Songs, Vol. II for Low Voice (German) ( MILLER)

Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises 125 songs.Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

Collected Songs Vol. 3 - Songs to Danish and Norwegian texts (1916-49) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genrecomprises 125 songs. Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

Songs Vol.I: 92 Songs (Medium Voice)-Volume 1 of songs by Franz Schubert for Medium Voice and Piano edited by Friedlander.92 songs for medium voice and piano (German);Schöne Müllerin Winterreise Schwanengesang and 34 selected songs -- includes a removable 8-page booklet with English translations of the introduction literal English translations of all the songs.

The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré the only complete critical edition. Based on the study of hundreds of manuscript and printed sources Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses workshops seminars concerts and recordings with the participation of professional singers students teachers coaches and specialists. This first volume contains all songs written up to 1882 encompassing many of Fauré’s most well-known and loved songs including Après un rêve Le papillon et la fleur and Au bord de l’eau. The volume includesa preface in French English and German and translations into English and German of the original poetry.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice. Introduction in English French German and Italian.

This Viardot Edition is the first critical edition of Pauline Viardot’s songs. It is based on fair copies of the woman composer, who was one of the most versatile singers and important representatives of the bel canto performance tradition in the 19th century. The present volume includes settings of Russian texts by Pushkin, Feth and Turgenev as well as Italian-language songs based on Tuscan folk lyrics. All songs are accompanied by German translations, which were specifically prepared for the German first edition in the 19th century.
The solo Lied with piano accompaniment was Pauline Viardot’s main genre, which she made bloom in the most diverse colors, depending on text and style. In addition to her own use, the sought-after vocal pedagogue also wrote her songs for her students. Accordingly, the songs included in this volume are suitable for different vocal genres in terms of their ranges and expressive content: for example, songs such as “Zwei Rosen”, “L'innamorata” or “Das Vöglein” are suitable for light, high voices, while lyrical, lower voices can find suitable songs with “Ruhige, heilige Nacht”, “Flüstern, atemscheues Lauschen” or “C’era una volta”. For versatile voices with a gift for coloratura, “Non vi maravigliate” is a little showpiece, while voices with the ability for dramatic accents can sing songs like “Die Beschwörung” or “Mitternächtige Bilder”. Unlike the sometimes very long Russian songs, the consistently short Italian songs are well suited as an introduction to the easier Italian repertoire. The songs depict clearly defined scenes within which the singers are able to develop their respective characters.
01. Das Blümlein – Цветок VWV 1018 (Alexander Puschkin | 3')
02. Auf Grusiens Hügeln – На холмах Грузии VWV 1037 (Alexander Puschkin | 2')
03. Ruhige, heilige Nacht – Тихая, звёздная ночь VWV 1038 (Afanassi Fet)
04. Mitternächtige Bilder – Полуночные образы VWV 1039 (Afanassi Fet | 3')
05. Flüstern, atemscheues Lauschen – Шёпот, робкое дыханье VWV 1040 (Afanassi Fet)
06. Die Beschwörung – Заклинание VWV 1041 (Alexander Puschkin | 3')
07. Die Meise – Синица VWV 1042 (Iwan Turgenjew | 2')
08. Zwei Rosen – Две розы VWV 1055 (Afanassi Fet | 2')
09. Des Nachts – Мой голос для тебя и ласковый и томный VWV 1056 (Alexander Puschkin | 3')
10. Der Gefangene – Узник VWV 1057 (Alexander Puschkin | 3')
11. Das Vöglein – Птичка божия VWV 1058 (Alexander Puschkin | 3')
12. Die Sterne – Звёзды VWV 1059 (Afanassi Fet | 4')
13. Florentinisches Ständchen – Serenata fiorentina VWV 1048 (Giuseppe Tigri)
14. Die Verlassene – Cʼera una volta VWV 1049 (Giuseppe Tigri)
15. Die Dorfsängerin – Non vi maravigliate VWV 1047 (Giuseppe Tigri)
16. Die Unglückliche – Povera me! VWV 1050 (Giuseppe Tigri)
17. Doppel-Liebe – L'innamorata VWV 1051 (Giuseppe Tigri) / Partitions classique / Vocale - chorale / Voix solo - piano / EDITION BREITKOPF

Clothbound in Slipcase. Based on the Béla Bartók Complete Critical Edition (Z. 15009), these three cloth-bound volumes in slipcase include Bartók's complete choral works. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes early and alternative versions of the works.The edition is complete with informative prefaces (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.The three volumes are also available in paperback (Z. 20035, 20036, 20037). Separate editions of each work included in these volumes are also available.

With German sung text. Volume includes: Die Schöne Müllerin Winterreise Schwanengesang and further selected Lieder

Par BRAHMS JOHANNES. Langue: German, English,/ Répertoire / Voix Elevées et Piano