Six Sonatas, Volume I (Nos. 1-3) (K. 10, 11, 12)

Nos. 16-32-The entire corpus of Beethoven's piano sonatas is contained in this two-volume work - 32 sonatas in all. Volume 2 contains the seventeen sonatas from Beethoven's second and third periods including the popular Waldstein Appassionata and Hammerklavier. Nos. 16-32. Schenker edition.

F minor A major C major-Bärenreiter continues its Urtext edition of the complete Beethoven Piano sonatas. They begin with the frequently played Op.2 Sonatas (Nos. 1-3) (BA10859) which stem from his early yet mature oeuvre when he was developing an independent style from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata Op.28 (BA11814) from his middle period (nicknamed ?Pastorale? by the publisher of the original edition) and finally to the Sonata Op.101 (BA11811) Beethoven?s first sonata specifically intended for the ?hammerklavier? and the one that introduced his esoteric late style to the Piano sonatas.The acclaimedBeethoven specialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven?s lifetime. The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship together with a detailed Critical Commentary.All volumes stand out in terms of their elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice.New critical performing editions at the cutting edge of scholarship.Optimum page-turns.Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng).

This edition of recorder duet sonatas is intended as a corrected urtext but for its transposition to the range suitable for treble recorders. They will make ideal recital pieces for any concert.

With notes on performance practice by Jonathan Del Mar and Misha Donat-Bärenreiter continues its Urtext edition of the complete Beethoven Piano sonatas. They begin with the frequently played Op.2 Sonatas (Nos. 1-3) (BA10859) which stem from his early yet mature oeuvre when he was developing an independent style from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata Op.28 (BA11814) from his middle period (nicknamed ?Pastorale? by the publisher of the original edition) and finally to the Sonata Op.101 (BA11811) Beethoven?s first sonata specifically intended for the ?hammerklavier? and the one that introduced his esoteric late style to the Piano sonatas.The acclaimed Beethovenspecialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven?s lifetime.The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship together with a detailed Critical Commentary.All volumes stand out in terms of their elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice.New critical performing editions at the cutting edge of scholarshipOptimum page-turnsIntroductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng)

Urtext Edition-Edited and engraved by Ephraim Hammett Jones Volume II of this two-book set presents an original compilation of Robert Schumann's best-known character pieces and piano cycles in a pristine urtext edition. Printed to precisely reproduce the artist's original intentions it features eight of the Romantic composer's finest works.Suitable for intermediate to advanced pianists the contents include Piano Sonatas Nos. 1 2 and 3; Davidsbündlertänze Op. 6; Fantasie Op. 17; Noveletten Op. 21; Carnival Jest from Vienna Op. 26; Three Romances Op. 28; Davidsbündlertänze Op. 6; Fantasy in C Major Op. 17; Noveletten Op. 21; Carnival Jest from Vienna Op. 26; and ThreeRomances Op. 28.Dover Original.

About Complete Church Sonatas. Volume 1Nine Sonatas for two Violins Organ and Violoncello/Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Organ Violin 1 Violin 2 Violoncello/Contrabass. Playing Score; Set of Parts; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA4731) ISBN M006454488. Contents:KV 67 (41h) Es-dur /2`KV 68 (41i) /4`KV 69 (41k) /3`KV 144 (124a) D-dur /4`KV 145 (124b) F-dur /3`KV 212 B-dur /4`KV 224 (241a) F-dur /5`KV 225 (241b) A-dur /5`KV 241 G-dur /3`

Fünf Sonaten für zwei Violinen Orgel Violoncello und Bass-About Complete Church Sonatas. Volume 25 Sonatas for two Violins Organ Violoncello and Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Violin 1 Violin 2 Organ Violoncello Contrabass. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4732) ISBN M006454525. Contents:KV 244 F-dur /4`KV 245 D-dur /5`KV 274 (271d) G-dur /5`KV 328 (317c) C-dur /4`KV 336 (336d) C-dur /3`

Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of Alexander Scriabin’s compositional output. No other composer after Beethoven reshaped this genre so radically thereby reinvigorating the tradition of the sonata. Scriabin’s desire not simply to continue the existing tradition but to surpass it is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Scriabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.Thisvolume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6 No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.The editor Christoph Flamm draws on autograph manuscripts first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Scriabin made in 1908 on paper rolls for the Hupfeld company Leipzig are also taken into account.- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account.- Includes all fragmentary works some published for the first time.- Detailed foreword Ger/Eng) and critical commentary (Eng).