Romance in E-flat Major

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

Les Classics Piano Explorer: une méthode pour l'élaboration d'oeuvres magistrales paires en série Pianistes motivation répertoire performance avec réfléchies études techniques. Chaque niveau contient un livre Répertoire avec lecteur CD et un livre technique, pratique à la fois avec la page par page de corrélation. Lorsqu'ils sont utilisés ensemble, les livres donner aux étudiants une compréhension profonde de l'art de la musique, les pratiques de performance et les compétences nécessaires pour jouer du piano avec une aisance technique. Les livres comprennent des pièces Répertoire des périodes de style majeures, sélectionnées et classées sur la base du festival, la concurrence, et les listes d'examen des Etats-Unis, au Canada et au Royaume-Uni. Des renseignements généraux sur chaque période de style, ses instruments, compositeurs, et la musique elle-même est inclus.Les enregistrements sur CD du répertoire, effectuées par le clinicien de renommée internationale et professeur Nancy Bachus, de fournir un outil indispensable pour l'interprétation musicale appropriée. Un diplômé de l'Eastman School of Music avec un MM en interprétation du piano et de la littérature, Nancy Bachus a donné des récitals en solo à travers les Etats-Unis, le Canada et l'Italie, et est apparue dans les 'Concerts' monstre originaux dans des lieux tels que le Lincoln Center et la Maison Blanche. / Piano

Description The entire corpus of Brahms' short piano pieces is contained in this volume. The music is reproduced directly from the definitive Vienna Gesellschaft der Musikfreude edition. Songlist [Unknown] Agitato B Minor Andante Con Moto C Sharp Minor Andante Con Moto, B Major Andante D Major Andante Moderato E Flat Major Andante Non Troppo B Flat Minor Ballade G Minor Ballades Op.10 Capriccio B Minor Capriccio C Major Capriccio C Sharp Minor Capriccio D Minor Capriccio F Sharp Minor Capriccio G Minor Edward D Minor Eight Piano Pieces Op.76 Fantasies Op.116 Four Piano Pieces Op.119 Intermezzo A Flat Major Intermezzo A Major Intermezzo A Minor Intermezzo B Flat Major Intermezzo B Minor Intermezzo C Major Intermezzo E Flat Minor Intermezzo E Major Intermezzo E Minor Intermezzo F Minor Intermezzo, Allegro, B Minor Molto Passionato G Minor Rhapsody E Flat Major Romance F Major Scherzo E Flat Minor Op.4 Six Piano Pieces Op.118 Three Intermezzi Op.117 Two Rhapsodies Op.79 Waltzes Op.39

36 Repertoire Pieces with Piano Accompaniment Flute and Piano editor: Peck, Donald Harpsichord and String Orchestra) - Siciliano (from Sonata No. 2 in E-flat Major) - L. v. Beethoven: Minuet - Serenade - G. Bizet: Minuet (from L'Arlésienne) - Entr'acte (from Carmen) - C. Bohm: Calm as the Night (Still wie die Nacht) - J. Brahms: Waltz - A. Caplet: Petite Valse - Reverie - A. Corelli: Guige - C. Debussy: Reverie - J. Donjon: Adagio Nobile - Pan! (Pastorale for Flute) - G. Fauré: Berceuse - Sicilienne (from Pelléas et Melisande) - C. W. Gluck: Minuet and Dance of the Blessed Spirits (from Orfeo) - B. Godard: Allegretto - F. J. Gossec: Gavotte - Tambourin - C. Gounod: Meditation (sur le 1er Prélude de Bach) - G. F. Handel: Bourrée - Giga (from Sonata in F Major) - F. J. Haydn: Serenade (Andante Cantabile from String Quartet No. 8) - B. Barcello: Sonata in F Major - W. A. Mozart: Adagio (from Flute Quartet) - S. Rachmaninoff: Vocalise - C. Saint-Saens: Pavane - The Swan (Le Cygne from Carnival of the Animals) - E. Satie: Gymnopédie No. 2 (from Trois Gymnopédies) - F. Schubert: Musical Moment (from 6 Moment musicaux) - Trockne Blumen (Ihr Blümlein alle) from Die schöne Müllerin (Introduction, Thema and Variation) - R. Schumann: Romance - Träumerei (from Scenes from Childhood/Kinderszenen) - P. I. Tchaikovsky: June (Barcalolle from The Seasons) - G. P. Telemann: Minuet (from Suite in A minor)

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

Internationally renowned concert pianist Joseph Banowetz presents this definitive collection of original masterworks by Franz Liszt featuring a comprehensive preface, composer biography, vintage photographs, and detailed performance notes on the solos. The companion CD features Joseph Banowetz performing Liszt's most cherished piano repertoire: Ehemals, from Weihnachtsbaum, S. 186/10 * Étude, Op. 6, No. 7; S. 136/7 * Ich liebe dich, S. 542a (posth) * Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) * Liebesträume: 3 notturnos, S. 541 * No. 2: Gestorben war ich (first version) * No. 3: O lieb, o lieb, so lang du lieben kannst * Piano Piece in A-flat Major, S. 189a (posth.) * Marche de Rákóczy?Édition populaire, S. 244/15 * Resignazione, S.187a (posth.) * Romance, S. 169 (posth.) * Romance oubliée, S. 527 * Ruhig, S. 167a (posth.) * Scherzo, S. 153 (posth.) * Six Consolations, S. 172 * No. 1 in E Major * No. 2 in E Major * No. 3 in D-flat Major * No. 4 in D-flat Major * No. 5 in E Major * No. 6 in E Major * Ständchen, S. 560/7 (Franz Schubert, trans. by Liszt) * Valse oubliée, No. 1, S. 215/1 Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents. He was awarded the Liszt Medal by the Hungarian Liszt Society in recognition of his outstanding performances of Liszt and the Romantic literature.

Piano Pieces op. 118 Editor: Katrin Eich Fingering: Andreas Boyde Urtext Edition, paperbound revised edition replaces HN 122 Pages: 35 (VII, 28), Size 23,5 x 31,0 cm Order no. HN 1215 · ISMN M-2018-1215-1 When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces op. 118 –, they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces, and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity”. Opus 118 contains two of the composer’s bestknown miniatures – the Intermezzo in A major and the Romanze in F major. We particularly recommend this volume, based on the musical text in the New Brahms Complete Edition, to all those who wish to immerse themselves in the world of Brahms’ late works. Contenu : Ballad g minor op. 118,3 Intermezzo A major op. 118,2 Intermezzo a minor op. 118,1 Intermezzo e flat minor op. 118,6 Intermezzo f minor op. 118,4 Romance F major op. 118,5

This edition provides a valuable resource of accessiblemasterworks for busy pianists. It contains 40 piano piecesin their original form appropriate for weddings, funerals,receptions, and other events. To make the selectionsuseful as background music, only short pieces havebeen included and flashy, concert-like pieces have beenavoided. Each piece has been carefully engraved for easyreading, and approximate performance times have beenincluded to assist with planning. / Piano

Eighty-three best-loved works over 30 composers including Beethoven Chopin Brahms Mendelssohn Liszt and Paderewski. Edited by Ronald Herder.