SKU: BT.EMBZ15083
English-German-Hungarian.
Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that, in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or evenovershadow the works by the Mendelssohn-Schumann epigones used in primary and secondary music education. The present, single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and gives practical recommendations for the grouping of individual items to form charming sonatina-like sets of pieces. Bartók spielte wahrscheinlich 1911 erstmals Werke von Domenico Scarlatti öffentlich und in den folgenden zwei Jahrzehnten ließ er sie an seinen Klavierabenden mehr als sechzig Mal erklingen. Seine Verbundenheit mit der italienischen und französischen Barockmusik beweist sich auch darin, dass er 1920 einen Vertrag mit dem Budapester Verlag Rozsnyai über die Herausgabe von sieben Heften mit Werken der Klaviermusik schloss. Geplant war, dass er das Material der Bände sowohl mit Werken Scarlattis als auch mit Kompositionen Couperins und Rameaus zusammenstellte. Im Laufe der 1920er-Jahre kam es schließlich zur Herausgabe einer Couperin-Auswahl in zwei Heften sowie - ebenso in zwei Heften - von zehn Scarlatti-Kompositionen. Mit der Veröffentlichung dieser Meisterwerke beabsichtigte Bartók in erster Linie, den Mendelssohn-Schumann-Epigonen bereits in der Musikausbildung in der Grund- und Mittelstufe entgegenwirken und ihre Werke in den Hintergrund treten zu lassen.
Die vorliegende Publikation versammelt in einem Band das Material der beiden mit Bartóks Vorwort, detaillierten Vortragsanweisungen und Anmerkungen erschienenen Scarlatti-Hefte. Der Herausgeber empfiehlt PianistInnen diese Kompositionen seit mindestens fünf Jahren zum Klavier spielen und gibt auch praktische Vorschläge dafür, wie man die einzelnen Stücke zu einem attraktiven Sonatina-artigen Ganzen gruppieren kann.
SKU: AP.6-424251
ISBN 9780486424255. English.
No composer in musical history has taught the pianist more new and permanently valuable things, says Grove's Dictionary of Music and Musicians, describing Impressionist Claude Debussy. This compilation of the composer's most colorfully atmospheric works attests to his extraordinary powers of invention and to his reassessment of keyboard color and technique. Twenty selections range from such fanciful pieces as the impudent Golliwog's Cake Walk and the misty Sunken Cathedral to the brilliant Fireworks. A rich compilation of works by France's most innovative and influential composer, this convenient and modestly priced volume will be welcomed by pianists, students, teachers, and music lovers. Dover original compilation of works from authoritative editions.
SKU: HL.49032562
ISBN 9783795757656. German.
Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - Flamenco puro - it also conveys the authentic sound and the pulsating compas of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes For more information please have a look at www.graf-martinez.com/flamenco-guitar-dvd.html [1]Links:------[1] http://www.graf-martinez.info/flamenco-guitar-dvd.html.
SKU: CA.402605
ISBN 9790007302054. German.
At times Romantic, at other times with a jazzy touch, the Choral collection Bruckner. Secular choral music is full of exciting discoveries and new arrangements at various levels of difficulty. Anton Bruckner’s secular choral music is often overshadowed by his great symphonies and sacred choral works – unfairly, as choral experts Simon Halsey and Jan Schumacher prove with their small but fine selection of choral music inspired by secular texts. Bruckner left only a few movements for mixed choir; instead, his music for male voices constitutes a far larger body of work. For this collection, renowned arrangers from Germany, England, Denmark, and Italy have specially reworked the most beautiful of these choral movements for SATB, enabling this great repertoire to be performed by mixed choirs. Two original SATB compositions are also included. Furthermore, the choral collection features arrangements of songs originally written for solo voice and piano with texts by such poets as Heinrich Heine and Emanuel Geibel. Another highlight is an arrangement of the Adagio from Bruckner’s String Quintet WAB 112, which Heribert Breuer has created for choir to a text by Georg Trakl.- 16 SATB settings, several with keyboard accompaniment- Selected by Simon Halsey and Jan Schumacher- Modern SATB arrangements of male-voice works and solo songs, as well as original compositions - Affordable complete volume (editionCHOR) as well as separate editions available in print and digitally.- Introductory price valid until 31.10.2023, then 27.00 EUR (editionCHORLEITUNG) and 15.00 EUR (editionCHOR, minimum order: 20 copies)
SKU: CA.402600
ISBN 9790007294045. German.
SKU: PR.114414480
ISBN 9781598063264. UPC: 680160597932. 9x12 inches. Key: Bb major. Transcribed by Carter Pann.
