Format : Score and Parts
SKU: HL.4005899
UPC: 888680942106. 9.0x12.0x0.074 inches.
Exploring some of the most well-known traditional folk tunes from Korea, here is an appealing and well-paced suite for young players. Let's Sing and Dance starts slowly then gradually speeds up similar to how it is usually sung. The Gate is a song and game played by Korean children, and this is followed by the beautiful ballad Bellflowers. Finally The Palace completes the set in a bold and optimistic style. Dur: 3:55.
SKU: HL.48182930
UPC: 888680862954. 9.0x12.0x0.057 inches.
Blai Maria Colomer (1833-1917) was a Spanish pianist and composer. Following his studies at the Paris Conservatoire, he led a successful career as a teacher and composer. He is best remembered for his operas, yet his Fantasy Legend for Horn remains popular as a competition work at the Paris Conservatoire. Fantasy Legend is a chromatic work for Horn in F first popularised in the 1899 solo Horn contest at the Paris Conservatoire. Fantasy Legend exploits chromatic techniques by use of complex rhythms and variations in articulation, as well as lyrical passages. For all advanced Horn players seeking extravagant repertoire, Colomer's Fantasy Legend provides an exciting addition to the repertoire..
SKU: CL.012-4056-01
Sea Song Fantasy was commissioned by Symphonicity (the Symphony Orchestra of Virginia Beach) and premiered for the opening of their new concert hall in November 2007. The work features a wide variety of sea shanties in various styles, ranging from those well known melodies to more obscure songs of the sea. All are combined into an exciting work featuring virtually every instrument and family in the ensemble.
SKU: M7.KCM-3
ISBN 9790900004628. German. Daniel Wiesen.
Seit 2008 ist 'Dein Song' (ZDF/ KiKA) der einzige Songwriter-Wettbewerb im deutschen TV. Die Sendung motiviert Kinder und Jugendliche zum kreativen Schaffen. Hier wird der Liebe zur Musik, der persönlichen Kreativität und den eigenen Ideen freien Lauf gelassen. 'Dein Song 2015 - Die Noten'richtet sich an fortgeschrittene Klavier- und Gitarrenspieler wie auch an alle angehenden Nachwuchskomponisten. Diese Ausgabebeinhaltet alle Finalistensongs der 7. Staffel (inkl. einer Play-Along-CD) mit Singstimme.In dieser Ausgabe kann man nachlesen, wie die acht Finalisten beim Komponieren vorgegangen sind und sie geben tolle Tipps.
SKU: HL.48181518
UPC: 888680842055. 9.0x12.25x0.077 inches.
The great Italian Fantasy is a piece composed by Eugene Bozza for Oboe and Piano. Quite difficult, it requires some advanced skills to be executed perfectly. Starting Moderato, it opens with a cadenza which includes some solo Oboe sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to, Italian Fantasy would make for a fantastic demonstration of your skills and technical abilities during a recital and a concert. Eugene Bozza won different prizes at the Conservatoire de Paris, such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others..
SKU: HL.48182521
UPC: 888680840914. 9.0x12.0x0.054 inches.
Composed by Sigismond Stojowski, Fantasy, Op.38 is a piece for Bass Trombone and Piano. This lyrical piece, published in 1912, is very melodic and would require advanced skills and technique to perform it perfectly. This piece is one of the first he wrote after moving to the USA. Comparable to Chopin's 'Fantasy', even though Stojowski's seems better-written and more virtuous. A transcription exists for Viola and other instruments. Sigismond Stojowski is a Polish pianist, composer and conductor who studied at the Paris Conservatoire. He was a good friend of Tchaikovsky and worked as a Piano soloist in the USA with the Boston and the San Francisco Symphony, as well as the New York Philharmonic, among others.
SKU: HL.48181517
UPC: 888680842079. 9.0x12.0x0.085 inches.
The great Italian Fantasy is a piece composed by Eugene Bozza and transcribed for Alto Saxophone and Piano by Marcel Mule. Quite difficult, it requires some advanced skills to be executed perfectly. Starting Moderato, it opens with a cadenza which includes some Solo Saxophone sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to, Italian Fantasy is amazing to demonstrate your skills and technical abilities during a recital and a concert. Eugene Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others..
SKU: HL.48181490
UPC: 888680844240. 9.0x12.0x0.095 inches.
