Format : Score and Parts
SKU: SU.29130330
CF 16 Commissioned by David Hall. Part One of The Screaming CycleTwo Antiphonal WW Quartets (2 Ob., 2 Cl., 2 Horns, 2 Bassoons) Duration: 3’ Composed: 1985 Published by: Christopher Fulkerson.
SKU: SU.29130320
CF 16Commissioned by David Hall. Part One of The Screaming CycleTwo Antiphonal WW Quartets (2 Ob., 2 Cl., 2 Horns, 2 Bassoons) Duration: 3’ Composed: 1985 Published by: Christopher Fulkerson.
SKU: BT.AMP-446-020
English-German-French-Dutch.
Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album by the Army Blues Jazz Ensemble in 1985. It was later published in a slightly simpler version called Brass Machine. This fanfare band arrangement by Philip Sparke has been arranged directly from the published jazz ensemble score and features four solo trumpets. Mark Taylor componeerde het stuk Scream Machine, waarin de trompet de hoofdrol speelt, voor een vinylalbum dat in 1985 werd uitgebracht door het Army Blues Jazz Ensemble. Het werd later uitgegeven in een iets eenvoudiger versie, met als titel Brass Machine. Dit arrangement voor fanfareorkest is een rechtstreekse bewerking van de partituur voor het jazzensemble. Het is geschreven voor vier solotrompetten. Mark Taylor schrieb das Trompetenstück Scream Machine 1985 für das gleichnamige Vinylalbum des Army Blues Jazz Ensemble. Es erschien später in einer etwas leichteren Version unter dem Titel Brass Machine. Dieses Arrangement für Fanfare von Philip Sparke wurde auf der Grundlage der veröffentlichten Version für Jazz Ensemble erstellt und verwendet vier Solo-Trompeten. Mark Taylor composa le titre Scream Machine pour trompette enregistré et sorti sur vinyle en 1985 par l’Army Blues Jazz Ensemble. Une version légèrement plus simple fut publiée plus tard sous le nom Brass Machine. Cette version pour fanfare de Philip Sparke est un arrangement fidèle basé sur la partition publiée pour ensemble de jazz, et met en vedette quatre trompettes solo.
SKU: BT.AMP-446-130
Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album by the Army Blues Jazz Ensemble in 1985. It was later published in a slightly simpler version called Brass Machine. This brass band arrangement by Philip Sparke has been arranged directly from the published jazz ensemble score and features soprano cornet and four solo cornets. Mark Taylor componeerde het stuk Scream Machine, waarin de trompet de hoofdrol speelt, voor een vinylalbum dat in 1985 werd uitgebracht door het Army Blues Jazz Ensemble. Het werd later uitgegeven in een iets eenvoudiger versie, met als titel Brass Machine. Dit arrangement voor brassband is een rechtstreekse bewerking van de partituur voor het jazzensemble. Het is geschreven voor sopraancornet en vier solocornetten. Mark Taylor schrieb das Trompetenstück Scream Machine 1985 für das gleichnamige Vinylalbum des Army Blues Jazz Ensemble. Es erschien später in einer etwas leichteren Version unter dem Titel Brass Machine. Dieses Arrangement für Brass Band von Philip Sparke wurde auf der Grundlage der veröffentlichten Version für Jazz Ensemble erstellt und verwendet ein Sopran-Kornett und vier Solo-Kornette. Mark Taylor composa le titre Scream Machine pour trompette enregistré et sorti sur vinyle en 1985 par l’Army Blues Jazz Ensemble. Une version légèrement plus simple fut publiée plus tard sous le nom Brass Machine. Cette version pour brass band de Philip Sparke est un arrangement fidèle basé sur la partition publiée pour ensemble de jazz, et met en vedette un cornet soprano ainsi que quatre cornets solo.
SKU: BT.AMP-446-120
SKU: AP.48207S
ISBN 9781470654771. UPC: 038081559018. English.
The newest installment of the At the Movies series showcases selections from IT, Saw, Scream, and Halloween. With shocking twists and turns throughout the duration of the piece, it is certainly recommended that audiences create a film from their own imaginations! Suitable all year but perfect for Halloween. Lock the doors and leave the lights on for this classic fright night! (5:30).
