SKU: GI.G-EH1012
Splendor, the first movement from Illuminare, opens in a majestic and bright D major. A radiant flurry of sixteenth notes heralds the arrival of Light before the voices enter in powerful unison and the Ambrosian hymn text bursts into a punctuated and joyful “Gloriae†section. After a brief legato passage, the music returns to the joyful rhythmic momentum heard in the beginning. A great concert opener or festival selection, Splendor will highlight your musicians' power and sensitivity in equal turn! Splendor can be performed with SATB chorus and piano or SATB chorus with orchestra accompaniment. (Optional flute, optional oboe, 2 optional horns in F, 2 percussion, piano, strings 2.2.2.2.1 min.)  .
SKU: HL.14048246
9.0x12.0 inches. English.
The Undying Splendour is a work by Iain Bell for Tenor Voice and Piano Accompaniment. The work was premiered in the UK at Wigmore Hall in London. The work sets three poems by First World War soldier John William Streets, which depict the internal journey of a soldier. A full performance lasts around 9 minutes.
SKU: GI.G-EH1012A
Splendor, the first movement from Illuminare, opens in a majestic and bright D major. A radiant flurry of sixteenth notes heralds the arrival of Light before the voices enter in powerful unison and the Ambrosian hymn text bursts into a punctuated and joyful “Gloriae†section. After a brief legato passage, the music returns to the joyful rhythmic momentum heard in the beginning. A great concert opener or festival selection, Splendor will highlight your musicians' power and sensitivity in equal turn! Splendor can be performed with SATB chorus and piano or SATB chorus with orchestra accompaniment. (Optional flute, optional oboe, 2 optional horns in F, 2 percussion, piano, strings 2.2.2.2.1 min.).
SKU: CA.729600
ISBN 9790007241797. Language: Latin.
In Splendor paterne glorie Wolfram Buchenberg works with dissolving chords and washes of sound. A special factor in this fluid game of colors is the solo violin, which always adds to the choral sound, and is never its concertante counterpart.
SKU: GI.G-10326
English. Text Source: Lutheran Book of Worship; Translation: Gracia Grindal. Text by Ambrose of Milan.
SKU: KJ.JB74F
Full of driving energy and majestic power, this selection is from one of the great composers of music for concert bands. Splendor in the Oaks is a great concert opener for young ensembles. Mr. Niehaus' composition has something for everyone.
SKU: CA.729611
ISBN 9790007246617. Language: Latin.
In Splendor paterne glorie Wolfram Buchenberg works with dissolving chords and washes of sound. A special factor in this fluid game of colors is the solo violin, which always adds to the choral sound, and is never its concertante counterpart. Score and part available separately - see item CA.729600.
SKU: SU.80111002
Splendor of the Poem's Blow (1994) is a dramatic two-movement work for trumpet and piano. Published by: Soundspells Productions.
SKU: CA.729605
ISBN 9790007246600. Language: Latin.
In Splendor paterne glorie Wolfram Buchenberg works with dissolving chords and washes of sound. A special factor in this fluid game of colors is the solo violin, which always adds to the choral sound, and is never its concertante counterpart. Score available separately - see item CA.729600.
SKU: GI.G-8099
UPC: 785147809937. English.
The first new collection from John L. Bell featuring the Cathedral Singers and the Iona Community since 2001. Beautifully recorded by the Cathedral Singers under the direction of Bill Chin, this new collection features a perfect mix of new world music and choral favorites. The Splendour of the House of God is a collection of texts that “speak of God to God’s people or for God’s people to God.†These songs for worship have existed in the Iona repertoire for some time and have proven their worth. Today, the Iona Community shares these brilliant texts with the world. All of the texts in this collection speak, in one way or another, to what is involved in public worship—from physical buildings to living our faith in the world. The Splendour of the House of God was premiered at the 2011 NPM National Convention in Louisville, Kentucky. Contents: The Splendour of the House of God, O Christ, the Master Carpenter, All People Living on the Earth, I Was Glad, I Love the Lord, In Complete Desperation, Conceiver of Both Heaven and Earth, This Is My Will, We Cannot Measure How You Heal, Lux Aeterna, In Christ We Live, Wisdom's Table, O Taste and See, The Lord of the Earth, O Come, Let Us Sing. .
