Format : Octavo
SKU: LO.20-2056L
ISBN 9780787759544.
Kevin Stewart paired the popular Christian song Mighty to Save with the gospel hymn Saved, Saved in this joyous arrangement that is a delightful selection for both traditional and contemporary services. The syncopated rhythms and moving bass line will keep your ringers engaged, and other than one key change, there are minimal bell changes.
SKU: LO.30-3603L
UPC: 000308150643.
Orchestral Score and CD with Printable Parts for Sinner Saved by Grace (10/5165L) Mary McDonald’s choral setting of a beloved Gaither song retains the powerful truth behind the lyrics that the grace of God is stronger than our failings. While the orchestral accompaniment is impressive and moving, the full piano part provides enough support if you choose to perform with piano only.
SKU: LO.30-3602L
UPC: 000308150636.
Orchestral Score and Parts for Sinner Saved by Grace (10/5165L) Mary McDonald’s choral setting of a beloved Gaither song retains the powerful truth behind the lyrics that the grace of God is stronger than our failings. While the orchestral accompaniment is impressive and moving, the full piano part provides enough support if you choose to perform with piano only.
SKU: WD.080689570230
UPC: 080689570230.
How freeing it is to know that we are restored and made right through Jesus! Arranged by David Wise and orchestrated by Phillip Keveren, I Got Saved is a compelling testimony of thankfulness for the mercy and goodness of the Lord. Our guilt has been erased, our chains have been broken, and we are undone! How could we want more? Take your congregation on this journey today!
SKU: LO.99-3906L
UPC: 000308150650.
Performance/accompaniment CD plus Split-track for Sinner Saved by Grace (10/5165L) Mary McDonald’s choral setting of a beloved Gaither song retains the powerful truth behind the lyrics that the grace of God is stronger than our failings. While the orchestral accompaniment is impressive and moving, the full piano part provides enough support if you choose to perform with piano only.
SKU: LO.99-2303L
UPC: 000308221657.
Composed for the Baptist General Convention of Oklahoma, Curry’s work breathes new life into an old hymn favorite with stylized black-gospel funk and strong, driving vocals—all enhanced with optional sax and rhythm.
SKU: CF.YPS255
ISBN 9781491161531. UPC: 680160920181.
This programmatic work depicts our superhero Daring Dog, as he goes on a journey to conquer the villain. Daring Dog is a superhero, only... not everyone knows it yet. We meet Daring Dog and his sidekick at m. 15 in the beginning section. At m. 24, we hear as his mother gives him a stern lecture to stop messing around and be more serious. Daring Dog tries to explain how he has saved the world numerous times at m. 32. At m. 42, he decides he must do what is necessary to defeat the villain, despite what his mother thinks, and begins planning. At m. 52, we can hear him running in the snare drum, and the villain approaches. Barking and growling (flutter tongue in flute, and growling in brass), at m.78 the fight is on. Measure 82 reveals a huge terrible monster, and Daring Dog is terrified. He sticks out his sword with his eyes closed, and *POOF!* the monster evaporates. (It was probably imaginary the whole time.) The end section is a triumphant celebration that Daring Dog has, indeed, saved the world again! Daring Dog is a fun piece for all ages! Difficult enough to be a wonderful recruitment piece, and easy enough to be playable by young bands, this piece can truly span all levels. Actors might also depict the story while the band plays for even more fun.  .This programmatic work depicts our superhero Daring Dog, as he goes on a journey to conquer the villain. Daring Dog is a superhero, only... not everyone knows it yet. We meet Daring Dog and his sidekick at m. 15 in the beginning section. At m. 24, we hear as his mother gives him a stern lecture to stop messing around and be more serious. Daring Dog tries to explain how he has saved the world numerous times at m. 32. At m. 42, he decides he must do what is necessary to defeat the villain, despite what his mother thinks, and begins planning. At m. 52, we can hear him running in the snare drum, and the villain approaches. Barking and growling (flutter tongue in flute, and growling in brass), at m.78 the ï¬ght is on. Measure 82 reveals a huge terrible monster, and Daring Dog is terriï¬ed. He sticks out his sword with his eyes closed, and *POOF!* the monster evaporates. (It was probably imaginary the whole time.) The end section is a triumphant celebration that Daring Dog has, indeed, saved the world again!Daring Dog is a fun piece for all ages! Difficult enough to be a wonderful recruitment piece, and easy enough to be playable by young bands, this piece can truly span all levels. Actors might also depict the story while the band plays for even more fun. .
