Solo Pieces Volume 2

Par HEIM NORMAN. Ce livre est le premier d'une série de 3 volumes qui présente des solos pour clarinette et piano, avec chaque volume a marqué à un niveau spécifique. Ce volume est destiné à être utilisé par le joueur de clarinette élémentaire dans la première année à dix-huit mois d'étude. Parmi les solos sont notés principalement dans le registre du chalumeau, avec seulement brèves extensions dans le registre clarion. Autres solos sera plus difficile par la présence des phrases plus centrés dans le registre clarion. Quelques oeuvres présentent des changements de Registre au sein de la phrase qui nécessite une attention supplémentaire. Doigtés suppléants ont été suggérées dans certains passages en utilisant les symboles habituels. La musique a été composée par maîtres compositeurs qui vivaient dans des XVIIIe et XIXe siècles, et la musique a été adaptée ici pour la performance de la clarinette. La musique utilisée représente une variété de styles musicaux, donnant ainsi le joueur une expérience de grande performance. Marques de métronome ont été suggérées pour chaque travail à donner au joueur une ligne directrice pour... / Niveau : Débutant / Classic - Solos / Recueil / Clarinette

50 Easy Pieces from 5 Centuries. Par . For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order. The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required. Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. / Niveau : Très facile / Date parution : 2021-12-09/ Recueil / Piano

Par PUSCOIU COSTEL. Contains more than 60 pieces from the Classical, Romantic, and Modern periods, adapted and arranged for the B-flat clarinet with piano accompaniment. A convenient pull-out folio is included for the soloist. These compositions by Bach, Beethoven, Bordin, Brahms, Handel, Haydn, Lully, Mozart, Praitorius, Purcell, Rameau, Tchaikovsky, Telemann and others range from the very easy to the moderately difficult. This collection makes an excellent sourcebook for recital repertoire and can be used as an engaging supplement to any clarinet method book or private course of study. / Niveau : Débutant à Intermédiaire / Classic - Solos / Méthode / Clarinette

Volume 2 contient les oeuvres des années plus tard de composition, y compris les fantaisies populaires et rondos ainsi que plusieurs ébauches de forme sonate complétés par comtemporaries de Mozart. En outre, la présente édition contient des versions de piano solo du Concert Rondo K 382, le rondo le duo pour violon et alto 423 K, ainsi que l'ouverture de la ' enlèvement au sérail '. / Piano

As early as the age of four Mozart amazed his father with his quickness of mind as regards Piano-playing. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime he created several Piano pieces apart from the sonatas and variations. The pieces from his youth most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book are mostly short dance movements but there are already lengthy individual movements as well. From the mid-1770s there are mainly larger individual works including fantasias and rondos which can stand as equals to the sonatas andvariations of the Viennese period.Volume 2 contains the mature works from the later years of composition including the popular fantasias and rondos as well as several sonata form drafts completed by comtemporaries of Mozart. In addition the present edition contains solo piano versions of the Concert Rondo K 382 the rondo from the Duo for Violin and Viola K 423 as well as the overture of the 'Abduction from the Seraglio'.

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and Piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces.

Wanderer Fantasy Impromptus Moments Musicaux and Twelve Other Works-Supplementing the Dover edition of Schubert's complete piano sonatas this volume contains all of the remainder of Schubert's music for pianoforte solo. Breitkopf

A superb 160 page volume packed with solo Piano arrangements of great German music from the 17th to the 20th Centuries. <br> <br>A specially written foreword places the music in historical and national context and includes biographical details of many of the featured composers. The arrangements are intended for the intermediate to advanced player but the book will give any pianist a unique practical and historical insight into Germany's immense contribution to the international world of music. / Classique / Partition /

With Performance Strategies-In Recital Throughout The Year is a series that focuses on fabulous repertoire with musically engaging pieces by leading FJH composers and arrangers. This series of books is carefully levelled to ensure that goals are attainable which is essential in motivating students. Providing excellent teaching material these books address the strengths and weaknesses of students with progressive discussions by Dr. Helen Marlais on the art of performance and an analysis of performance strategies.The pieces presented in these books provide repertoire for the entire year including pieces for Halloween and Christmas as well as arrangements of famous classicalthemes with original solos and duets.The accompanying CD includes demonstrations of the pieces presented in this book allowing the student to develop their interpretive skills.Volume Two Book 3 is suitable for Late Elementary pianists and covers many basic principles including:Eighth notes and those basic notes and rests introduced in books 1 and 2 dotted quarter notes are also introduced at the end of the bookPlaying different articulations such as legato and staccato at the same timePlaying pieces in a variety of different moods tempos and formPlaying block and broken major minor and diminished chordsPieces which reinforce five-finger scales as well as scale patterns that extend from the usual five-finger patterns (with finger crossing)Playing blocked intervals up to a sixth double thirds and hand-over-hand arpeggiosContinued movement up and down the keyboard and using the pedal artisticallyReinforcing basic musical terminology and symbols such as crescendo decrescendo ritardando fermata mezzo forte mezzo piano forte piano fortissimo pianissimo and D.S. al CodaKeys C G F A minor and D minor.

