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CELLO - VIOLONCELLO
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Sonata for Violoncello
$31.95
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Violoncello & Piano
SKU: SU.50028050
For Violoncello & Piano
. Composed by Esa-Pekka Salonen. Chamber Music, Piano Trio. Score & Parts. Seesaw Music Corp #50028050. Published by Seesaw Music Corp (SU.50028050).
Published by Seesaw Music.
Instrumentation :
Cello, Piano
Publisher :
Seesaw Music Corp
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Antonio Vivaldi : Complete Sonatas for Cello and Basso Continuo
Violoncello, Basso continuo
Wiener Urtext
(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678...
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(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. Standard notation
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Mozart : Sonata In B-flat Major K.292 (196c) for Bassoon And Violoncello(Basso continuo)
Bassoon, Violoncello
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For Bassoon and Violoncello (Basso continuo). By Wolfgang Amadeus Mozart. Arrang...
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For Bassoon and Violoncello (Basso continuo). By Wolfgang Amadeus Mozart. Arranged by Wolfgang Kostujak. This edition: HN827. Chamber Music with Winds. Henle Music Folios. Urtext edition (Paper-bound). 39 pages. Published by G. Henle.
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6 Sonatas Op. 5 for Violoncello and Basso Continuo (H. 103-108) - 6 Sonatas Op. 5 for Violin and Basso Continuo (H. 109-114)
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Ut Orpheus
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James Hook - Six Sonatas for Violoncello and Piano (Piano / Violoncello)
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EMB (Editio Musica Budapest)
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Sonata Op 28 Vlc Solo Urtext
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Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. C...
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Beethoven : Sonaten fur violoncello und klavier
Cello, Piano
Wiener Urtext
(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited...
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(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited by Christiane Wiesenfeldt. For cello and piano. Standard notation
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Bach, Johann Sebastian: Flute sonatas volume II (3 Sonatas ascribed to J. S. Bach with Violoncello part)
Flute and Piano
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Three Sonatas attributed to J.S. Bach - with a Violoncello Part - for Flute and Piano. By Johann Sebastian Bach. Edited by Hans Eppstein. Flute. Pages: Score = VII and 34 * Fl Part = 15 * Vc Part = 3. Urtext edition without fingering-paper bound. Published by G. Henle.
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By Martino Bohuslav. Czech title: Sonata . 3 pro violoncello a klavir (rev. Vyd....
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Peters
By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin...
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12 Sonatas, Op. 2 - Book 1
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Johann Sebastian Bach: Four Flute Sonatas - BWV 1030, 1032, 1034, 1035
Flute, Violoncello
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Complete Sonatas for Violoncello and Basso continuo
Cello, Piano
[Score and Parts]
Barenreiter
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...
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Franz Xaver Richter : Sonatas
Flute, Cello, Piano (trio)
[Score and Parts]
Wiener Urtext
Selection. By Franz Xaver Richter. For flute (violin), harpsichord and violoncel...
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Violin Sonatas Complete in 2 volumes Volume 1
Violin and Piano
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By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...
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Johann Sebastian Bach: 3 Flute Sonatas
Flute, Violoncello
[Set of Parts]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. For flute ...
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Violin Sonatas Complete in 2 volumes Volume 2
Violin and Piano
Peters
By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...
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Chopin, Frederic: Sonata for Violoncello and Piano G minor op. 65
Cello, Piano
[Sheet music]
G. Henle
For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violo...
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For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violoncello. Pages: Score = IV and 47 * Vc Part = 12. Urtext edition-paper bound. Published by G. Henle.
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RACHMANINOV Sonata for Violoncello and Piano, op. 19
Cello
[Sheet music + CD]
Music Minus One
For Violoncello. Includes an expansive, newly engraved and annotated 'urtext' mu...
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For Violoncello. Includes an expansive, newly engraved and annotated 'urtext' music book printed on high-quality ivory paper with performance suggestions; and two compact discs featuring a reference recording of the complete sonata with 'cellist and pianist; then given again with accompaniment alone minus you, the soloist; and a special -20% slow-tempo version of the accompaniment to help you get up to speed as you learn the piece. Published by Music Minus One.
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Georg Friedrich Händel: Sonatas - Volume 1: Violin: Instrumental Work
Violine und Basso continuo (Violoncello und Cembalo/Klavier)
[Score and Parts]
Peters
George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompanim...
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George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.
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10 Sonate per violoncello e basso continuo: Cello
Violoncello, Basso continuo
Ricordi
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music i...
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Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39
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Giacobbe Cervetto: Sonatas 2 Op 2-9 5 Vc Bc: Cello: Instrumental Work
Violoncello, Basso continuo
[Score and Parts]
Barenreiter
for Violoncello and Basso continuo or two Violoncellos-Two Sonatas For Violoncel...
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for Violoncello and Basso continuo or two Violoncellos-Two Sonatas For Violoncello And Basso Continuo or 2 Violoncelli Nos.5 and 9 from '12 Cello Sonatas' Op.2. Giacomo Basevi Cervetto (ca.1690-1783) born probably in Verona Italy who - following his move to England in around 1738 - became an important classical cellist and composer of Baroque music for Cello. He was a successful dealer in Italian musical instruments and became a member of the Drury Lane theatre Orchestra.
