Sonata c-moll

Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.

transponiert nach c für 5 Gamben. Par LEGRENZI GIOVANNI. Transponiert Nach C Für 5 Gamben/ Répertoire / 5 Violes de Gambe

30 bekannte Stücke für Klavier-In time for Beethoven's anniversary Schott presents a new collection of his most popular works for piano. The successful author Hans-Günter Heumann has compiled 30 easy to intermediate original works and arrangements: Für Elise Moonlight Sonata Ode to Joy and many more all in one volume! Complete with fingerings and tempo suggestions this collection with its modern and easy-to-read layout is ideal for both lessons and all those playing piano as a hobby.

La collection Best of Viola Classics - 16 Famous Concert Pieces pour alto et piano présentée par Schott contient une sélection d'?uvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts.Georg Philipp Telemann: Sonata B-Dur / Bb major aus / from: Der getreue Music-MeisterLuigi Boccherini: Minuetto aus / from: Sonata c-Moll / C minorJohann Nepomuk Hummel: Allegretto moderato aus / from: Sonata Es-Dur / Eb major, op. 5/3Robert Schumann: Märchenbild Nr. 3 / Fairy-Tale Picture No. 3, op. 113/3Märchenbild Nr. 4 / Fairy-Tale Picture No. 4, op. 113/4Friedrich Kiel: Romanze Nr. 2 / Romance No. 2, op. 69/2Romanze Nr. 3 / Romance No. 3, op. 69/3Emanuele Muzio: AndanteAnton Rubinstein: Morceau de Salon No. 2Joseph Joachim: Hebräische Melodie Nr. 1 / Hebrew Melody No. 1, op. 9/1Hebräische Melodie Nr. 2 / Hebrew Melody No. 2, op. 9/2Heinrich von Herzogenberg: Legende Nr. 1 / Legend No. 1, op. 62/1Robert Fuchs: Phantasiestück Nr. 2 / Fantasy Piece No. 2, op. 117/2Alexander Sergej Tanejew: Feuillet d?album / Albumblatt / Album Leave, op. 33Johanna Senfter: Scherzo aus / from: Viola-Sonata F-Dur / F major, op. 41Volker David Kirchner: Paso doble aus / from: Nostalgia / Alto / Schott

Half-leather binding-Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin Preussischer Kulturbesitz.With a Commentary by Christoph Wolff and Martina Rebmann.Series: Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger).Half-leather binding.???The ???Well-Tempered Clavier??? is the Old Testament Beethoven's sonatas the New. We must believe in both.??? (Hans von B?low).The preludes and fugues of ???The Well-Tempered Clavier??? embrace an entire cosmos of compositional devices and musical characters the ???ne plus ultra??? of ???unity through diversity???. Here Bachnot only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history.The autograph score originally a fair copy contains later revisions and alterations reflecting the composer at work.This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work???s genesis and the characteristics of Bach???s handwriting.Martina Rebmann(Staatsbibliothek zu Berlin) describes the subsequent history of the autograph.Barenreiter Facsimilie:The seal is used exclusively for facsimile editions published by B?renreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:??? A facsimile in high-quality colour printing??? Scholarly commentary??? Attractive cover design

Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano

Tonalité : C-Moll - Twv 42:C6. Par TELEMANN GEORG PHILIPP. Stuttgarter Ausgaben (Urtext) - Langue : o Spr / Date parution : 1980-12-01/ Répertoire / Flûte Traversière, Viole de Gambe ou Alto ou Violo

[Klaviersonate c-moll Hob. XVI: 20] / Classique / Editeur : Georg Feder / Doigtés : Hans-Martin Theo / Partition / Edition Urtext

[Fantasie und Sonate c-moll KV 475 und 457] / Classique / Editeur : Ernst Herttrich / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext / Edition révisée avec apparat crit