Sonate for Bassoon and Piano, Op. 168

Wolfgang Amadeus Mozart a écrit non seulement un concerto pour le basson, mais aussi une Sonate pour basson et violoncelle (en si bémol majeur, KV 292) dont les origines sont obscures. Le manuscrit original a été perdu, et les seuls documents existants sont imprimés publiés après sa mort. Bien que l'instrument à cordes dans ce travail est que compte tenu de la fonction d'instrument d'accompagnement, le basson a le rôle principal. Il est donc naturel de penser moins d'un duo jouant sur un pied d'égalité, mais plutôt d'une sonate avec basse continue accompagnement. Cette édition transforme donc la partie de violoncelle dans une partie basse continue de telle sorte que le travail peut maintenant être joué comme un 'normal' sonate basson avec accompagnement de piano - une belle addition au répertoire! La partie solo peut également être joué par un violoncelle ainsi. / Basson Et Piano / 36 pages / niveau : Intermédiaire / Partition

This first volume of Bassoon Solos includes nine solos with Piano accompaniment edited by William Waterhouse. Suitable for intermediate players. Contents include Three Easy Pieces No.1 (Milde) Minuet From Quartet For Bassoon And Strings Op.1 No.6 (Ritter) Scherzo - Kolomyjka (Vojacek) Three Easy Pieces No.3 (Milde) Three Easy Pieces No.2 (Milde) Minuetto Giocoso (FranzJoseph Haydn) Bruit De Chasse (Corrette) Vivace And Largo Poco Andante - Sonata In E Minor Op.3 No. 3 (Michel Blavet) and Trois Sonates (Anton Diabelli).  

Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

John Ernest Galliard's Six Sonatas for Bassoon and Piano as edited by Arthur Weisberg with realization by Karl Heinz Fussl. Volume one.

The present sheet music edition of Johann Friedrich Fasch's C major bassoon sonata is edited by Milan Turkovic.

pour basson avec accompagnement de piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars.

Instrument: Basson et piano Genre: Baroque Langue: Hungarian, English, German Pages: 56 pp Date du parution: 1983

Par BOUILLOT YVES. 5’48’’ / Niveau : Supérieur / Répertoire / Basson et Piano

Par SCHOECK OTHMAR. Editeur(s) d'origine: Steidl, G/ Répertoire / Basson et Piano