A unique collection of elegant transcriptions of Bach’s keyboard and instrumental gems scored for 10 woodwinds, with flexible scoring and ossia parts – ideal for schools and “pull-out†groups on wind ensemble concerts.The music of Johann Sebastian Bach (1685-1750) is a gift. Nearly every piece that poured out of this man is as inspired and perfected as the next. His body of work has cut a deep incision in the recorded history of music and set a benchmark to which all the contrapuntal masters who followed have aspired to meet.The transcriptions found within this volume add to the thousands upon thousands of versions of his music already re-worked for different groups and media. The music here does not, however, embellish Bach’s own scores (save but for a couple of instances in which it was felt necessary to add an inner voice to serve the expansive range of the ten woodwinds). The selections are ordered (loosely) to assume a smooth, inclined trajectory of both difficulty and musical breadth. The first piece is a small and simpleminuet, the last is a long interior movement of one of the most beloved and advanced violin concertos in the whole repertoire.As a keyboard player I grew up learning and falling in love with much of Bach’s music at the piano. For this very reason, much of this volume consists of the composer’s keyboard works. One cannot, however, deny many of the most cherished works from Bach’s oeuvre when compiling a set of transcriptions, and many of those “hits†are included here as well.Departing from a traditional harmoniemusik ensemble, I have replaced the horns here with saxophones. There are two reasons: 1) the nature of much of this music requires instruments with an ease of agility not executable so readily on the horn; and 2) the opportunity for saxophone players to be included in such an ensemble was very attractive, pedagogically.I hope you enjoy these gems from such a great genius.
SKU: CA.5060100
ISBN 9790007087647.
The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, when Haydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. The fact that six of them were published in 1784 as Kraus's Opus 1 by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume also contains another key work in Kraus's chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799.
SKU: BT.EMBZ14699
The four composer-sons of Johann Sebastian Bach were figures of decisive importance in the transitional period between the Baroque and Viennese classicism. Around the middle of the 18th century they were influential not only as composers but also as virtuoso players of keyboard instruments in promoting the enormous change in style that took place during those decades. This volume offers a selection of the genres typical of the keyboard works by Bach's sons, thereby also giving students an excellent introduction to Viennese classicism and to the works of Haydn, Mozart and Beethoven. Contains ABRSM Piano Syllabus pieces, Grades 3-6.Vier Söhne Johann Sebastian Bachs, die in die Fußstapfen des Vaters traten, sind bedeutende Figuren der 'Übergangszeit' zwischen dem Barock und der Wiener Klassik. Nicht nur als Komponisten sondern auch als Meister der Tasteninstrumente wirkten sie gegen Mitte des 18. Jahrhunderts massiv an dem enormen Stilwechsel mit, welcher sich in diesen Jahrzehnten vollzog. Das vorliegende Heft bietet dem Schüler eine Auswahl an charakteristischen Gattungen von Werken der Bach-Söhne für Tasteninstrumente und führt sie dadurch ausgezeichnet in die Wiener Klassik, in die Stücke von Haydn, Mozart und Beethoven ein.
SKU: BT.YK21376
ISBN 9780711911017.
Nothing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and Keyboard miniatures by master composers, selected and edited by Dennis Agay. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for Piano solo.
SKU: BR.EB-8033
ISBN 9790004174364. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BT.EMBZ14695
Besides Bach, Domenico Scarlatti is the other Baroque composer whose keyboard works sound really great on the modern piano. The editor of this volume has chosen sixteen pieces from the 555 surviving single-movement keyboard sonatas by Scarlatti. This compilation is designed to offer a representative selection in order to give a taste of the incredibly rich world of Scarlatti's sonatas in terms of their character, structure, and keyboard techniques: they include lyrical Andantes and powerful, etude-like, whirling Allegros, pieces inspired by Spanish folk music and guitar-playing, as well as sonatas that anticipate the Viennese classical style. None of these movements exceed amoderate difficulty level. Neben Bach ist Domenico Scarlatti der andere Barock-Komponist, dessen Werke für Tasteninstrumente auch auf dem heutigen Klavier gut klingen. Aus seinen 555, meistens einsätzigen Sonaten wählte der Herausgeber für den vorliegenden Band sechzehn Stücke aus. Diese wurden mit dem Anspruch einer repräsentativen Auswahl zusammengestellt. Der Band gibt einen Vorgeschmack von der unglaublich reichen Welt der Charaktere, Texturen und Tasteninstrumententechniken der Scarlatti-Sonaten: Neben melodischen, wunderschönen Andanten und etüdenähnlichen, wirkungsvollen Allegri bekommen in ihr auch Stücke ihren Platz, welche von der spanischen Volksmusik und von der Gitarrenspieltechnik inspiriertsind, oder Sonaten, die die Wiener Klassik erahnen lassen. Diesen ist außer dem Komponisten nur eines gemeinsam: Hinsichtlich ihrer technischen Anforderungen überschreitet keine die mittlere Stufe.
SKU: HL.438829
UPC: 852940000714. 4.5x7.25x2.657 inches.
The Carl Martin TremO'vibe is an analog “two in one†effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls. The tremolo effect works like a change in volume. The vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato. Featuring two switches, The “on†switch allows you to engage or bypass the unit. The “select†switch allows you to switch between Tremolo and Vibrato. The Carl Martin TremO'vibe is an excellent choice for Guitar, Bass, Keyboard, or any other electronic instrument, that requires the highest sonic clarity, maximum dynamic range and noise free performance. The unit has a built in regulated power supply which enables us to design circuitry of the highest quality with maximum headroom.
