2 Sonatas - C Major And D Major

The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance practice (e.g. articulation, pedalling and embellishments), with a special emphasis on his idiosyncratic treatment of accent-like diminuendo hairpins, form a useful introduction to the sonatas. Schubert?s drafts and fragments can be accessed on the Bärenreiter website. - Urtext edition based on the ?New Schubert Edition?, with drafts and fragments accessible on the Bärenreiter website (see BA 9642: Extras) - Reader-friendly engraving with practical page-turns and running titles to facilitate the location of sonatas and movements - Valuable notes on performance practice in Schubert?s day (Ger/Eng) - Critical Commentary with readings relevant to performance, especially regarding Schubert?s notation of accents (Eng) / Date parution : 2022-07-30/ Recueil / Piano

Series I of excellent G. Ricordi edition edited by Alessandro Longo includes 38 sonatas K.478 through K.515. The crowning achievements of an outstanding Baroque composer these sonatas feature exciting experimental effects â?? consecutive fifths and octaves crossing hands internal repetitions and extended chords â?? that celebrate the marvelous potential of the keyboard.

Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers of 18th-century Spain. His sonatas show great brilliance and originality, many of them influenced by the characteristic colours of Iberian popular music. This edition offers a selection of 14 of the best sonatas from the set given by the composer to Viscount Fitzwilliam in 1772, as well as editorial notes from Kenneth Gilbert. **ABRSM selected piece (Piano 2019-2020): Sonata in D minor, R. 25  / Piano Music / Recueil / Clavecin

A collection of Händel's best sonatas for flute (or violin) and piano brimming with his characteristic classical elegance and charm. Featuring as your accompanist the famed New York Philharmonic pianist Harriet Wingreen these delightful sonatas are now digitally remastered for unbelievable sonic brilliance! Contains a high-quality music score featuring the solo flute (or violin) part printed on ivory paper; and a compact disc containingdigitally remastered stereo accompaniments to each sonata.

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is comprised of moderately difficult ones. Correct interpretation of the pieces is facilitated by added performance and fingering marks. Learning is helped along by clear presentation of the score, carefully placed page turns, and by inspiration from colour images showing the keyboard instruments of the 1720-1820 period for which the pieces were written. The most notable of them is the giraffe piano, after which the collection is named. / Piano

for Treble Recorder and Basso continuo-Volume 2 of Sonatas By The Old English Masters (HM 209) contains 3 sonatas for Treble Recorder and Basso Continuo including:William Croft Sonata in G majorDaniel Purcell Sonata in F majorRobert Valentine Sonata in B-flat major

Chopinâ??s four ballades four impromptus and three sonatas are among the composerâ??s most mature works rivalled only by his scherzos and polonaises for extended thematic development and formal structure. The eleven compositions in this volume are drawn from Carl Mikuliâ??s comprehensive edition of Chopinâ??s complete works for piano. As Chopinâ??s student and later teaching assistant Mikuli was in a privileged position to reflect on the masterâ??s approach to keyboard performance. The works contained in this volume are complete.

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones. Correct interpretation of the pieces is facilitated by added performance and fingering marks. Learning is helped along by clear presentation of the score, carefully placed page turns, and by inspiration from colour images showing the keyboard instruments of the 1720-1820 period for which the pieces were written. The most notable of them is the giraffe piano, after which the collection is named. / Piano

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano