Richard Wagner: Die Walkure: Opera: Score

Now available in octavo format too! Based on the new edition as part of Wagner's Complete Edition the first critical edition of the score Die Walküre like Rheingold and Götterdämmerung is now also available as large pocket score.The new edition is based on the sources used for the printing i.e. the first print of the score and the engraver's copy. Fortunately the latter still is extant today. At the end of the first Bayreuth Festival in autumn 1876 Wagner gave it to the violinist Friedhold Fleischhauer from Meiningen the first violinist of the Ring orchestra apart from August Wilhelmj. For 125 years the document was privately owned before it was made accessible tothe public for the first time in 1999.

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

Second part of The Ring Of The Nibelung. English translation by Frederick Jameson.