SKU: GI.G-9199
ISBN 9781622772087. English.
A summary of the practice of music advocacy, this book compiles research and thirty years’ experience of one of the nation’s most successful advocates for music education. It gives music educators, administrators, school board members, and community advocates step-by-step procedures for saving and building school music programs. John L. Benham has been in music education for over forty years and has worked as an advocacy consultant saving and building music programs for thirty years. His advocacy work and the methods presented in this book have saved $70 million in proposed music cuts, equivalent to approximately 2,000 teaching positions and 500,000 music students. Read what people have to say about Music Advocacy: Moving from Survival to Vision: Finally—a how to book for music education in our own districts! John L. Benham provides us with ‘the right stuff’ as well as rules to ensure that programs stay intact and keep complacency at bay. This must-have resource helps us understand educational processes and how budget decisions are made. It also provides suggestions on how to involve all constituents in the process of advocacy by guaranteeing that the best interest of the students remains the basis for all decision making. Music programs can be saved even when cuts appear to be imminent, and Music Advocacy: Moving from Survival to Vision provides effective, proactive strategies not only to avoid these cuts but also to establish a long-term plan for continued development. —Marcia M. Neel, president, Music Education Consultants, Inc.  John Benham is a rare individual who walks his talk with a sense of mission unknown in common hours, and every person connected with arts education is the beneficiary of his immeasurable commitment and dedication. Once again he has come to the forefront of the profession by sharing his profound knowledge and wisdom. Simply put, this book represents a tried-and-true blueprint of success. It is a priceless gift to the future of our educational landscape and a reflective tribute to the visionary contribution of an author of purpose. —Tim Lautzenheiser, Attitude Concepts for Today, Inc.  Benham’s new book is a must-have for every music department at both the K–12 and collegiate levels. His theory of reverse economics along with his guidance have saved music education experiences for thousands of students as well as many careers. This book provides information on scheduling issues as well as a clear explanation of his reverse economics theory. It gives a step-by-step outline on how to handle threats to music programs. The book is a wealth of information and is highly recommended. —Mary Wagner, chair, Fairfax Arts Coalition for Education, and National ASTA past president  As a music retailer who has worked closely with John L. Benham for over ten years, I appreciate his discovery of reverse economics. It is brilliantly simple and proves the financial efficacy of a healthy music department! Every instrument retailer needs to share this vital resource with all of their school customers. This is the manual that every music department needs to fully support their program. The information needs to be shared with your school board every year. —Doug Schmitt, vice president of music education, Schmitt Music Stores.
SKU: GI.G-8495
ISBN 9781579999728. English.
Adventures with Music Book 3 WWII is ending, but the musical adventures are just beginning World War II enters a new phase, summer is in full swing, and Dale Kingston, the boy who saved the Conn Musical Instrument factory from burning to the ground in Starting Early (Volume One in the Adventures with Music series) faces his biggest adventure so far: Junior High School. As Dale and his friends climbed the steps to the junior high, a tall dark-haired boy stepped in front of them. Dale looked up and said, Can you tell us where the band room is? The boy smirked and looked over at his friends, who were leaning against a railing. “Hey aren’t you that hot shot cornet player from Emerson School, the one who saved the town from the fire?†The boy stared down at Dale, his feet planted firmly on the ground, blocking the entrance to the school. “Well, don’t think you’re coming to my school and taking it over. You’re on my turf and don’t you forget it.â€Â .
SKU: MN.56-0108
UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.
Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Å»egota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…â€) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.