To mark the Handel Year 2009 Bärenreiter is offering a special set on all Handel’s keyboard music. Up till now all works have been published as individual volumes Keyboard Works I-IV (BA 4221-4224) in the 'Halle Handel Edition'.   These volumes encompass Handel’s output over a long period spanning approx. 1705 to 1750. Volumes I and II include both collections of suites (1720 and 1733) which the composer himself saw to print. These standout in terms of their compositional demands and are a testimony to Handel’s sometimes idiosyncratic treatment of the Baroque form. Volumes III and IV contain all the other individual surviving piecesand miscellaneous suites.   The edition based on the Urtext of the 'Halle Handel Edition' has been edited by the internationally-renowned Handel scholar Terence Best. The music text in each volume which also takes into consideration alternative versions of individual pieces is accompanied by a detailed foreword on the history of the compositions transmission and performance practice.   Urtext based on the 'Halle Handel Edition' Comprehensive edition of Handel’s keyboard works Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings Barenreiter sheet music performing editions present the authentic text and the latest findings of scholarly research enabling players to get as close to the composer's intentions as the surviving sources will allow. There are no arbitrary editorial editions and the quality of the musical text matched by an appearance on the page that satisfies the most discerning eye. Comprehensive edition of Handel's Keyboard works. Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings. 'By using one of Barenreiter's scores I feel confident that I have an edition that has been meticulously prepared to the highest standards and with the latest research. It feels good to have a Barenreiter score in your hand. For many

A fresh approach-This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately as begun in Sight-Singing 1.Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch sequences singing a lower part ties awareness of chord structure canons chromatic movement modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs.Part 2 consists of 16 solo pieces which are presented in the treble clef and aim to develop the singer???s ability to pitch independently from their accompaniment. These shortpieces are based on chords intervals the Dorian mode pentatonic scales melodic minor scales chromatic movement and changing time signatures.The aim of this volume is to develop a secure sense of pitch providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ???vocalise??? a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ???hear??? a phrase before it is sung or played is especially useful.- 95 solo/2-part exercises- 16 accompanied solos- 1 wide range of challenging styles- valuable both to singers and instrumentalists

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

The Easy Concert Pieces series presents easy piano pieces for beginners in progressive order. Two volumes have already been published with a third volume being in preparation. These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions concerts competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque Classical Romantic and Modern eras. Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythmsand very easy chord playing. Crossing the thumb under polyphony and pedal are not required yet. Volume 2 (ED 22548) extends the range to two octaves. Hand turns (crossing the thumb under) pedal simple polyphony and three- or four-part chords all feature in Volume 2 as do simple ornaments playing cantabile and differentiating between melody and accompaniment.

The Creative Impulse. Par MAIR MARILYNN. Marilynn Mair has enjoyed a long career as a world-renowned mandolinist, esteemed for over a thousand concert performances, more than two dozen recordings and 4 previous Mel Bay books, including the first two volumes of her series, The Complete Mandolinist. In Volume 3, Marilynn steps forward as a composer, presenting over 60 of her own pieces - nearly half written during the pandemic lockdown of 2020-2021 when live music was forced off stage. Creativity didn?t take a break for Marilynn, though, and soon compositions began to sprout from those quiet days: works for solo and duo mandolin, mandolin-guitar duets, and pieces for plucked string ensembles. They fill the pages of this book with fresh ideas, playful melodies, quirky harmonies, and romantic visions. There are scores and parts for her Fantasia, Nocturnes, Études, Choro, and Ensembles, most of the music published here for the first time.Besides sheet music, the book also includes downloads of over an hour-and-a-half of Marilynn?s performances of the music, brand-new recordings of her recent works, some pieces from her earlier CDs, and a few recordings previously made but never released. This book opens the door to a new musical vision, from a musician who has already proven herself a masterful interpreter of classical and Brazilian repertoire. In her own words, ?I had friends and students in mind as I wrote, creating pieces to pass on my unique perspective on what makes classical mandolin cool.? Dive in and see what treasures you may.find.ncludes access to online audio. / Date parution : 2023-08-12/ Recueil / Mandoline