Requiem, K. 626 (Sussmayr Edition)

SKU: CA.5162612

ISBN 9790007225230. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and part available separately - see item CA.5162600.

SKU: CA.5162614

ISBN 9790007225254. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and part available separately - see item CA.5162600.

SKU: CA.5162613

ISBN 9790007225247. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and part available separately - see item CA.5162600.

SKU: TM.14461SET

Score pgs. 16-21. Sussmayr edition. Organ in set. See #07252 Complete Requiem for vocal score.

SKU: BR.PB-5210

In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory Libera me, Domine

ISBN 9790004209417. 9 x 12 inches.

We sought to alter as little as possible the reconstruction of Freystadtler, Eybler and Sussmayr, and to present Mozart's largest sacred work as it was 'arranged' by his grieving and devoted pupils (1791-1792). (H. C. Robbins Landon)The Landon version of the Mozart Requiem, published by Mozart expert H. C. Robbins Landon, was a milestone. In his meticulously edited work, Landon incorporated latest research in an attempt to take the contributions of all the three Mozart pupils Franz Xaver Sussmayr, Joseph Eybler and Franz Jakob Freystadtler into account for the first time. The edition presents the unfinished masterpiece in a version that comes as close as possible to the state in which it was found in 1791/92, a concept that has proven itself repeatedly in performance. The Landon version is ideal for all who want to perform Mozart's Requiem today in this historical form and wish to use neither the traditional Sussmayr version nor modern-day reconstructions or new compositional attempts. NB: piano reduction and choral score can be used for both versions.

In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory Libera me, Domine.

SKU: TM.07252SET

Transposed: Cl 1&2, Tpt 1&2, Tbn I. Original Tbn II in modern clef. Transposed Cl (Bb) = Transposed Basset horns (Bb). Orig. Cl in Bb except Dies Irae in C, Sanctus in A. Chorus sold as separate S, A, T, or B choral parts - please specify quantity for each voice when ordering. Part engraved.

SKU: TM.07252TPS

Menuet-Plantee, Musette-Fetes D'Hebe, Tambourin-Fetes D'Hebe.