Format : Sheet music
The King O God His Heart To Thee Upraiseth is a work by W.H. Harris with words from The Yattendon Hymnal. The work is scored for Unison Voice.
SKU: FH.WC0
ISBN 978-1-55440-576-3.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:Gigue - Georg Philipp Telemann, arr. Jason NobleBouree anglaise - George Frideric Handel, arr. Stephen ChatmanComputer Game - Paul HarrisWolsey's Wilde - William Byrd, arr. Jason NobleMairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine DonkinPolka-dot Rag - Jazz standard, arr. Paul HarrisThe King's March, T 432 - Jeremiah Clarke, arr. Jason NobleLyrical Repertoire:Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason NobleThe Huron Carol - 16th-century French, arr. Martin van de VenAir, from The Double Dealer - Henry Purcell, arr. James RaeReverie - Claude Debussy, arr. Jason NobleOde to Newfoundland - Hubert Parry, arr. Christine DonkinLondonderry Air - Irish folk song, arr. Harold BirstonTumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
