Romance (Solo Clarinet)

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings printable piano accompaniments and PLAYBACK audio tools. This new collection of 11 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players) accompaniment tracks for practice and PDF piano accompaniments for use at contest. Includes: Adagio and Allegro from Sonata No. 6 for Violin (Handel) - Adoration (Borowski) - Berceuse (Barat) - First Concertino (Guilhaud) - Largo and Allegro (Loeillet) -Marche Comique (Ostransky) - Pavane pour une Infante Defunte (Ravel) - Romance and Troika (Prokofiev) - Russian Sailors Dance (Glière) - Sinfonia (Arioso) from Cantata No. 156 (J.S. Bach) - Two Russian Pieces (Kalinikov/Voloshinov).

Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards de jazz, de blues et de pop mais aussi des BO de film, des comédies musicales, des piéces classiques et populaires. Consiste en un ensemble de quatre livres (noir, bleu, violet et rouge) de cette collection dans un coffret en édition spéciale. Les quatres volumes sont également disponibles séparément. / Piano/Vocal/Guitare (PVG) / Partition

Instrumental Play-Along-These outstanding packs feature solo arrangements of a dozen Beethoven pieces plus a great sounding play-along CD!

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

Introduction, Thème et Variations, op. 8 (David, F)
Allegretto, op. 116/1 (Godard, B)
Arioso de BWV 1056 (Bach, JS)
Berceuse (Faure, Sol)
Bourrée (Haendel, GF)
Calme comme la nuit (Bohm, C)
Clarinette sur la ville (Hermann, R)
Concertino (Stuart, HM)
Concertino (Guilhand, sol)
Entr'acte de Carmen (Bizet, G)
Étude op. 10/3 (Chopin, Fa)
Giga (Haendel, GF)
Gigue (Corelli, A)
Gymnopédie n°2 (Satie, E)
Invocation (Donjon, J)
Berceuse (Langenus, G)
Méditation (Gounod, C)
Mont Vernon Menuet (Langenus, G)
Moment Musical (Schubert, F)
Sérénade nocturne (Morra, G)
Nocturne (Bassi, L)
Prélude (Siegmeister, Mi)
Rêverie (Caplet, A)
Romance, op. 94 (Schumann, R)
Scène et Air (Bergson, M)
Sérénade, op. 41 (Beethoven, L)
Sérénade (Haydn, FJ)
Siciliano de la Sonate no. 2, BWV 1031 (Bach, JS)
Sicilienne de Pelléas et Mélisande (Fauré, G)
Sonate en fa majeur (Marcello, si)
Sonatine (Weber, CM)
Chanson à l'étoile du soir (Wagner, R)
Tambourin (Gossec, FJ)
Thème et Variations (Mozart, WA)
Traumerei (Schumann, R)
/ Partitions classique / Bois / Clarinette / CARL FISCHER

Easy Book 2-Contents: Romance from Susanna's Secret (Wolf-Ferrari) £ Pr?lude pour l'Ave Maris Stella (Franck) £ Apr?s un R?ve (Faur?) £ Springtide (Grieg).

Facile à jouer mélodie arrangements de ligne pour clarinette, complet avec les symboles de la corde de concert pitch. Comprend la musique de Mozart, Beethoven, Elgar, Bach et Haendel. / Clarinette / 64 pages / Partition