Hans-Martin Linde (né en 1930) n'est pas seulement un des plus célèbres joueurs enregistreur du vingtième siècle, mais a enrichi le répertoire contemporain enregistreur avec des oeuvres significatives pour fins de performance et de frais de scolarité de concert. La composition Reminiscences pour quatuor à cordes, pour la combinaison inhabituelle et délicieux consonance A (triples) / T/T/B, utilise des thèmes musicaux du XVe au XVIIe siècles : d'un ' Prélude à l'imitation 'par Froberger, une mélodie par Claudio Saraceni ' Da te parto', thèmes de sonates pour clavier par Domenico Scarlatti, la Chanson ' Adieu, mes très belles 'par Binchois et une basse terre de collection de clavecin de Purcell ' servante du Musik'. Les écritures de compositeur: ' dans bon nombre de mes compositions une réunion a lieu entre l'ancien et le nouveau. Dans cette Suite, trop, événements présents se déroulent dans le contexte du passé. Modèles de musique ancienne sont inversés dans le présent. ' / 4 Flûtes A Bec (ATTB)
SKU: HL.48181330
UPC: 888680867539. 9.0x12.0x0.082 inches.
Jacques Ed. Barat: Reminiscences de Navarre (Tuba & Piano).
SKU: HL.49043936
ISBN 9790001178679. UPC: 840126938609. 0.151 inches.
SKU: PR.44641256L
UPC: 680160596010. 11 x 17 inches. Key: A major.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
SKU: PR.446412560
ISBN 9781598063738. UPC: 680160596003. 9x12 inches. Key: A major.
SKU: HL.48024522
UPC: 888680900434. 9.0x12.0x0.055 inches.
Composed for the commission project celebrating the 85th birthday of legendary conductor, Frank Battisti, this beautiful lyric piece from Kathryn Salfelder offers a rewarding emotional depth for young bands. Evoking feelings of nostalgia, yearning, and growth, some of the moments are peaceful, while others are full of angst. The music evolves from a tone row provided by Mr. Battisti himself, and features shifting tonal centers and textures ranging from lush full band passages to lighter soloistic passages. Recorded by the New England Conservatory Wind Ensemble – Charles Peltz, conductor. Dur: 3:45.
SKU: HL.49007768
ISBN 9790001083201. UPC: 073999486865. 9.0x12.0x0.093 inches.
High Spirits * As In a Dream * The Surprise * Like a Song * Cycling Around * Waltz * Reminiscence * Spite * Again and Again * Church Modes. Piano Workshop Series Book 2.
SKU: PR.14540034F
ISBN 9781598063240. UPC: 680160595914. 9x12 inches. Key: G major.
Originally composed for orchestra with 3 offstage brass sextets, Fanfare; Reminiscence and Celebration has been re-created by Ellen Taaffe Zwilich for symphonic band plus three offstage brass sextets for a dazzling theater-in-the-round concert experience. The score is provided in 11x17 format for ease in reading. For advanced and university ensembles. Duration: 12’.
SKU: CF.YPS106
ISBN 9780825887765. UPC: 798408087760. 9x12 inches. Key: Eb major.
A lush and musically expressive ballad for band that pulls at your heart strings, Reminiscence is tender and emotionally charged with musical tension that resolves beautifully at the end. Bill Calhoun has become a composer you can trust to write music of a very high quality.
SKU: CF.YPS106F
ISBN 9780825887772. UPC: 798408087777. 9x12 inches.
SKU: ST.B946
ISBN 9780852499467.
Organist of Gloucester Cathedral from 1896 till his death in 1928, as well as composer, choir-trainer, adjudicator and teacher, Sir Herbert Brewer was involved for over three decades with the Three Choirs Festival, and his Memories of Choirs and Cloisters offers a vivid account of the planning and execution of the festivals in that time, those at Gloucester in particular. Though his professional life was spent exclusively in the provinces, his championing of contemporary music brought him into wide contact with composers and other artistic figures both from Britain and the continent, including Robert Bridges, Elgar, Glazunov, Rider Haggard, Parry, Quiller-Couch, Ravel, Saint-Saens and Sibelius (whose Luonnotar he premiered). John Morehen's fine new edition places Brewer's lively and insightful recollections of these and other encounters and connections in context for the modern reader, making the book an important addition to our fuller understanding of a remarkable period in British music. Neither a conventional autobiography nor a diary, but a collection of reminiscences compiled towards the end of his life, Brewer's Memories reveals a scrupulous and astute musician of great integrity, warm-hearted with a devotion to social justice and civic duty, and with a mischievous sense of humour.