind effects, haunting melodies, and a relentless beat, to provide a dramatic and effective change of pace for your next concert. Frighteningly fun, Attack of the Zombie Trombones will be a hit with students and audiences alike.
SKU: CF.CAS130F
ISBN 9781491157480. UPC: 680160916061. 9 x 12 inches.
This energetic composition, written in the style of traditional fiddle-tunes, gradually modulates from B minor to D Major. Players will encounter authentic fiddle techniques such as shuffle-bowing, chops, and double-stops at a brisk tempo. The chop is accomplished by dropping the bow firmly on the D and A strings at the frog, sinking and stopping with slight motion toward the scroll. Players should straighten their fingers on the frog and the bow hair should be tilted toward the bridge when performing this technique. A syncopated bass accompaniment and relentless pace depict a stormy winter season, melting into spring. Each section is given interesting melodic and accompaniment lines, with exciting accented rhythms that require all players to match bow placement, internalize a common tempo, and listen across the ensemble for a precise, focused sound.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.YAS197F
ISBN 9781491155004. UPC: 680160913558. 9 x 12 inches. Key: D minor.
Perpetuum is a lively and contemporary addition to any concert performance with its memorable melodic lines and relentless driving rhythms. The piece begins with a powerful introduction to the main theme which is ingeniously augmented as the piece powers forward. The middle section provides a warm, lyrical contrast performed by the lower strings. The main theme returns with a wall of sound heading to a dramatic close. This beautifully expressive and contemporary work is a nice change of pace for orchestra students. Using the optional percussion parts are highly recommended for optimal effect.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CL.012-4646-01
Defiance presents a musical representation of bold and daring resistance to authority, opposing forces, or differing beliefs. This high energy musical work immediately demands the attention of the listener and performer! Solid brass writing is balanced with excellent woodwind lines - each assertively stating the musical themes while being insistently pushed forward by relentless (and very fun to play) percussion. Your students will enjoy performing this very exciting, bold, and daring piece!
SKU: CL.024-4486-01
The relentless pursuit of excellence is embodied in this aggressive work for younger bands. Interesting rhythmic interplay and well-crafted melodies intersect to create a powerful musical experience for your next concert or festival performance. Fun to play, and exciting to hear!
SKU: CL.012-4693-01
Infectiously rhythmic and energizing, Swirling in the Light Bulbs is a refreshing addition to any concert program! Conjuring images of an electrical current through swirling melodic lines and irresistible grooves, this engaging selection explores the wonder of harnessed energy. Swirling in the Light Bulbs is inspired by former U.S. Poet Laureate Billy Collins’s take on this often overlooked modern miracle. In his poem August, Collins writes and time to offer some thanks to the electricity swirling in the light bulbs. Allow audiences to be captivated as your ensemble generates a relentless pulse and builds exhilarating sonic momentum before a whimsically abrupt ending signals the band powering off..
SKU: CF.FAS114F
ISBN 9781491154861. UPC: 680160913411. 9 x 12 inches. Key: B minor.
Siberian Hunt is an exciting and adventurous work for young string orchestra. In it, the listener is transported to the frozen Siberian landscape on a hunt for beasts from a forgotten age. The piece moves with fierce energy and relentless determination. Written in B minor, it features a call/response section in the middle, rich harmonies, and a range of dynamic contrasts for the students to master. The first violins will enjoy getting to play on the E-string (watch out for G-naturals). The instrument sections are grouped rhythmically to encourage confidence of playing and ease of learning across the ensemble. The parts are balanced so all players can feel like they are an important piece of the orchestra.
SKU: CL.032-3755-01
A high energy shuffle tune whose relentless groove is loaded with appeal. Easy changes and written-out solos will encourage developing soloists, yet will also make your more mature players sound great. Rhythms and ranges have been carefully edited to insure no matter what level your band is, they will be successful with this chart.
SKU: CF.CAS122F
ISBN 9781491154748. UPC: 680160913299. 9 x 12 inches. Key: E minor.
Titan X is a formidable piece of programmatic music which stirs visions of grandeur and power as the relentless pulse of this contemporary work powers ahead. The triumphant theme in the first section quickly develops momentum accompanied by powerful percussion and a driven beat. The middle section is surprisingly lyrical, going through several key changes and offering a brief respite before the main theme returns in a climactic finale. Use of optional percussion is recommended.
SKU: PR.416413710
ISBN 9781598068214. UPC: 680160587162. 9x12 inches.
Needham's original intent with Chamber Symphony was to encapsulate the 2008 presidential election, from the Democratic primaries to the historic general election campaign and win of Barack Obama. But, says Needham, In the midst of the general election circus, I decided to broaden my inspiration and have the work's overall goal focus on the larger ideas of hope and transformation. Chamber Symphony was commissioned by the American Composers Orchestra with generous support of Paul Underwood. Additional support was from the National Endowment for the Arts.I originally envisioned a work inspired by the political landscape of the 2008 presidential election, focusing primarily on the hard-fought Democratic Primary race. I was fascinated by the historic and hopeful spirit that both the Barack Obama and Hillary Clinton campaigns embodied. Sometime later, in the midst of the general election circus, I decided to broaden my inspiration and have the work’s overall goal focus on the larger ideas of hope and transformation. Chamber Symphony is constructed in three movements (played without pause): I. Hammering Out, II. Open-ended Echoes, and III. Radiant Nation. The titles suggest a general atmosphere that each movement attempts to express. The outer movements, both quick in tempo, act as the antithesis of each other in terms of mood. “Hammering Out†employs an aggressive, relentless, pounding beat that frequently shifts, often emphasized with metallic sounds. “Radiant Nation†is much lighter and more optimistic in tone, and uses an up-beat groove throughout the movement. The middle movement, “Open-ended Echoes,†is the proverbial calm after the storm. Unlike the outer movements, “Open-ended Echoes†is almost void of any strong sense of pulse. The movement attempts to create a peaceful, contemplative mood that transforms the volatile nature of the first movement tothe radiant spirit of the last. Chamber Symphony was commissioned by the American Composers Orchestra for its Orchestra Underground Series with the generous support of Paul Underwood. Additional support for the ACO’s Emerging Composers Program comes from the National Endowment for the Arts.— November 5, 2008.
SKU: CL.012-3699-01
Take a historical journey into the heart of the continent along the powerful St. Lawrence River as the early French explorers did. The immensity and beauty of this historic river is captured in bold brass fanfares. Haunting woodwind themes encapsulate the relentless exploration of the New World, and the lush, melodic slow section presents many opportunities for lyrical playing. Ideal for bands of moderate experience, this programmatic composition is perfect for contest, festival and concert performance.
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: CF.CAS127F
ISBN 9781491157466. UPC: 680160916047. 9 x 12 inches.
A relentless 6/8 accompaniment drives this piece forward with exciting momentum. Two-against-three rhythm patterns add urgency to the theme, requiring precision in counting and maintaining an even tempo. Intensity builds like the first piercing light on the morning horizon, flourishing toward a stately middle section that reflects the grandeur of glorious colors and spacious skies. Players with the melody should take care to sustain with a warm, ringing tone. The pizzicato accompaniment should also stay unrushed and steady. The following restatement of the fast opening theme soars to a triumphant finale.
SKU: CF.PPS53
ISBN 9781491151976. UPC: 680160909476.
SKU: FJ.B1835S
English.
Like its title implies, this highly aggressive work is based on a combination of invigorating melodies and a relentless rhythmic drive. Musical lines weave throughout the ensemble, soaring countermelodies take center stage, and an increasingly intense final passage takes the piece to an entirely new level. Simply put, this one is full of energy!