SKU: GI.G-CD-874
UPC: 781547087427.
The first new collection from John L. Bell featuring the Cathedral Singers and the Iona Community since 2001. Beautifully recorded by the Cathedral Singers under the direction of Bill Chin, this new collection features a perfect mix of new world music and choral favorites. The Splendour of the House of God is a collection of texts that “speak of God to God’s people or for God’s people to God.†These songs for worship have existed in the Iona repertoire for some time and have proven their worth. Today, the Iona Community shares these brilliant texts with the world. All of the texts in this collection speak, in one way or another, to what is involved in public worship—from physical buildings to living our faith in the world. The Splendour of the House of God was premiered at the 2011 NPM National Convention in Louisville, Kentucky.
SKU: HL.48011040
UPC: 073999573510. 8.5x11.75x0.247 inches.
Contents: On Craig Ddu (SATTBB) * Wanderer's Song (TTBB) * Midsummer Song (SSAATTBB) * Two Songs to be sung of a summer night on the water (SATTBB) * The Splendour falls on Castle Walls (TB and SATB) * Little Birdie (Unison and Piano) * The Streamlet's Slumber song (2-Part and Piano).
SKU: HL.50158510
UPC: 073999265330. 9.25x12.5x0.078 inches.
Contents: Christ Is My Life • Christ Is Risen from Dead • In Peace & Happiness I Go • Lord Now Holdest Carriage • Morning Splendour Eternity • Oh Lord Do Not Forsake Me • Our God Is a Fortress • Rise Yea Rise from Dead • Thanks We Give to Thee • Who Knows How Close I Am • Why Should I Grieve.
SKU: BT.DHP-1104883-010
9x12 inches.
The twofold title of this concert work is directly connected with the band who commissioned it. The â??Harmonie Municipale Grevenmacherâ?? from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The â??Harmonie Municipale Grevenmacherâ?? faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!1834 - Machara Impressions was a commission for the 175th anniversary of the band Harmonie Municipale Grevenmacher from the town of Grevenmacher - formerly Machara - in Luxemburg. It is a work of many contrasts with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages - reflecting the peaceful and turbulent history of the band. Das zweiteilige Auftragswerk zum 175-jährigen Jubiläum der Harmonie Municipale Grevenmacher aus dem Dorf Grevenmacher - historisch Machara - in Luxemburg ist von Dynamik, Kreativität und Lebensfreude des Blasorchesters inspiriert. Friedliche und aufregende Zeiten spiegeln sich wechselweise in virtuosen und melodischen Eigenschaften, orchestraler Pracht und nu?chtern orchestrierten Passagen wider. Ein Thema fu?r jedes Blasorchester mit Tradition, umgesetzt in ein attraktives Werk von Jan Van der Roost.Cette oeuvre au double titre souligne le dynamisme de la formation dédicataire, lâ??Harmonie Municipale de Grevenmacher, fondée en 1834, tout en rappelant lâ??histoire de la ville de Grevenmacher (ancienn. Machera), située au bord de la Moselle luxembourgeoise. La toile alterne entre passages calmes et passages fougueux, composantes virtuoses et composantes mélodiques, splendeur orchestrale et sobriété de lâ??orchestration. Questo brano sottolinea ed elogia il dinamismo della Banda Municipale di Grevenmacher, fondata nel 1834, ricordando allo stesso tempo la storia di questa cittadina, situata in riva alla Mosella lussemburghese, il cui nome era nellâ??antichit Machera. Passaggi calmi si alternano armoniosamente a passaggi più vivaci, elementi virtuosi si mischiano a tratti melodici, mentre sul tutto aleggia uno splendore e una sobriet orchestrale fuori dal comune.
