Format : Sheet music + CD
SKU: BT.REBLR0408
French.
SKU: HL.48185369
Michel Lab: L'Odyssee du Rythme Vol.5 (Miscellaneous).
SKU: HL.48183266
UPC: 888680877743. 7.0x10.0x0.09 inches.
Jean-Marie Londeix: Methode de Rythme Vol.1 (Saxophone solo).
SKU: HL.48185370
SKU: HL.48180703
UPC: 888680789725. 6.5x9.5x0.115 inches.
Etude du Rythme is an educational tool proposed by Georges Dandelot (1895-1975), a French composer, following the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This volume is the first of five composing a step-by-step method to learn and master rhythm in music. It covers basics and simple melodies; the second volume introduces more complexity on the same concept, then the third one should help pianists to play different rhythms with each hand. Volumes four and five use complex combinations of rhythms and melody with binary and tertiary tempos.
SKU: HL.48180704
UPC: 888680790011. 7.0x10.5x0.141 inches.
Etude du Rythme is an educational tool proposed by Georges Dandelot (1895-1975), a French composer, agreeing with the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This volume is the second of five composing a step-by-step method to learn and master rhythm in music. It introduces more complexity with simple exercises and melodies. The third one should help pianists to play different rhythms with each hand and the volumes four and five use complex combinations of rhythms and melody with binary and tertiary tempos.
SKU: HL.48182457
UPC: 888680789657. 6.0x9.0x0.136 inches.
French composer, Alain Weber (b. 1930) writes Lecons Progressives de Lecture et de Rythme with much experience and expertise. This first volume, which considers note and rest values, time signatures and clefs in great detail, is essential to accompany basic theory progression. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. He is a significant contributor to important teaching materials and Lecons Progressives de Lecture et de Rythme is no exception..
SKU: HL.48180705
UPC: 888680789732. 6.75x10.5x0.149 inches.
Georges Dandelot (1895-1975) studied at the Paris Conservatoire before spending his career as a piano teacher and composer. He published a variety of treatise and studies to aid piano technique, including his third volume of Studies for rhythm. This Dandelot volume considers that rhythm is the fundamental element of music, followed by melody and harmony. Studies for Rhythm addresses simultaneous rhythms in simple measures, compound measures and mixed measures. Given that rhythm is imperative to music, Dandelot's Studies for Rhythm is an essential accompaniment to piano education.
SKU: HL.48180919
UPC: 888680948627. 9.0x12.0x0.161 inches.
7. Scherzo; 8. Toccata sur le Veni Creator; 9. Prière; 10. Jeux de Rythmes; 11. Interlude; 12. Variations sur un Noël angevin.
SKU: HL.48185488
11.0x0.523 inches.
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the fourth of the 7 tomes. This volume focuses on plainsongs, and the accentuations in Mozart's pieces. It features the analysis of the 'The Whitsun Mass for Organ', and of the '21 concerti for Piano and Orchestra' by Mozart. This treatise depicts the full theory behind Messiaen?s compositions and how he composed the music, including his conception of rhythms, his incorporation of birdsong and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..
SKU: HL.48185421
UPC: 888680991944. 8.0x11.0x1.082 inches.
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this third volume talks about symmetric permutations, the ?out of tempo? and analyses'Four rhythm studies', the 'Organ Book', 'Time-colour' for Orchestra, 'Amen visions' for two Pianos and 'Harawi for Piano and Voice. This treatise depicts the full theory behind Messiaen?s compositions and how he composed music, including his conception of rhythms, his incorporation of birdsong and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..
SKU: HL.48185567
ISBN 9782856890554. 11.5x1.804 inches.
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the second of the Tome V. While the whole Tome V talks about the different bird songs, their analysis and how the composer uses them in his works, this volume focuses on the Extra- European bird songs. This treatise depicts the full theory behind Messiaen?s compositions and how he composed the music, including his conception of rhythms, his incorporation of bird songs and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work..
SKU: BT.VOLMB18
ISBN 9788863880168. French.
Le Cours Primaire de Michael Aaron a été expressément dédié aux très jeunes enfants.La gente écolière de 5 8 ans trouvera dans cette méthode tout ce qu’il lui faut pour partir sur le bon pied. La vaste expérience de l’auteur, acquise au cours de plusieurs années au contact de ce petit monde, lui a permis d’établir trois pointsessentiels requis pour la réussite dans leurs études, savoir : La compréhension, la sympathie et l’encouragement. A la lumière de ces trois phares lumineux, l’auteur propose dans sa méthode le plan général que voici: Histoire des premiers élémentsde la musique; Connaissance du rythme par le truchement du battement des mains et du comptage; Utilisant ce qu’on est convenu d’appeler le Do moyen comme point de départ, des diagrammes très simples permettent la découverte de nouvelles notes l’uneaprès l’autre; Connaissance du mouvement mélodique propre intèresser l’enfant; Des petits chants attrayants pour éveiller chez l’enfant le gôut et le sens tonal.
SKU: BT.DHP-1043529-140
English-German-French-Dutch.
The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird! Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L’ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.
