Seven Preludes Op. 103

SKU: IG.PM063

9 x 12 in inches.

By Jennifer Castellano. Spectrum, Seven Preludes for Piano was inspired by a work by the American artist, Ellsworth Kelly (b. 1923). The composer writes, When I was a freshman in college, I saw his work entitled Spectrum at the Metropolitan Museum of Art. The work consisted of thirteen large panels, and each contained a different color or shade of color. The first panel was yellow and the last was yellow. To me this work was a visual representation of a chromatic scale played one full octave up the piano keyboard. Five years after the magnificent sighting at the Met, I decided that I wanted to make an audio representation of the seven colors of the rainbow, each represented by a different tonality or pitch center: A being red, B orange, C yellow, D green, E blue, F indigo, and G violet. Spectrum abandons the use of the conventional major-minor key systems and instead uses a scale which the composer invented called the Castellonian Mode. In it's original form the scale is spelled C D E F G G# (or Ab) A Bb C. The sound of this new tonal system exhibits both major and minor-like qualities and yet has a new sonority of its own. The Castellonian Mode was invented in the summer of 2004 and has served as the basis of many of her tonal compositions.

SKU: BT.MUSM570205608

English.

Published 1978. First performance: Jeremy Brown, Wigmore Hall, 4th September 1978.

SKU: HL.14002449

The complete 7 preludes. Facsimile of the original Elkin & Co. edition.

SKU: GI.G-10445

  Using several versions of the original work as inspiration, Zack Stachowski has arranged The Seven Last Words of Christ for solo instrument and piano, making Haydn’s music accessible to music ministers who may not have access to larger instrumental ensembles.    These prayerful meditations can be used as preludes, as music for reflection, or in ritual when singing is not permitted. Though the pieces are inspired by the Seven Last Words from the Cross and find their most obvious fit in the season of Lent and Holy Week, the diversity of color and character makes them suitable on other occasions throughout the entire year.   (Since these arrangements were envisioned as liturgy preludes or as instrumental pieces during ritual, Haydn’s original prelude and earthquake movements have been excluded due to their overtly dramatic and performative nature.)    .

SKU: SU.50026580

Contains Four Baroque Preludes, Four Pop Preludes, Seven Nocturnal Preludes, Ten Assorted Preludes, Four Dance Preludes, Four Toccata Preludes.Copyright 1994. Published by: Seesaw Music.

SKU: CA.5280400

ISBN 9790007139384.

The fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.

SKU: HL.14035519

ISBN 9780711996878.

These seven pieces can be performed as a complete work, as they appear in the score. They can also be performed as free-standing pieces. Total duration 20 minutes. These seven piano pieces were written as an attempt to go into the tradition of romantic and impressionist character pieces, like Grieg's Lyrical Pieces or Debussy's Preludes: small, relatively simple pieces with a motto, and usually with one prevailing sentiment, like a musical short story.

SKU: AP.1-ADV9021

UPC: 805095090215. English.

Hear the composer perform his Preludes (Vol. 1) plus seven jazz standards.

Titles: Prelude I * Prelude II * Prelude III * Prelude IV * Prelude V * Prelude VI * Close Enough For Love (Mandel/Williams) * The Lady Sings the Blues (Wilder/Engvick) * Hearsay (Ellington/Strayhorn) * There Was Nobody Looking (Ellington) * Oh Bess, Oh Where's My Bess? (Gershwin/Heyward) * This Is New (Weill/Gershwin) * Over the Rainbow (Arlen/Harburg).

SKU: SS.50016930

SKU: GI.G-9655

UPC: 785147965565.

As the hymn tunes of Sally Ann Morris have appeared in more and more of our modern hymnals, music ministers and congregations have come to appreciate their singable quality and versatility. Now organists can enjoy playing these tunes with creative settings idiomatically scored for the organ. The tunes ISAIAH 9, ISAIAH 43, and ROMANS 8 are included, along with a delightful set of theme and seven variations on the tune new world. Registration suggestions are provided to help bring these tunes to life with an even greater sparkle. Contains: ISAIAH 9 • ISAIAH 43 • Variations on NEW WORLD • ROMANS 8.

SKU: SU.50016930

Piano Published by: Seesaw Music.