SKU: BT.DHP-1104883-140
1834 - Machara Impressions was a commission for the 175th anniversary of the band Harmonie Municipale Grevenmacher from the town of Grevenmacher - formerly Machara - in Luxemburg. It is a work of many contrasts with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages - reflecting the peaceful and turbulent history of the band. Das zweiteilige Auftragswerk zum 175-jährigen Jubiläum der Harmonie Municipale Grevenmacher aus dem Dorf Grevenmacher - historisch Machara - in Luxemburg ist von Dynamik, Kreativität und Lebensfreude des Blasorchesters inspiriert. Friedliche und aufregende Zeiten spiegeln sich wechselweise in virtuosen und melodischen Eigenschaften, orchestraler Pracht und nüchtern orchestrierten Passagen wider. Ein Thema für jedes Blasorchester mit Tradition, umgesetzt in ein attraktives Werk von Jan Van der Roost.Cette oeuvre au double titre souligne le dynamisme de la formation dédicataire, l’Harmonie Municipale de Grevenmacher, fondée en 1834, tout en rappelant l’histoire de la ville de Grevenmacher (ancienn. Machera), située au bord de la Moselle luxembourgeoise. La toile alterne entre passages calmes et passages fougueux, composantes virtuoses et composantes mélodiques, splendeur orchestrale et sobriété de l’orchestration. Questo brano sottolinea ed elogia il dinamismo della Banda Municipale di Grevenmacher, fondata nel 1834, ricordando allo stesso tempo la storia di questa cittadina, situata in riva alla Mosella lussemburghese, il cui nome era nell’antichit Machera. Passaggi calmi si alternano armoniosamente a passaggi più vivaci, elementi virtuosi si mischiano a tratti melodici, mentre sul tutto aleggia uno splendore e una sobriet orchestrale fuori dal comune.
SKU: BT.DHP-1104887-010
9x12 inches. English-German-French-Dutch.
The Heaven Tree is based on the fi rst book in an intensely imagined trilogy by author Edith Pargeter. Set during the golden age of cathedral building, this adventure novel explores the splendour and cruelty of the Middle Ages. Thierry Deleruyelle’s work is an ideal accompaniment to the novel. With an obvious sense of suspense, his music helps us get in touch with a distant reality that brings the past to life. Für The Heaven Tree nahm sich der Komponist den ersten Band einer fantasievollen Romantrilogie von Edith Pargeter als Vorlage. Dieser spielt im goldenen Zeitalter des Kathedralenbaus und spiegelt die ganze Pracht und die Grausamkeit des Mittelalters wider. Thierry Deleruyelles Werk ist das perfekte Äquivalent des Romans. Mit einem guten Gespür für Spannung gelingt es dem Komponisten, mit seiner Musik längst vergangene Zeiten begreifbar zu machen und zu neuem Leben zu erwecken.Premier volume d’une trilogie historique qu’Edith Pargeter (alias Ellis Peters ; 1913-1995) considérait comme son meilleur travail, The Heaven Tree (La pierre de vie) séduit par sa fluidité. Roman d’aventures au temps des b tisseurs de cathédrales, The Heaven Tree laisse apparaître le Moyen ge dans sa splendeur et sa cruauté. Thierry Deleruyelle nous offre le pendant musical idéal du roman. Avec un sens évident du suspense, son oeuvre nous fait toucher du doigt une réalité, aussi lointaine soit-elle.Primo volume di una trilogia storica di Edith Pargeter (alias Ellis Peters 1913-1995) e considerato come il suo miglior lavoro, The Heaven Tree incanta per la sua fluidit . Romanzo di avventura ai tempi della costruzione di cattedrali, The Heaven Tree descrive il Medioevo in tutto il suo splendore e la sua crudelt . Thierry Deleruyelle ci offre il romanzo in musica, con un senso tangibile di suspense, tipico di questo periodo storico.
SKU: BT.DHP-1104887-140