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Bach, Jean-Sébastien : Suites, Partitas, Sonatas
Piano solo
[Sheet music]
Barenreiter
?I think Bach would have forgiven me for embarking on these transcriptions. Whet...
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?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.
- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /
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Antonio Vivaldi: Complete Sonatas for Violoncello and Bc. RV 39-47: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Performance Score and Parts-This scholarly-critical edition is based on all the ...
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Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
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Antonio Vivaldi: Six Cello Sonatas: Cello: Instrumental Album
Violoncello, Basso continuo
Schott
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV...
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Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46). Please note this comes with a separate Cello part.
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Willem de Fesch: Sonata in D minor Op.13/4.: Cello: Instrumental Work
Violoncello, Basso continuo
[Score and Parts]
Barenreiter
for Violoncello and Basso continuo-Sonata in D minor Op.13/4.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonatas For Piano And Violoncello, Sonatas For Clarinet And Piano
Klavier und Violoncello / Klarinette und Klavier
G. Henle
/ Violoncelle Et Piano
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Johann Sebastian Bach: Three Sonatas For Violoncello And Harpsichord: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Seba...
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for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)
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Sonates Pour Le Violoncelle Et Basse Continue
Violoncello, Basso continuo
Anne Fuzeau Productions
VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et ba...
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VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et basse continue. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Fiser Lubos - Sonates Pour Violoncelle
Cello
Barenreiter
Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingeri...
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Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná? Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo? Fi?er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo? Fi?er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer?s lifetime.
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Vivaldi A. - 6 Sonatas For Violoncello And Bc
Violoncello, Basso continuo
Peters
Violoncello and Keyboard (2nd violoncello ad libitum) (Sheet Music/MusicPartner ...
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Violoncello and Keyboard (2nd violoncello ad libitum) (Sheet Music/MusicPartner play-along CD Pack is also available; see Q4938) Contents: RV 47(Bb); 41(F); 43(a); 45(Bb); 40â¬; 46(Bb)
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Ludwig van Beethoven: Sonata Op. 17: Mixed Duet: Instrumental Work
Wiener Urtext
Violoncello and Piano-Originally Beethoven wrote Sonata Op. 17 for Horn and Pia...
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Violoncello and Piano-Originally Beethoven wrote Sonata Op. 17 for Horn and Piano. This composition was intended for the famous Horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural Horn. Accordingly Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists however it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for Horn or Violoncello one year after the world premiere already. It isdeemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original Cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo the Wiener Urtext Edition publishes the sonata for Horn or Violoncello and Piano. Whereas the Horn sonata was very difficult to play at the time of creation the arrangement for Violoncello curiously enough is one of the easiest among Beethoven's Cello sonatas. For this reason the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently the work is now available in the Wiener Urtext Edition series as separate edition as well.
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Wolfgang Amadeus Mozart: Sonata In B Flat K.292: Bassoon: Score and Parts
Bassoon, Violoncello
[Score and Parts]
G. Henle
Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Basso...
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Authoritative Henle Urtext Edition of Mozart's Sonata In B Flat K.292 for Bassoon Cello and Continuo.
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Maurice Ravel: Sonata For Violin And Violoncello: Violin & Cello: Score
Violin, Cello (duet)
G. Henle
Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse ...
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Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture onthe concert stage.To help the players two performance scores are provided in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin AndVioloncello was composed by Maurice Ravel between between 1920 and 1922.
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
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Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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Camille Saint-Saëns: Sonata for Violoncello and Piano D major: Cello:
Cello, Piano
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Advanced
Barenreiter
The French composer Camille Saint-Saëns endowed the music world with a multitud...
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The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)
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Wolfgang Amadeus Mozart: 6 Sonatas K10-15 For Flute: Chamber Ensemble:
Violon (Ou Flûte Traversière), Violoncelle Et Piano (Ou Clavecin)
[Sheet music]
Barenreiter
for Piano (Harpsichord) Violin (Flute) and Violoncello-About Six Sonatas for Ke...
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for Piano (Harpsichord) Violin (Flute) and Violoncello-About Six Sonatas for Keyboard Violin (or Flute) and VioloncelloEarly Sonatas II. By Wolfgang Amadeus Mozart. Edited by Wolfgang Plath; Wolfgang Rehm. For Violin/Flute Violoncello Piano/Harpsichord. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4756) ISBN M006455751.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violin and Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
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A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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Carl Philipp Emanuel Bach: Gambensonaten Wq 88 136 137: Cello: Instrumental
Violoncello, Basso continuo
G. Henle
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three s...
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Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.
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Camille Saint-Saëns: Sonata no. 2 in F major op. 123: Cello: Score and Parts
Cello, Piano
G. Henle
for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano...
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for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano No. 2 In F Op. 123. Henle urtext edition with marked and unmarked string part. After Camille Saint-Saëns' firstCello sonata of 1872 (HN1057) gained fast popularity the publisher requested a second sonata for this scoring. It was only in March 1905 in the mild climate of Algeria that Saint-Saëns finally relented andcomposed a large sonata with four movements. Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought itsthird movement the “Romanza” was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this the work is still overshadowed by the first sonata not leastbecause the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.
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César Franck: Sonata / Mélancolie: Cello: Instrumental Work
Cello, Piano
-
Intermediate
Barenreiter
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of t...
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for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734
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