SKU: HL.50603560
ISBN 9788759841938. UPC: 840126933840. 12.0x16.5x0.55 inches.
Second SymphonyŸis in four movements. The first movement opens with a scream. The subsequent parts of the movement form a unified but complex whole, where traces from the coming movements turn up - constantly in interaction with the scream and its echoes. The second movement is slow and rather melodious. It was actually performed in a “trailer version†- shortened and minimized in December 2018 in the Danish TV programme 'Deadline'. The third movement is a scherzo - teeming, rhythmic, with almost physical soft and violent meetings, like acts of love between the different layers of music. The last movement is a farewell song - a goodbye. A musical ship is approaching only to disappear again. Where the composer perceives the preceding movements as highly contemporary, there is a touch of the past in this last movement - the composer's past. Sorensen quotes his fourth string quartet 'Schreie und Melancholie', and in this movement he was also influenced by the fact that his mother passed away during the composition of this piece.
SKU: AP.48207
ISBN 9781470654764. UPC: 038081559001. English.
SKU: PR.446411060
UPC: 680160096275. 11x14 inches.
Steven Stucky has described the saxophone quartet as surprisingly comparable to the string quartet as a classic chamber music medium, while in the concerto format providing a worthy counterweight to the string orchestra. At times, the saxophones in Music for Saxophones and Strings “whisper, murmur, sigh, sing, squeal, or even scream†as the composer has written in notes about the work. Commissioned for the Raschèr Quartet, the work falls into two main sections. The composer continues that “the opening slow movement is dark, nocturnal, troubled; the language is densely chromatic. Mysterious, barely audible rustlings become increasingly more alarming; creatures cry in the night; and the movement climaxes in a lyric outpouring of melancholy, even tragic character. The music subsides by way of cadenzas for the baritone and tenor saxophone. The second, fast movement arrives almost unnoticed, since at first it too is made up of disconnected fragments — quirky, skittish, playful. There are irregular rhythmic accents, gliding quarter-tone runs, scurrying saxophone figures (suggesting, perhaps, a distant echo the bebop style), and screaming excursions into the altissimo register. Briefly the melancholy of the slow, nocturnal opening returns, before a quick coda leads to an emphatic conclusion.â€.
SKU: SU.91409193
Modernism Forever Volume 2 - Fulkerson, Boulez, Berio, Seeger, Basart, Kalmar, Humel Disc 1 Christopher Fulkerson 1. At the Mountains of Madness for large orchestra - 13:42 2. A Screaming Comes Across the Sky for two antiphonal quartets - 1:49 3. The Scream That Peaks Past Fear (Live) for eight antiphonal voices - 7:15 Pierre Boulez Le Marteu Sans Maitre for alto voice & six instrumentalists Marcia Gronewold, mezzo & Ken Cramer, alto fulte 4. Avant L'artisanat Furieux (Live) 2:10 5. Commentaire I de Bourreaux de Solitude (Live) - 4:42 6. L'artisanat Furieux (Live) - 3:26 7. Commentaire II de Bourreaux de Solitude (Live) - 4:32 8. Bel Edifice et les Presentiments (Live) - 4:31 9. Bourreaux de Solitude (Live)- 3:57 10. Apres L'artisanat Furieux (Live) - 1:33 11. Commentaire III de Bourreaux de Solitude (Live) - 5:20 12. Bel Edifice et les Presentiments: Double (Live) - 9:40 Luciano Berio Cries of London for eight voices 13. These Are the Cries (Live) - 1:13 14. Where Are Ye Fair Maids (Live) - 1:34 15. Good Garlic (Live) - 2:41 16. Some Go Up (Live) - 1:12 17. These Are the Cries, Variant (Live) - 1:24 18. Money Money Money (Live) - 3:46 19. Cry of Cries (Live) - 4:08 Disc 2 Christopher Fulkerson 1. Moys Icos for orchestra - 9:10 2. Remember the Stars (Live) Cantata #3 for STAB soli, trebles, & quartet - 8:17 3. Night Litany (Live) Recital Aria #1 Marcia Gronewold, soloist for mezzo soprano & trio - 5:18 4. Celestial Sixties II (Fragment) - 1:43 5. Capriccio (Live) for viola & piano - 5:18 6. One Winter Sparrow (Live) Elizabeth Appling & the SF Girls Chorus - 1:39 Ruth Crawford Seeger 7. Chant (Live) for treble solo & chorus Alyssa Kingsbury, soprano - 2:34 Robert Basart 8. Stillness and the Night Become (Live) for eight voices. A Christopher Fulkerson Commission - 9:19 Laszlo Kalmar 9. Hora Eius In Eight Movements for three female voices - 15:51 Gerald Humel 10. Et in Terra Pax (Live) for eight voices, a Christopher Fulkerson Commission - 21:21.
