SKU: HL.50512438
SKU: CY.CC2391
Marcello's Six Sonatas have become a mainstay of the Trombone literature. This masterful Audio-CD edition of Sonatas 1-6 performed by Professor Mike Hall of Old Dominion University accompanied by Rebecca Bell on Harpsichord and Christopher White on Bass is an amazing display of musicianship, style and beautiful technique. This CD is a must for the serious Trombonist, performer. The mp3 sample is of two movements from Sonata #1 of the album. The sheet music from this album of Sonatas 1-3 and 4-6 are available in the sheet music section of our site under Trombone & Piano and are reasonably priced.
SKU: FZ.4340
ISBN 9790230643405. 23.50 x 32.50 cm inches.
This facsimile of an original by Johann Gottfried Eckard is part of our Dominantes collection. Six sonatas for harpsichord Opus I. Edition : Paris, l'Auteur, (undated=1763). Two sonatas for harpsichord or fortepiano- Opus II. Edition : Paris, l'Auteur, (undated=1764). Menuet d'Exaudet with variations for harpsichord Edition : Paris, l'Auteur, (undated=1764). Presentation by Jeanne Roudet : Introduction Dynamics and agogics - Use of pedal - Ornamentation - Appendix I - Appendix II. Facsimile of this composer's entire works. They can be played on harpsichord or fortepiano. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FL.FX071434-2
A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this second movement of the sonata, the articulations should be carefully pronounced to remain clear and intelligible in spite of the tempo. Use a light homogeneous staccato across the whole range and don't force the sound when the dynamics are loud; you will achieve like that an ample sound which is well balanced with the piano.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.