Composed for the Paris Conservatoire contest by Pierre Revel (1901-1984), Fantasy is a melodious piece for Bb Clarinet and Piano. Rated as difficult (8), this piece is perfect for demonstrating your skills and technique. Dedicated to Ulysse Delecluse, Fantasy is divided in three main sections: - Prelude ? Modderato (senza rigore) - Andante, featuring a Cadenza by the Clarinet solo - Final which include a ?Meno mosso? part and a ?1 tempo?, before closing on a really harmonious note. The mastering of breathing techniques and a great flexibility are required for this piece which demonstrates the whole range of the instrument. .
SKU: HL.48181519
UPC: 888680842086. 9.0x12.25x0.082 inches.
Exploiting the Flute to its full potential, Italian Fantasy is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody, this piece by French composer Eugene Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional, characterised cadenza, covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza's Italian Fantasy for Flute and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the Flute repertoire. .
SKU: HL.287588
UPC: 888680905026. 5.0x5.0x0.15 inches.
Released in 1978 by the iconic R&B band Earth, Wind & Fire, this classic is still hot and the lyrics are relevant for young people. Like so many of EW&F's songs, this lends itself perfectly to choral singing while maintaining its up-beat groove.
SKU: HL.48182311
UPC: 888680787066. 9.25x12.25x0.055 inches.
Written by Marcel Grandjany on a tune of Haydn, Fantasy is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others..
SKU: HL.4003855
UPC: 888680005689. 9.0x12.0x0.133 inches.
Drawing inspiration from books and films of fantasy adventure, Johnnie's three-movement suite explores a variety of descriptive moods and styles. The first movement (Wizards) has a noble and grand flavor, while the second (Elves) is more playful and mischievous in design. The concluding movement (Talking Animals) uses rhythmic energy and mixed meters in creating a bit of a rambunctious setting. Themes from the earlier movements are then brought back for the grand finale. Dur: 8:00.
SKU: HL.14017508
9.5x14.25x0.15 inches.
Fantasy on the Chorale 'Es ist genug' for Violin and Organ.
Fantasy On A Theme Of Liszt was written in 1967 for a Cheltenham Festival concert. The theme which lies behind the work is the opening tune of Liszt's Faust Symphony, though this is never heard in its original form but is rather used as a thematic reservoir from which the music is derived. It is dedicated to the American composer and conductor Bernard Herrmann.
John McCabe (1939-2015) was a British composer, pianist and music administrator. He studied at the Royal Manchester College of Music (now the RNCM), and built a career as a virtuoso pianist. However, he also wrote several hundred musical compositions, ranging from large-scaleorchestral works to chamber music and solo instrumental pieces - it is said the only classical genre he did not write for was opera
SKU: CF.CAS18
ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.
A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: HL.263185
UPC: 888680729042. 5.0x5.0x0.15 inches.
This is a story song reflecting on the sights and sounds of the holiday season. The experience of telling a story through song is a valuable lesson for singers of all ages. Light staging and acting are perfectly acceptable in this style and a welcome addition to your winter concert.
SKU: HL.14015407
UPC: 884088455026. 8.5x11.75x0.072 inches.
Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream), Junior Just Brass, Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.
SKU: CF.CPS103F
ISBN 9780825874185. UPC: 798408074180. 9x12 inches.
Joseph Compello uses the famous Mexican folk song La Cucaracha as the basis for a concert fantasy. Lots of rhythmic interest and percussion, plus every section of the band gets some of the melodic material. Students interested in Mexican history will find that a little research on the song La Cucaracha will reveal some interesting facts about the lyrics. A strong choice for your next concert to include the music of our southern neighbors.
SKU: BT.AMP-378-010
9x12 inches. English-German-French-Dutch.
