Songs Vol. 1

Es muß nicht immer Bremen sein. Par WERDIN EBERHARD. a play in three acts for children / Opéra-opérette / Répertoire / 4 Compagnons, 4 Voleurs, Directeur, Choeur d'enfan

Es muß nicht immer Bremen sein. Par WERDIN EBERHARD. a play in three acts for children / Opéra-opérette / Répertoire / 4 Compagnons, 4 Voleurs, Directeur, Choeur d'enfan

Es muß nicht immer Bremen sein. Par WERDIN EBERHARD. a play in three acts for children / Opéra-opérette / Répertoire / 4 Compagnons, 4 Voleurs, Directeur, Choeur d'enfan

Es muß nicht immer Bremen sein. Par WERDIN EBERHARD. a play in three acts for children / Opéra-opérette / Répertoire / 4 Compagnons, 4 Voleurs, Directeur, Choeur d'enfan

Es muß nicht immer Bremen sein. Par WERDIN EBERHARD. a play in three acts for children / Opéra-opérette / Répertoire / 4 Compagnons, 4 Voleurs, Directeur, Choeur d'enfan

Collected Songs Vol. 2 - Songs to Danish and Norwegian texts (1906-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises125 songs. Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties.With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises 125 songs.Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

Par BURNS ROBERT. This second volume of the songs of Scottish poet Robert Burns contains 70 songs excerpted from the chapter 'The Lasses' in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs expressing the poet's 'passion' for his wife Jean, and for 'that other species.' Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills. This volume is illustrated with reproductions of paintings, drawings, and prints. These volumes also contain a glossary of frequently appearing Scots words and insightful historical notes for each song. / Niveau : Intermédiaire / Scottish - Songbooks / Recueil / Chant

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

Edition anglaise / supplément française. Remarque lecture est introduit dès le début, et les altérations sont expliqués dans le plus simple dans le premier volume. À la fin du premier livre, beaucoup de chansons enfants en anglais en utilisant tous les doigts ont été jouées et les valeurs de notes de l'ensemble de croches ont été introduites. Même les plus faciles exercices sont équilibrées avec le texte de sorte que les mélodies peuvent être perçus comme un ensemble.Les auteurs La méthode de violon d'origine allemande a d'abord été publié en 1976. L'auteur Egon Sassmannshaus est l'un des pédagogues les plus expérimentés et violon de renommée en Allemagne.Pour la nouvelle édition anglaise de son fils Kurt Sassmannshaus travaillé en tant que co-auteur et méthode adaptée avec succès de son père pour les enfants anglophones.La combinaison de connaissances et l'expérience du père et le fils les quatre volumes de la Tradition Sassmannshaus la plus étudiés et de la pensée-à travers la méthode de violon débutant dans le monde.'... Il s'agit d'un ensemble d'imagination, et bien à acquérir.'(ARCO - Royaume-Uni ESTA, printemps 2009)La Méthode d'initiation aux instruments à cordes d'Egon Saßmannshaus publiée par Bärenreiter HNE réputée Longtemps DEPUIS DANS les paie germanophones et anglophones et Përmet une initiation Précoce solide TOUT EN etant ludique.Un cahier additional en français reprenant les premiers ministres Deux volumes de La Méthode 'Early Start sur le violon' HNE Desormais available safe place de rendre l'Accès aux francophones, plus facile. Ce cahier may être de Commande séparément ous with non des Deux premiers ministres des volumes de la Méthode pour violon, sans supplément de prix. Il may also être de Télécharge ci-Dessous.Le premier ministre du volume de 'Early Start sur le violon' Presente notes L'Apprendre le La conférence Des, Valeurs Chaleurs et les Altérations de Manière Adaptée aux Enfants Jeunes. Différents coups D'Archet AINSI Qué L'Usage de la main gauches introduits sont fr s'appuyant Sur Des chansons connues. Enfantines L'utilisation de Drogues illicites structures de la Main gauche HNE Dé aspects Des Les Plus Importants du second volume. Technique de pose de This Manière convaincante les bases simplified money purchase 'une ligne virtuosité Précoce. / Violon

for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello, double bass and bass clarinet provides new opportunities for performers and audiences to experience these devastatingly beautiful works./ Répertoire / Voix et Instruments