Sambalero

Description This third transcription book focuses exclusively on Stan Getz's groundbreaking bossa nova recordings of the early to middle 1960s. Getz set a standard of excellence for the bossa nova that has yet to be equalled. Transcribed by Greg Fishman for Bflat Tenor Saxophone. Songlist Balanco No Samba (Street Dance) Chega De Saudade (No More Blues) Desafinado (1st And 2nd Version) Ebony Samba (1st And 2nd Version) Entre Amigo (Sympathy Between Friends) How Insensitive (Insensatez) Mania De Maria Melancolico Menina Flor One Note Samba (1st And 2nd Version) Only Trust Your Heart Quiet Nights Of Quiet Stars (1st And 2nd Version) Samba De Duas Notas (Two Note Samba) Samba Dees Days Sambalero So Danco Samba (1st And 2nd Version) The Girl From Ipanema (Garota De Ipanema) Vivo Sonhando (Dreamer)

Three delicate soft and sweetly somnambular pieces that evoke imagery of the sea and its hypnotic movement. These are all arranged for Voice and Piano by Roger Vignoles. With a poem by Robert Burns a sea Shanty and a traditional piece making up this set of fabulous water songs this is an entertaining and evocative set.

In this outstanding video recital Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil The Caribbean North America and the Hawaiian Islands including works byEuropean masters from France and Spain.Maestro Barbosa-Lima displays the stunning musicality arranging skills and refined technique that have drawn applause from sold-out concert halls the worldover.Program: Sons de Carrihoes (Joao Pernambuco); Odeon (Ernesto Nazareth); Sambolero (Luiz Bonfa); Cochichanda (Alfredo Vianna); Aquarela do Brasil (Ary Barroso);Adios (Enric Madriquera); La Comparsa (Ernesto Lecuona); Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui); St. Louis Blues (W. C. Handy arr. J.Griggs/Barbosa-Lima); Two Ladies: One Old One New (Bobby Scott); La Alborada (Francisco Tarrega); La Mariposa (Francisco Tarrega); Golliwogg's Cakewalk (Claude Debussy); I Got Rhythm(George Gershwin); Las Abejas (Augustin Barrios); Ja-Da (trad. arr. J. Griggs/Barbosa-Lima); and Seis Milongas from Suite Antillana (Ernesto Cordero).Many of these selections were arranged byCarlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects.

for Solo Guitar, Vol. 1. Par EDWARDS JAMES. Cette collection contribuera à susciter un intérêt dans le développement d'un répertoire américain pour la guitare classique. Des airs traditionnels d'écossais et les Irlandais ont été transformées par les rythmes africains de joueurs de banjo, qui à son tour influencé la musique populaire et conduit à ragtime, jazz et blues. Le montant de la musique folk en Amérique est renversante. Le XIXe siècle a donné naissance à de nombreux styles américains uniques et ses chansons sont un élément important de notre patrimoine musical. Aujourd'hui encore, un certain nombre de la mélodie dans cette collection semblera très familier. Ecrit principalement en notation standard, les exceptions étant ceux tunes dans les ajustements apportés altérées, qui paraissent logiquement en tablature seulement. / Niveau : Intermédiaire à Avancé / American - Solos / Tablatures / Guitare Tablatures

Delightful supplementary material for any piano method performance or for fun. Piano Solos primarily contains original pieces. In addition some familiar songs and folk song arrangements are included.