Samtliche Orgelwerke

Louis Vierne (1870 1937) was a student of César Franck and got nominated in 1900 as titular organist at Notre-Dame (Paris). Numerous concert-tours through Europe and the US made him famous all over the world. To the circle of his students belong Marcel Dup

First Urtext edition of the complete works of L?on Bo?llmann in 7 volumes.Reflects current scholarship; draws on newly discovered sources.Detailed foreword and critical commentary (Fr/Eng/Ger)Catalogue of available sources as well as facsimile pages of the manuscript included.L?on Bo?llmann (1862 1897) was a student of Ecole Niedermeyer and held the position of Titular Organist at the Church of Saint-Vincent-de-Paul Paris. Continuing in the tradition of Saint-Sa?ns Franck and Gigout his compositional output reflects the elegant and sophisticated domain of the ???Belle Epoque???.This new volume containsthose of Bo?llmann???s works that were transcribed for Organ and Harmonium by his contemporaries as well as works by composers of the time which were arranged by Bo?llmann. The edition includes a detailed foreword (Fr/Eng/Ger) with advice on performance practice and facsimile pages of the manuscript as well as a critical commentary (Fr/Eng/Ger).

The central importance of Jan Pieterszoon Sweelinck (1562–1621 ) for Baroque keyboard music can hardly be overestimated. Siegbert Rampe's scholarly performing edition is the first edition of Sweelinck's complete keyboard works which differentiates between works of certain authenticity works of uncertain authenticity and doubtful works. The eight volume edition complete with commentaries in German and English reflects the latest state of scholarly research.Volume II.2 completes the publication of the Urtext edition. Volumes II.1 and 2 include all 22 fantasias and echo fantasias which have survived under Sweelinck's name or are attributed to him fourricercari and a capriccio. The appendix contains four further fantasias. In addition several compositions are published for the first time in different presumably original versions.

The importance of Jan Pieterszoon Sweelinck (1562 1621) for the evolvement of the ??? Claviermusik ??? of the baroque is not to be overrated. The scientific and practical issue by Siegbert Rampe is the first one comprising all of the key-oeuvres by Sweelinck

Gerard Bunk (1888–1958) born in Rotterdam became an academic at the conservatoire in Dortmund as well as organist at the famous Walcker-organ in St. Reinoldi thanks to Max Regers advocacy. He was one of the greatest organ-artists of the first half of the 20th

30 pieces for small Organ Op.18 No.1 and Organ Sonata Op.18 No.2. Hugo Distler studied Organ with Günther Ramin and composition with Hermann Grabner in Leipzig. He then worked as cantor and organist at St. Jacobi in Lübeck and taught composition and organ at the Stuttgart Musikhochschule from 1937 onwards. In 1940 he took up the same position at the Berlin Musikhochschule and also became director of the Berlin Cathedral Choir in 1941. Considerably influenced by the Lübeck Stellwagen Organ at St. Jacobi he championed the characteristic pre-Baroque and Baroque sound of the Organ and the forms which best suited it. His stylisticpreference was for a specifically neo-Baroque functional-objective type of sound. This 3-volume critical edition with previously unpublished works includes the forewords of the first editions facsimiles a critical commentary for each volume as well as a list of sources. - First Urtext edition of Hugo Distler’s Organ works. - Includes previously unpublished works. - Reflects the latest state of research. - Detailed foreword critical commentary (Ger/Eng) facsimiles and tips on performance practice.