Sonata No. 2 for Solo Violin

Here are two of the greatest sonatas for violin and piano by Ludwig van Beethoven. Cornerstone of chamber literature the ?Spring? sonata in F major and the ?Kreutzer? in A major share an enduring passionfrom violinists and listeners and are an essential element of every serious violinist's repertoire. This deluxe edition includes three CDs with a complete performance of each piece by virtuoso violinist Mario Hossen a stereobackground track played by the internationally renowned pianist Sung-Suk Kang and a -20% slow-tempo version of each accompaniment for ease of practice. Also features a newly engraved authoritative music book containing the soloviolin part edited by Mario Hossen printed on high-quality acid-free ivory paper.

For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

Bwv 1001-1006. Par LAWRENCE GOLAN. Edition du Dr Lawrence Golan des chefs-d'oeuvre de Bach pour violon solo combine l'authenticité et l'exactitude d'une édition savante de Urtext avec la valeur concrète et l'obligeance d'une édition d'exécution. Un fac-similé du manuscrit autographe de Bach a été utilisé dans la préparation de cette édition et les intentions du compositeur ont été conservées jusqu'au dernier détail. Mention particulière est le fait que toutes les tiges ont été retransmises ensemble tels qu'ils apparaissent dans le manuscrit autographe. C'est d'une grande importance lors de la prise de décisions d'interprétation concernant les rythmes en pointillé. Utile de doigté et de s'incliner suggestions sont fournis par l'éditeur, mais sont distinguent clairement de notation originale de Bach, ce qui permet à l'interprète la liberté d'accepter ou de rejeter toute suggestion donnée. Le volume se complète d'essai du Dr Golan ' exécution Bach : parsemé de rythmes et de trilles dans les sonates et Partitas pour violon Solo,' qui comprend également des discussions savantes de vibrato, doigtés, styles de l'archet et ritard... / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon

Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? which Haydn gave these sonatas in his ?Entwurf-Katalog? (the handwritten catalogue he maintained of his own works) already gives us an indication: it is only the Violinwhich is treated as a solo instrument in these six sonatas the Viola has an accompanying role. Haydn might have written these ?soli? for himself; but they also might have been for Luigi Tomasini the ?first violinist? atEsterházy?s court. Today these duos enjoy great popularity particularly for teaching purposes. We are now proud to present the definitive Henle edition following the text in the Complete Edition of Haydn?s Works withthe addition of specially composed cadenzas.

George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.

Solos appropriés pour les élèves du secondaire avancé ou des majors de la musique de collège, cette collection présente staples de la littérature de violon standard. / Violon / Partition + Cd

Violin 2020-2023. Grade 8. This book contains a selection of six pieces for Trinity Violin Grade 8 exams 2020?2023, carefully chosen, graded and edited by a panel of experts. Encompassing a wide range of styles and including accompanied and unaccompanied pieces at every grade and duets up to Grade 3, this progressive series provides a wealth of engaging repertoire for any violin player. CD available separately, or stream or purchase audio from Amazon, Google Play, iTunes, Spotify and other platforms.

In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]

Instrumentation: Vln—Pf(Vc/VdG ad lib) Editor: Burrows Format: Sheet Music Details: Sonatas in F major, D major, G minor, F major; Sonata à cinque in Bb; Allegro in C minor; Sonatina from 'Il trionfo del tempo'; Sonata Movement in A minor; Fantasia in A; Allegro in G for solo violin Contents: ...there's quite a bit of question as to what exactly constitutes Handel's violin sonatas....Editor Donald Burrows feels that, because of range and style, some of these suspect works also were intended as violin sonatas....The advantage of the newly reprinted Peters edition is that there are more pieces to choose from, the music is clear and easy to read, the page turns considerate, and the keyboard realization simple, but effective.--Sarah Freiberg, for STRINGS (September 2010)

XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l'Auteur, s.d. (=1737).Présentation de Nicolas Fromageot : bibliographie - l'école romaine de violonLa partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. / Violon Et Basse Continue / 78 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.

Edizione critica di Italo Vescovo. Paganini?s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources.