Format : Study Score / Miniature
SKU: TM.08341SC
SKU: TM.08346SET
The Cricket on the Hearth.
SKU: TM.08346SC
SKU: TM.08342SET
SKU: TM.08344SC
The Chase Overture.
SKU: TM.08343SET
P/C in set.
SKU: TM.08344SET
SKU: TM.08341SET
SKU: HF.FH-7078
ISBN 9790203470786. 8.3 x 11.7 inches.
Carl Nielsen: 1. Symphonie Nr. 3 (Sinfonia espansiva), op. 27; 2. Symphonie Nr. 4 (Det uudslukkelige), op. 29; 3. Symphonie Nr. 5, op. 50; 4. Symphonie Nr. 6 (Sinfonia semplice); Paul Dukas: 1. Der Zauberlehrling; 2. Ariane et Barbe Bleue; 3. Jean Sibelius: 1. Symphonie Nr. 1, op. 39; 2. Symphonie Nr. 2, op. 43; 3. Symphonie Nr. 3, op. 52; 4. Symphonie Nr. 4, op. 63; 5. Symphonie Nr. 5, op. 82; 6. Symphonie Nr. 7, op. 105; 7. Lemminkainen's Return, op. 22; 8. Violinkonzert, op. 47; 9. Scenes historiques, op. 25, Nr. 1; Albert Roussel: 1. Petite Suite, op. 39; 2. Le Festin de l'Araigneee, op. 17; 3. 4. Symphonie, op. 53; Hans Pfitzner: 1. Palestrina; 2. Violinkonzert, op. 34; Florent Schmitt: 1. Rapsodie Viennoise, op. 53, Nr. III; 2. Etude, op. 49; 3. La Tragedie de Salome, op. 50; Sergej Rachmaninow: 1. Klavierkonzert Nr. 3, op. 30; 2. Sinfonische Tanze, op. 45; 3. Sinfonie Nr. 3, op. 44; Max Reger: 1. Sinfonietta, op. 90; 2. Serenade fur Orchester; 3. Variationen und Fuge uber ein lustiges thema von J. A. Hiller, op. 100; 4. Konzert fur Violine, op. 104; 5. Symphonischer Prolog zu einer Tragodie, op. 108; 6. Konzert im alten Stil fur Orchester, op. 123; 7. Vier Tondichtungen nach A. Bocklin, op. 128; 8. Variatonen und Fuge uber ein Thema von Mozart, op. 132; Reinhold Glier: 1. Ouverture zur Oper Schach-Senem; Josef Suk: 1. Fantasie fur Violine und Orchester, op. 24; 2. Symphonie (Asrael), op. 27.
SKU: TM.08342SC
SKU: TM.08343SC
SKU: TM.08345SET
Love Song.
SKU: BR.SON-625
ISBN 9790004803271. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: TM.08345SC
SKU: BR.EB-9392
ISBN 9790004188668. 9 x 12 inches.
After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like writing for piano and only doing it for income, he told in 1948 Erik Tawaststjerna that he regarded the Sonatinas among his best chamber music and considered them equal to his string quartet 'Voces intimae'. Advanced pianists with a penchant for Sibelius's music can welcome this publication with unalloyed happiness. Highly recommended!(Andrew Eales, Pianodao)Sibelius himself counted his Sonatinas among his best chamber music.