SKU: BT.DHP-1043529-010
SKU: BT.DHP-1043529-040
French composer Daniel François Esprit Aubers extensive outputconsisted mainly of operas, but unfortunately today only two of theseare still well known, including the comic opera Fra Diavolo. The storyconcerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure filled with striking themes and motifs with a particularly unusual introduction (for the time) with the snare drum taking the leading role!De ouverture van Fra Diavolo, een komische opera van de Franse componist Daniel François Esprit Auber (1782-1871), heeft een klassieke opbouw. De gebruikte thema’s zijn zeer herkenbaar en roepen duidelijke beelden op. Signaalmotievenzijn rijkelijk aanwezig - en deze mogen natuurlijk ook niet ontbreken als het in de handeling gaat over rovers en gendarmes. De inleiding is voor Aubers tijd bijzonder ge nstrumenteerd: de kleine trom speelt een solistischerol!Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird! Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.L’ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.
SKU: HL.48185375
UPC: 888680789893. 11.5x0.915 inches.
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the first of the 7 tomes. This volume focuses on time, rhythms, Greek metrics, Hindu Rhythms and an analysis of 39 choirs of 'Spring' by Claude Le Jeune. This treatise depicts the full theory behind Messiaen?s compositions and how he composed the music, including his conception of rhythms, his incorporation of birdsong and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..
SKU: HL.48185513
8.0x11.0x1.574 inches.
Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and his Treaty of Rhythm, Colour and Ornithology provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11, where he won many prizes. As a passionate ornithologist, as well as organist and composer, many of Messiaen's works depict birdsong. His music is rhythmically complex, harmonically unique and melodically distinct, often using modes of limited transposition. It is for these reasons that the composer compiled his Treaty. The fifth volume contains text with musical examples, describing the unique use of birdsong in his music, as well as an analysis of his Japanese Sketches for Piano and Orchestra. For all fans of Messiaen, Treaty of Rhythm, Colour and Ornithology is essential to the understanding of the composer's much loved music..
SKU: HL.14044186
French-English-German-Spanish-Italian.
'Solfege Rythmique Cahier N.5' est le quatrieme ouvrage d'une serie de cinq cahiers destines aux percussionistes soucieux d'apprendre les bases du solfege. Ce cahier N.4 presente:<ultype=square>
SKU: HL.48185709
8.0x11.0x0.819 inches.
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this seventh volume talks about modalities, sonority/colours, chord colours, modality tabs used by Messiaen, and the analysis of Three small Liturgies. This treatise depicts the full theory behind Messiaen?s compositions and how he composed music, including his conception of rhythm, his incorporation of birdsong and his relation to sound and colours. While most composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes.
SKU: HL.48185397
8.0x11.0x1.286 inches.
Traite de rythme, de couleur et d'ornithologie volume 2.
SKU: HL.48184160
UPC: 888680833510. 5.5x8.5x0.123 inches.
Etude du rythme par les themes musicaux/volume 2 weber a.
SKU: HL.48180798
UPC: 888680852580. 7.0x10.5x0.143 inches.
Etude du Rythme is an educational tool proposed by Georges Dandelot (1895-1975), a French composer, agreeing with the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This volume is the fourth out of five composing a step-by-step method to learn and master rhythm in music. It follows on the knowledge acquired in the three first volumes and uses complex combinations of rhythms and melody with binary and tertiary tempos.
SKU: HL.48180799
UPC: 888680852603. 6.5x10.5x0.14 inches.
Étude du Rythme is an educational tool proposed by Georges Dandelot (1895-1975), a French composer, agreeing with the concept that rhythm is the foundation on which melody and harmony are then layered. It was conceived to progressively teach musicians how to deal with complicated rhythms such as those used by Bartok or Ravel. This is the fifth and last volume of a step-by-step method to learn and master rhythm in music. It follows on the knowledge acquired in the four first volumes, highlighting the “mixed measures†and using complex combinations of rhythms and melody with binary and tertiary tempos.
SKU: LM.IRIAMUSANTES_1
ISBN 9790230302678.
Le vieux moulin d'Aehansus (Les silences) - Tontaine, Tonton (Notes repetees en changeant de doigt et mesure a 6/8) - L'Harmonium du Village (Liaisons et tenues) - La bonne aventure (Mesure a C barre) - Au depart pour la peche au large (Independance des mains) - Sur la place de Saint Jean de Luz (Notes repetees avec le meme doigt) - Au Pays Basque (Les tierces) - Bal miniature sur la plage (Mesure a 3/8) - En allant a Saint Antoine (Pour bien situer les notes sur le piano) - Tibibi... le canari savant (Petites notes ou appogiatures breves) - A la fete de Larribar (Notes liees et notes detachees) - Contrastes (Notes lourees et notes piquees) - Au dela des Alpes (Velocite) - Que ne suis-je la fourgere (Croisement des mains) - La poupee articulee (Le triolet) - Ah ! Mon beau chateau (Accords detaches du poignet) - Medor le bon gardien (Passage du pouce et octaves) - Les petits scouts de France (Le rythme croche pointee, double croche) - Le minet turbulent et joli (Contre-temps et syncopes) - La trompette des soldats de plomb (Rythme croche, 2 doubles-croches et accidents).
SKU: BT.REBLR0306
SKU: HL.14077956