The Shakers were a sect who, in the 18th Century, sailed out from England to America. Right into the late 19th Century, the numerous songs of this community were handed down orally, until they were written down in various volumes of song collections.Philip Sparkes fantasy for wind band is based on a selection of these beautiful, captivatingly simple songs.De shakers vormden een van de religieuze groeperingen die in het 18e-eeuwse Engeland ontstonden. Ze maakten vele liederen, die eind 19e eeuw voor het eerst in bundels werden uitgegeven. De melodieën die zijn gebruikt in Shaker Heights Fantasykomen uit twee van zulke bundels.Die Shaker waren eine Sekte, die im 18. Jahrhundert von England nach Amerika auswanderte. Bis ins späte 19. Jahrhundert wurden die zahlreichen Lieder dieser Gemeinschaft nur mündlich tradiert, bevor sie in verschiedenen Sammlungen niedergeschriebenwurden. Philip Sparkes Fantasie für Blasorchester basiert auf einer Auswahl dieser schönen, durch ihre Schlichtheit bestechenden Lieder.Le contenu de cette composition offre une belle palette démotions aux teintes énergiques, dynamiques et intenses, sans omettre toutefois des intonations poétiques empreintes de douceur et délicatesse. Une introduction majestueuse céde la place uneligne mélodique sintensifiant peu peu en rassemblant lensemble des pupitres puis soriente vers un diminuendo. Lors du passage central, bois et cuivres sinterpellent joyeusement autour dun théme festif. La conclusion est pétulante !Gli shaker erano una comunit religiosa costituitasi in Inghilterra nel XVIII° secolo. Con varie raccolte ci sono state tramandate alcune delle loro numerose canzoni che conquistano per la loro semplicit . Le melodie in Shaker Heights Fantasydi Philip Sparke provengono da due di queste raccolte.
SKU: HL.49008105
ISBN 9790001115964. UPC: 196288077473. 9.0x12.0x0.355 inches.
The fourth volume in this series of female composers is dedicated to works of the 19th and 20th century. The pieces by Violetta Dinescu, Caroline Ansink, Myriam Marbe and Lucie Robert-Diessel have been composed specially for this anthology. M. Wieck: Fantasy on Skandinavian Folksongs • L.A. le Beau: Romanc, Op. 24/1 • C. Faisst: Melody after an old Ballad • J. Senffter: Three pieces Op. 25 • L. Vellére: Nocturne • V. Shlonsky: Dialogue • M. Marbe: Prphet and Bird • B. Heller: Lalai • L. Robert-Diessel: Lamento • E. Firsova: Album leaf • V. Dinescu: Flesh across • C. Ansink: Water under the bridge.
SKU: BT.AMP-378-140
The Shakers were a sect who, in the 18th Century, sailed out from England to America. Right into the late 19th Century, the numerous songs of this community were handed down orally, until they were written down in various volumes of song collections. Philip Sparke’s fantasy for wind band is based on a selection of these beautiful, captivatingly simple songs. De ‘United Society of Believers in Christ’s Second Appearing’ was een van de religieuze groeperingen die in het 18e-eeuwse Engeland ontstonden. De zogenoemde shakers componeerden duizenden liederen, die veelal mooi zijn in al hun eenvoud. Ze werden van oorsprong mondeling overgeleverd tot er eind 19e eeuw voor het eerst bundels werden uitgegeven. Voor deze briljante compositie selecteerde Philip Sparke zorgvuldig enkele van de liederen uit deze bundels. Die Shaker waren eine Sekte, die im 18. Jahrhundert von England nach Amerika auswanderte. Bis ins späte 19. Jahrhundert wurden die zahlreichen Lieder dieser Gemeinschaft nur mündlich tradiert, bevor sie in verschiedenen Sammlungen niedergeschrieben wurden. Philip Sparkes Fantasie für Blasorchester basiert auf einer Auswahl dieser schönen, durch ihre Schlichtheit bestechenden Lieder. Le contenu de cette composition offre une belle palette d’émotions aux teintes énergiques, dynamiques et intenses, sans omettre toutefois des intonations poétiques empreintes de douceur et délicatesse. Une introduction majestueuse cède la place une ligne mélodique s’intensi_x001C_fiant peu peu en rassemblant l’ensemble des pupitres puis s’oriente vers un diminuendo. Lors du passage central, bois et cuivres s’interpellent joyeusement autour d’un thème festif. La conclusion est pétulante_x001E_!Gli Shaker furono una setta che nel XVIII secolo emigrò negli Stati Uniti dall’Inghilterra. Shaker Heights Fantasy è un brano commissionato a Philip Sparke per il centesimo anniversario dalla fondazione del College in Shaker Heights nello Stato dell’Ohio. Il contenuto di questa composizione offre un interessante a_x001B_resco di emozioni dalle tinte energiche, dinamiche e intense, senza tuttavia omettere intonazioni poetiche impregnate di dolcezza e delicatezza.
