Sonata for Cello and Basso Continuo in A Minor, Op. 14, No. 3, RV 43 (Violoncello)

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Basson ou

Volume 1 comprises 3 of these 6 beautiful sonatas by Handel which have been edited with a realised keyboard accompaniment by Erich and Elma Doflein. These sonatas can be played with a cello or viola da gamba continuo or they can be played with a keyboard accompaniment. The solo violin and cello (viola da gamba) continuo parts are also included on separate inserts.

Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Bassoon Cello and Continuo.

Cello ad lib. Music Partner backing CD available, see MP 4552 / Flûte A Bec (Alto) Et Clavier

For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII G major (RV 23)Sonata IX e minor (RV 16)Sonata X f minor (RV 21)Sonata XI D major (RV 9)Sonata XII a minor (RV 32)

The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.

Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had no models in the works of Haydn or Mozart. Only recently had the instrument begun to liberate itself from its role in the traditional basso continuo. The first two Sonatas in this book comprising Op. 5 were composed in 1796 while Beethoven was in Berlin. He would not embark on another such project until 1807 when he composed the Sonata in A (Op. 69). Eight years later he would return to the idiom to write the two last Sonatas (Op. 102). This is a Great Performers Edition edited by cellist Janos Starker.

Little is known about the life of Italian composer Pietro Giuseppe Gaetana Boni so it is fortunate that at least some of his music survives. His 1917 work the tenth of his chamber sonatas Sonata in C for Cello and Basso Continuo Op.1 No.10 has been edited by Hugo Ruf and the Cello fingering by Rainer Mohrs to create an authentic and accurate reproduction of this fine work.

The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.

No.1 D Major Instrumentation : cello and basso continuo Date of Publications : 26/05/1981 Number of Pages : 17 Arranger : Weigart, Bernhard / Koch, Edwin Series : Cello Library

Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one couldnot fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.