Serenade Op. 7 (oboe)

for two Oboes 2 Clarinets 2 Horns and 2 Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Oboe (2) Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5333) and study score both versions format 22.5 x 16.5cm (TP315) available for sale

?I?ve had to turn out a serenade on short order?: these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married whenhe pulled this wind piece out of his hat. Yet the results are far removed from the detached courtly style of the serenade: the work one of the jewels of the wind repertoire opens full of earnestness and profundity in the gloomykey of c minor. The high opinion Mozart had of this octet is evident in the fact that he later arranged it for string quintet.

Oboe and Piano-Part of the ANGLO MUSIC PLAY-ALONG Series Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material to complement anyteaching method and includes both Piano accompaniment and a demo/play-along CD.

Trio in C major op. 87 - Variations in C major WoO 28-Both of these works for two oboes and cor anglais which Beethoven composed in the 1790s belong to the lighter genre of serenades and divertimentos. He might have written them in response to a commission or have been inspired bythe prevailing popularity of this delicate combination of instruments.Likewise with the Variations WoO 28 on the famous theme 'La ci darem la mano' by Mozart he made a contribution of his own to the arrangements ofoperatic melodies for wind ensembles that were so popular at the time.This Urtext edition follows the recently published volume in the Beethoven Complete Edition and thus reflects the latest scholarly research onBeethoven.

Includes Circus Rock Sad Clown Acrobats Tightrope Walker Sentimental Serenade Trick Cyclist Dancing Dolls and Russian Galop. On the CD track 1 is a tuning note then each piece appears twice: first with and then without the solo line.

für zwei Oboen zwei Klarinetten zwei Hörner und zwei Fagotte-About Serenade in C minor for 2 Oboes 2 Clarinets 2 Horns and 2 BassoonsBy Wolfgang Amadeus Mozart. Edited by Daniel N. Leeson; Neal Zaslaw. For Oboe (2) Clarinet (b flat) (2) Horn (2) Bassoon (2). Set of Parts; Urtext Edition. KV 388 (384a). Published by Baerenreiter-Ausgaben (German import). (BA5332)

L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Serenade. C'est une partition musicale composée par Chaynes Charles et qui est destinée aux joueurs de Musique de Chambre. Le détail de l'instrumentation Flûte, Hautbois, Clarinette, Cor Et Basson vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Flûte, Hautbois, Clarinette, Cor Et Basson / Partition Et Parties

for Wind Instruments Violoncello and Double Bass op. 44-Serenade In D Minor Op.44 for Oboe I II; Clar I II; Bsn I II; Contra-Bsn; Horn I-III; Vc; KbIn 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart?s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart?s piece as his model he supplemented the wind band with a bass part for Violoncello and Double Bass.The Op.44 Serenade In D Minor which also delighted Johannes Brahms was issued by Dvorák?s publisher Simrock shortly after its première. Barenreiter's new Urtext edition draws on this first print while usingthe autograph to correct a number of mistakes and above all inconsistencies in articulation.First Urtext edition of Dvorák?s popular Serenade for windsDetailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger)Critical Commentary by Robin Tait (Eng)

Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozart.? That this was almost certainly four movements from the present Serenade in B-flat major K.361 is suggested by an account of the occasion published some months later which states ?Today I heard a composition by Herr Mozart in 4 movements for wind ensemble . . . comprising 13 instruments: 4 horns 2oboes 2 bassoons 2 clarinetts 2 basset horns and a contrabass viol. . . .?Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K.361 is striking for its seriousness of artistic content its length (seven movements lasting nearly an hour) and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players not thirteen). If the work was not conceived in the first instance as a concert work its potential as such must have been recognized early on by Mozart or Stadler.- Urtext of the New Mozart Edition- Parts (BA5331-22) and study score format 22.5 x 16.5cm (TP312) available for sale

for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale