Solos For Strings - String Bass Solo: Double Bass Solo: Instrumental Album

This first volume of Bassoon Solos includes nine solos with Piano accompaniment edited by William Waterhouse. Suitable for intermediate players. Contents include Three Easy Pieces No.1 (Milde) Minuet From Quartet For Bassoon And Strings Op.1 No.6 (Ritter) Scherzo - Kolomyjka (Vojacek) Three Easy Pieces No.3 (Milde) Three Easy Pieces No.2 (Milde) Minuetto Giocoso (FranzJoseph Haydn) Bruit De Chasse (Corrette) Vivace And Largo Poco Andante - Sonata In E Minor Op.3 No. 3 (Michel Blavet) and Trois Sonates (Anton Diabelli).  

A comprehensive string method arranged for individual or class participation parts for violin viola cello string bass piano accompaniment and full conductor's score. Topics include: Step-by-step tuningprocess Bowing styles Theory Technique Shifting for cello and string bass Major/Minor/Chromatic scales Etudes Solos/Ensembles Vibrato strengthening exercises Detailed photographs and diagramsSpecial score supplement: Detailed classroom tuning procedures Daily record Guide for teaching dynamics Mid-year motivation articles Vibrato guidelines Bibliography sketches

The comprehensive string method that covers it all! A successful ensemble string method series for classroom or individual study. Provides the beginning string player with a solid foundation in all aspects of string playing withan emphasis on rhythmic strength. Topics include: Step-by-step tuning process Bowing styles Theory Technique Shifting for cello and string bass Major/Minor/Chromatic scales EtudesSolos/Ensembles Vibrato strengthening exercises Detailed photographs and diagrams Special score supplement: Detailed classroom tuning procedures Daily record Guide for teaching dynamics Mid-yearmotivation articles Vibrato guidelines Bibliography sketches

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Contrebasse

The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo and alto flute cor anglais Eb andbass clarinets and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnership with thestring orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitatives for thealto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slow episodes. Altogetherthis is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.This work for woodwind instruments andstring orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performancewas given in February 1995 by the Scottish Chamber Orchestra conducted by the composer.

Cantata-Jesu meine Freude - Jesu my heart's treasure BuxWV 60for soloists (SSB) mixed chorus (SSB) bassoon & stringsDietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxehude’s chorale cantata“Jesu my Heart’s Treasure” is like many of the Lübeck master’s cantatas an opulent-sounding work which produces a grand effect with simple musical means. It is a piece which can be performed at many occasions in the liturgical domain and contains no noteworthy difficulties.- Score with parts (BA487) separate parts (BA487) and choral score (BA487-91) available for sale

The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.

A book of solos which expand for flexible group music-making. This is ideal for many musical situations - solos individual and group teaching school concerts or just friends making music at home. Solos or ensembles - the choice is yours.Devised selected and edited by Peter Wastall.

Cette leçon de DVD est le joueur de guitare fingerstyle intermédiaire et avancé. C'est pour l'étudiant qui se sent confortable avec une alternance technique basse et veut étendre et d'explorer des idées dans le blues et le ragtime, en utilisant des techniques plus avancées de droit et de la main gauche. Les quatre instrus en vedette dans ce lesosn sont toutes les compositions étendues offrant une variété d'idées musicales. Blues sounding piano dans la clé de a sont présentés dans la ' Mississippi Blues ' et ' Blues For The Mann '. Une approche de Blind Blake dans la tonalité de do est utilisée pour la gloire d'amour. ' Recherche Rag ' en clé de e apporte ensemble thress sections distinctes. Il s'ouvre avec un motif de fusées-sondes piano blues et ensuite les étapes dans une atmosphère plus de pays. Il termine avec une série de bass licks qui rappelle 'Walkin 'The Strings' de Merle Travis. / Guitare

Arranged in Duet Form for 2 Trumpets-This book the third volume of duets based on solo repertoire strives to authentically represent the character of some of the great baroque trumpet solos presenting them for study or performance by two trumpets alone. The top voice by and large is the original trumpet part while the bottom voice stands in for strings basso continuo and in some cases the voice. Thirteen Favorite Baroque Trumpet Works includes Handel’s Let the Bright Seraphim Telemann’s Concerto and Corelli’s Sonata. For intermediate players.