SKU: BT.CMP-0809-04-010
Sure. To the kids it’s about Little Miss Muffet and a surprise visit from her friendly local spider.But to you, the director, it’s REALLY about the “new†note called concert E-natural. Whatever method book you are using, once concert E-natural has been introduced, the band will be ready to play this one. The students will have fun with foot stomping and Miss Muffet’s scream, while you enjoy watching your students get better and better at playing concert E-natural and concert E-flat at the right times.EEEEEEEEK!Voor (jonge) muzikanten en hun publiek is dit een grappig stuk over een spin die een verschrikte dame met een onverwacht bezoekje vereert. Voor de dirigent is dit een stuk om met name de toon E met het orkest te oefenen. Terwijl despelers en toehoorders veel plezier beleven met originele elementen zoals stampen en gillen, weet de dirigent dat de jonge muzikanten steeds zekerder worden in het afwisselen van de E en de Es. IEKS!Als sich die kleine Miss Muffet zum Tee niederließ, konnte sie nicht ahnen, dass sie bald Gesellschaft von einer Spinne bekommen würde, sonst hätte sie sicher für sie mit gedeckt... Mike Hannickel vertonte ein bekanntes englisches Kindergedicht über eine Spinne zu einem einfachen, aber reizvollen Stück, das Jung und Alt bezaubern wird! Cette œuvre espiègle et fantaisiste de Mike Hannickel raconte l’histoire rocambolesque de Madame Fil qui reçoit la visite surprise de son amie Araignée. Que peuvent-elles bien se raconter ? vous de tisser la toile.
SKU: M7.MF-2066-01
ISBN 9783795790455.
2 Hefte in einem: Klavierarrangement sowie Melodieausgabe für Klavier, Keyboard, Gitarre, Gesang, Flöte oder Violine zum Herausnehmen.
SKU: BT.1834-12-140-MS
9x12 inches.
The stands are packed, two world-class teams are on the field, the smell of hotdogs fills the air and fans chant and scream. All of these contribute to create stadium fever. The composer has conveyed these elements in the composition including the aspect integral to the fever: an atmosphere full of excitement. De tribunes zitten stampvol, er staan twee teams van wereldklasse op het veld, de geur van hotdogs hangt in de lucht, de toeschouwers juichen - allemaal factoren die horen bij het verschijnsel ‘stadionkoorts’. De componist heeft indit uitbundige werk dan ook al deze elementen verklankt. Het meeslepende Stadium Fever zal in de concertzaal absoluut een opgetogen stemming creëren!Volle Zuschauerränge, zwei Spitzenteams auf dem Rasen, der Duft von Imbissständen, Jubel und Gesänge - das sind Faktoren, die unweigerlich Stadionfieber“ auslösen. All diese Elemente - und das eindeutige Symptom der Krankheit“: eine tolle, überschäumende Stimmung - übertrug der Komponist in sein Stück Stadium Fever. Ein mitreißendes Stück, dessen Atmosphäre sich auch im Konzertsaal garantiert keiner entziehen kann! Les gradins sont bondés, deux équipes de niveau international s’affrontent sur le terrain. Il plane une odeur de hot-dogs, les chants et les hurlements des supporters retentissent inlassablement - tous les éléments sont réunis pour engendrer la fièvre du stade. Le compositeur a su concentrer tous ces symptômes dans son œuvre afin d’inoculer tous les auditeurs, l’excitation et la fièvre du stade. Thomas Doss descrive l’atmosfera unica di uno stadio prima e durante un incontro al vertice. Non solo il gioco, ma anche e soprattutto i tanti striscioni, e i canti provenienti dalle curve fanno da padroni in Stadium Fever, un brano dall’energia travolgente.
