Rhythm Master - Book 1 (Beginner)

The New Generation. Par FISCHER PETER. A good 10 years after the publication of his best selling “Masters of Rock Guitar“, Fischer continues in his familiar conversational style and analyzes the most influential guitarists of the past decade. Rhythm and lead guitar concepts in the style of Metallica, Blink-182, The Darkness, Slipknot, John Petrucci, Michael Landau, Eric Johnson and many more. / Niveau : Intermédiaire / Rock - Licks and Phrases / Recueil / Guitare Electrique

Following on from his hugely successful JustinGuitar.com Beginner’s Course and his songbooks for Guitar celebrated guitar tutor Justin Sandercoe and his friend and sessionguitar master Dario Cortese have created a detailed and comprehensive guide to reading music notation for guitarists. This book has been specially created for any guitarist who wants to learn note reading be theybeginners or more advanced players who have neglected this part of their musicianship. It starts with the very basics of written music and progressively introduces notes on each string one at a time until all notes in the 'openposition' (first five frets) of the Guitar have been mastered and up to 8th note rhythm subdivisions have been learned and applied. Also covered are sharps flats key signatures accidentals repeats and more. Each step includespractical exercises handy tips and tricks and a simple repertoire for students to put their reading skills into practice. Volume 2 will introduce the student to notes further up the neck position shifts and more complexrhythm subdivisions. Expected mid 2017.

Beginner - Advanced-Designed by John McCarthy this Master Edition combines all levels of this award-winning series in a complete course! Learn the essential techniques needed to play all genres of music. Start with how to hold the Bass for comfortable playing and fast effective learning. Next learn rhythm timing basic Bass lines and how to play along with a drummer. Learn 3rds 5ths and octaves and how to apply them in a song. Plucking techniques including slap

First Lessons Cajon has been specially designed to guide beginning players through all of the necessary steps to becoming a proficient Cajon player in a pop and rock context. Basiclessons in rhythm will help you learn mainstream beats for the Cajon that you can use in your favorite songs. Lessons in hand position posture and sound are also included to ensure the best Cajon playing experience possible. Whether you are a beginner or have a little experience with the Cajon this book will help you master the fundamentals of this unique instrument. First Lessons Cajon includes access toonline audio tracks.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Media Type : Book Level : Multiple Levels Musical Genre : All Styles Series : Modern Guitar Method Number of pages : 320 All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, deluxe master compilation. No other comparable method exists for the guitar! As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only, providing just enough music theory to understand what the student is required to play at any given point. Although fingerstyle technique can be applied to the pieces and studies, this book is specifically tailored for the plectrum-style player. Contains hundreds of beginner through advanced solos and duets in all fretboard positions and all keys, plus all four-note rhythm chord formations on high, middle and low sets of adjacent strings. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original seven volumes. All in all, this outstanding method leads the student to total mastery of the fretboard.

All seven volumes of Mel Bay's original internationally acclaimed Modern Guitar Method series are included in this single deluxe master compilation. No other comparable method exists for the guitar! As Mr. Bay perceived the needfor a guitar method that would effectively teach beginning guitarists to read music this method is intentionally written in standard notation only providing just enough music theory to understand what the student is required toplay at any given point. Although fingerstyle technique can be applied to the pieces and studies this book is specifically tailored for the plectrum-style player. Contains hundreds of beginner through advanced solos and duets inall fretboard positions and all keys plus all four-note rhythm chord formations on high middle and low sets of adjacent strings. This edition also includes additional outstanding plectrum guitar solo arrangements not found inthe original seven volumes. All in all this outstanding method leads the student to total mastery of the fretboard.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described