Lieder is Volume 2 of the complete edition of Richard Strauss' songs. With 4 Volumes altogether they include in chronological order each of Strauss' songs in their original setting. This edition has been edited by Dr. Franz Trenner. The pieces have been written for voice and piano accompaniment.
SKU: HL.49045562
ISBN 9783901974052. German.
Richard Strauss (1864–1949), the composer of large-scale operas and tone poems, also wrote lieder throughout his life. His entire oeuvre stretching over a period of 78 years is framed by lied compositions: the Weihnachtslied dating from December 1870 (the secondentry in the chronological catalogue of Strauss's works) and the lied Malven written in November 1948 (Strauss’s last completed composition). His lied compositions include lieder with piano accompaniment, genuine orchestral lieder and subsequent orchestrationsof original lieder with piano. Strauss frequently conducted his own operas and orchestral works and also gave public performances ofhis lieder both as pianist and conductor. As was customary in the concert practice of the time, he combined lieder with larger-scaleworks: it was not uncommon for tone poems and lieder to appear on the same programme. Music publishing houses were active in the dissemination of Strauss lieder across the world: in the first prints, the early lieder were published in their original register, mostly only with German texts, but numerous editions were subsequently issued for other vocal registers or with additional texts in English, later also in French, Italian and Russian translations. The broad spectrum was rounded off by arrangements of lieder (such as purely instrumental piano arrangements by Max Reger and Walter Gieseking), arrangements and orchestrations by other composers andlieder albums containing collections of Strauss lieder not ordered chronologically according to their opus numbers. The fact that Strauss is to this day one of the most frequently performed composers is not only due to his operas and tone poems, but also his lieder, particularly the most treasured favourites. A number of these pieces are contained in this volume: Zueignung op. 10 No. 1,Nichts op. 10 No. 2, Die Nacht op. 10 No. 3, Allerseelen op. 10 No. 8, Ständchen op. 17 No. 2, Ruhe, meine Seele! op. 27 No. 1, Cäcilie op. 27 No. 2, Heimliche Aufforderung op. 27 No. 3, Morgen! op. 27 No. 4 and Traum durch die Dämmerung op. 29 No. 1.
SKU: HL.49047152
UPC: 196288136620.
In 1918 a twelve-year phase came to an end during which Richard Strauss had completely turned his back on the composition of lieder.Plausible explanations for this period of abstinence range from Strauss’s focus on stage works during this time to the fact that hiswife Pauline, who had previously constituted the composer's “ideal performer†of his lieder and frequently been the source of inspiration for these compositions, had ended her career as a singer. After not having produced any new lieder during these twelve years, Strauss was equally consistent in the resumption of lied composition – at least in the year 1918 that would prove to be the most intensive “lieder year†in his entire compositional career with the composition of opp. 66, 67, 68 and 69 (a grand total of 29 lieder, in addition to the orchestration of six piano lieder composed in former years). The current volume includes the lieder dating from 1918 up to Strauss's death in 1949 in their original language and pitch. German and English.
SKU: SU.00220213
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Flute and Piccolo parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220227
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
SKU: SU.00220214
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Oboe and English Horn parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
SKU: SU.00220215
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
SKU: SU.00220225
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Double Bass parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
SKU: SU.00220222
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Violin I & II parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
SKU: CA.5280900
ISBN 9790007246525.
With the songs Reger wrote between summer 1889 and spring 1901, he made his mark in the music world. His style displayed a harmonic and melodic intransigence which challenged, fascinated, and irritated performers and audiences in equal measure. The song collections which Reger compiled became ever more extensive: opp. 35 and 37 contained six and five songs, opp. 43 and 48 eight and seven, and opp. 51 and 55 twelve and fifteen songs. As well as this, he wrote some individual pieces for inclusion in the Neue Musik-Zeitung (WoO VII/23-29).In his assiduous search for texts, Reger turned to contemporary lyric poetry with its plurality of styles. The poems which he set were by representatives of the literary Jugendstil (art nouveau) and impressionist movements, including Otto Julius Bierbaum, Detlev von Liliencron, and Richard Dehmel. Here, Reger's musical hallmarks were intensity and subtlety of feeling, a desire for intimacy, and a modern emotional language. This corresponded with the concentration on the modern declamatory song following on from Hugo Wolf, to whom op. 51 is dedicated. In addition, Reger ventured to set texts which Richard Strauss had also set previously, in the process finding different solutions in mood and tonal language.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.
SKU: HL.49042467
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-relatedand relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information an.
SKU: HL.49042437
ISBN 9783795794507.
Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was notconducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer,ritic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold.This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Webers music. Conforming to the standards of recent historico-critical editions, the textual material will be based on.
SKU: HL.49042473
Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as Preciosa, Oberon, and Euryanthe, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Webers work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro.
SKU: HL.49042455
ISBN 9783795794828. 10.0x13.25x0.845 inches. German - English.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: HL.49045855
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro.
SKU: HL.49042438
ISBN 9783795794811. 10.0x13.5x1.098 inches.