Sonata for Oboe, Viola & Percussion

Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroque pieces for any oboist and are perfect training ground for the instrumentalist looking to learn ensemble playing. Classic trio sonatas of their age they utilized a background of flute and basso continuo - a semi-improvised accompaniment commonly carried out by both a harpsichord and a viola da gamba the two instruments serving as a full bass line supporting the other instruments. The oboist is here afforded a wonderful opportunity to play this beautiful music in association with the wonderful Rameau Trio. Not too difficult these pieces are perfect for the intermediate oboist or for the beginner looking toward amoderate challenge. Listen to and study master oboist Virginia Brewer performing with the Trio then you take your place with this group for one of the most marvelous experiences in chamber music - the Baroque trio sonata. Includes a printed guide to period ornamentation complete with musical examples. Performed by Virginia Brewer oboe Accompaniment: The Rameau Trio: Jean Antrim flute Jocelyn Chaparro harpsichord Fortunato Arico viola da gamba

Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.

Sonate für Orgel und Kammerorchester Streicher ohne Viola-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the Sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo 2 Trumpets Strings).

Sonate für Orgel und Kammerorchester (Streicher ohne Viola)-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass.Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and strings without Violas.The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo Trumpet (2) Strings).Also available:Volume 1: BA4731.Volume 2: BA4732.Volume 3/4: BA4733.

Sonate für Orgel und Kammerorchester Streicher ohne Viola-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the Sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo 2 Trumpets Strings).

Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes

Zwei Sonaten für Orgel und Orchester-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass.Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas.The Sonatas in this Volume 3/4 are the Sonata in C major K.278 (2 Oboes 2 Trumpets Timpani Strings Organ) and the Sonata in C major K.329 (2 Oboes 2 Horns 2 Trumpets Timpani Strings Organ).Also available:Volume 1: BA4731Volume 2: BA4732Volume 5: BA4735

Score and Parts-Trio Sonata is written for: Keyboard Solo (any type) GS82605 · String Trio (Violin/Viola/Cello) GS82374 · Double Reed Trio (Oboe/English Horn/Bassoon) GS82451 · Clarinet Trio (Clarinet/Clarinet/Bass Clarinet)GS82450 · Saxophone Trio (Soprano/Alto/Bari) GS82452. Mr. Harbison suggests performers try mixed configurations (e.g. Violin/English Horn/Bass Clarinet).

treble recorder (flute, oboe, violin) and basso continuo; harpsichord (Pianoforte), cello (viola da gamba) ad lib. These recorder sonatas by Gottfried Finger have been copied from an edition by the London publisher John Walsh. They are pretty pieces, very similar in form and invention to the recorder sonatas of Daniel Purcell (cf. ED 3693 and 4732) and from the same period. They are, moreover, just as charming and just as easy to play.

Arrangement and Orchestration by Andrea Cappellari. Full score and 23 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Flute) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin Viola)...