Renaissance Recorder Anthology ? Volume 1

SKU: HL.49003188

ISBN 9780946535224. UPC: 841886002289. 8.25x11.75x0.486 inches. English.

Aural Matters provides useful resource material for aural training at Advanced level in a single volume with two accompanying compact discs. the first part is packed with examples of dictation and discrimination exercises, carefully graded in difficulty. The recordings on disc allow these practice-materials to be used by the student at home, as well as by teachers in the classroom. The text provides a systematic approach to aural training * melody and two-part dictation, harmonic recognition, identifying errors in performance * with frequent hints and tips that will enable the student to develop increasing skill and confidence in the tests. Part Two provides an recorded anthology of the compositional techniques with wich students are expected to be familiar at Advanced level. A huge variety of extracts has been specially selected from British folk-songs, world music, jazz, pop and the main periods of art music from the late Renaissance to modern times. A detailed commentary shows how to recognize periods, styles, structures, instruments and techniques in this music, with all of these features copiously illustrated in the examples on disc. The complete work provides an invaluable resource not only for the Advanced level aural syllabus, but also for any study of style and analysis in the wide variety of music that is encountered today. Prelude * Part I: Melody Dictation * Two-Part Dictation * Keys, Chords and Cadences * Intonation * Spot the Mistakes * Part II: Prelude to Part II: Aural and Stylistic Analysis * Folk Music of the British Isles * World Music * Jazz * Popular Music * Music of the Late Renaissance * Music of the Baroque Era * Classical Music * Romantic Music * Music in the 20th Century * Answers to the Tests * Index.

SKU: UT.HS-303

ISBN 9790215327016. 9 x 12 inches.

This two-volume anthology has been designed on the living experience of teaching as material intended for descant recorder players at the beginner and intermediate level. The progressive order allows an approach to ensemble music, starting from the use of just the notes of the left hand, and proceeds with the acquisition of the new positions reaching the chromatic range of an octave and a sixth.
The repertoire used consists exclusively of dance music from the French and Flemish area contained in various collections published between 1530 and 1583 by various composers and editors. This choice was dictated by a number of different factors: the extremely clear and symmetrical metric and formal schemes typical of the Renaissance dance form, with due and useful exceptions, help to understand the concept of musical phrase; the use of coded and recurring rhythmic formulas makes it possible to perfect the rhythmic division; harmony based mostly on the basic steps helps to form an experience of listening, intonation and understanding of the main harmonic functions. No less significant are other elements, such as variety in the length of the pieces, from a few bars up to several dozen, which favours the development of concentration and attention, with the same technical difficulties. Above all, however, the vastness of the repertoire, more than 500 compositions, makes it possible to choose and order the pieces with an idea of ​​technical and musical progressiveness comparable to that of a method.
The edition is produced in such a way that all the pieces can be performed in four parts except for some in five parts, in different ensembles. The most basic is in reduced three-part form of descant, tenor and bass, the latter two are given respectively to the right and left hand of the keyboard player. Since recorders play at the octave above, the tenor part is also transposed in the same way to make the sound of the three upper voices homogeneous, while the bass retains its original range. It is also possible to enlarge the group to play the full four voices with the addition of an alto or tenor recorder playing the alto part, available in the separate part, and two more instruments, tenor and bass recorders or others, performing the respective lines alone or doubling with the keyboard.