Spirituals for Violin

Easy pieces in popular styles such as jazz blues rock 'n' roll and reggae. This collection contains all the pieces formerly contained in Microjazz for Violin plus brand new pieces too. 

Big Note/Large Print Edition-A comprehensive 96-page large print/big note perfect-bound collection of all time favorite violin tunes. Includes folk songs sea chanties gospel songs spirituals hymns patriotic sons and more. Guitar chords are included.

En plus de la série très réussie de Hans et Marianne Magolt, ils publient aujourd'hui le premier volume de la nouvelle série la plus belle Spirituals and Gospels '. Toutes les mélodies sont des arrangements très faciles pour les débutants et peut être joué à plusieurs reprises à la maison, à l'école de musique, à l'école primaire ou dans un ensemble. Eventuellement, les arrangements peuvent être joués avec une deuxième partie supplémentaire.Contenu: Down by the Riverside, Glory Hallelujah, Go down Moses, O jour heureux, Rock my soul, Il a le monde entier dans ses mains, personne ne sait la peine que j'ai vu, Swing low et beaucoup plus. / 1 Ou 2 Violon(s)

Arrangeur : Magolt, Hans / Magolt, Marianne / Koop, Klaus G. / arranged very easy / 1-2 violins

Body And Soul for Clarinet Bass Clarinet Percussion Violin and Cello (2011). Parts available WH31294A Programme Note Posed some questions I can say: Each of us have our own reasons for finding a work successful - and each work has its own reasons for being successful very different reasons and reasons of a different kind. Speaking for myself I have opposing and often conflicting views and wishes. Automatically (!) I am attracted by music of a strict and severe nature but also by the unforseen the provocative and the devil-may-dare. And a burst of laughter to and fro shallbe welcomed - as a relief. Since the 1960's I have tried to condense the musical material as much as possible to make it as simple as possible. Complexity arises when the simple 'things' meet. 'Things' indicate that the motives of the music often can be experienced as objects.As the late Poul Nielsen put it speaking of my piece REPRISER from 1965: 'there is sound as sound - and sound as expression' . and there is 'a voice that speaks and a voice that is silent' The present new piece of mine Body and Soul is thus entitled because the brief first movement has a direct physical approach while the second movement has a more intimate spiritual and softer touch. Don Juan the Master of The Senses can be supposed to have embodied both sides in his nature. And what is Don Juan doing here? - the second movement gives the answer - by and by. Pelle Gudmundsen- Holmgreen

22 leichte Vortragsstücke aus 5 Jahrhunderten-The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for lessons first recitals or pupils' competitions. This volume takes the player on a musical journey through five epochs – from the Renaissance era via the Baroque Classical and Romantic eras to contemporary music. A special highlight is the large number of pieces of popular music including motivating pieces from the areas of pop music jazz spiritual bossa nova and tango most of which have been specially composed for this volume. Most works can be played after two years of lessons already; all pieces are in the first position and can be played in the four fingeringpatterns. To two compositions requiring position playing an easier alternative has been added. Fingerings for position playing can of course be entered in the pieces by the teacher to improve the tonal result. Learning to master the pieces is made easier by the accompanying CD which on the one hand provides the opportunity to listen to and get familiar with the pieces beforehand and on the other hand offers the opportunity to gain first experiences of ensemble playing with the help of the separately recorded Piano accompaniments.

Graham Buckland has arranged a rich variety of spirituals in this edition for variable Instrumental Ensemble. This edition consists of a full score and five individual instrumental parts. The full score includes a part of Piano Keyboard or Guitar and also contains the texts to the spirituals for a singer. In some cases additional vocal parts ad libitum are added. All arrangements are compatible with the edition for choir 64 Spirituals a cappella (BA 7574).The parts include:Melody I in C and Bb (Violin clef)Melody II in C and Bb (Violin clef)Melody III in C (Violin clef; bass clef)Melody III in C and F (Viola clef; hornpart)Melody III in Bb and Eb (Violin clef)For variable ensembleTexts to the spirituals included for singersLevel of difficulty: easy to mediumCompatible with 64 Spirituals a cappella (BA 7574)

The spiritual folk tradition has given us some of the best-known and most enduring popular songs of all time. Here are ten favourites superbly capturing the lilting melodies and jazz rhythms of the tradition. Arranged for C instruments (including a part edited for violin) with piano. Play Spirituals is ideal for players of moderate ability.

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano