String Trio in E| Major

Bien des connaisseurs et amateurs comptent le Trio en Mi b?mol majeur K. 563 de Mozart comme ?tant l?une de ses compositions les plus extraordinaires. Cette ?uvre magistrale qualifi?e de ?Divertimento? dans le catalogue d??uvres autographe de Mozart confronte l??diteur Urtext ? de grands d?fis. L?autographe est en effet perdu depuis toujours et l?on ne poss?de aucune autre source de premier plan. La source la plus fiable quoiqu?? l??vidence impr?cise est la premi?re ?dition parue deux mois apr?s la mort de Mozart. De nombreuses ?ditions du XXe si?cle ont malheureusement reproduit le texte musical de ?l?ancienne ?dition int?grale? de Breitkopf & H?rtel due au grand violonisteJoseph Joachim mais reposant sur des mod?les fautifs et qui de ce fait est totalement corrompue. De m?me la ?Nouvelle ?dition Mozart? n?est pas d?pourvue de fautes. L??dition Henle suit pour l?essentiel la premi?re ?dition non sans avoir recours ? de nombreuses interventions rectificatrices qui sont comment?es dans l?apparat critique. En appendice ? l??dition on trouvera le mouvement pour trio ? cordes en Sol majeur K. Anh. 66 (562e) parvenu seulement de mani?re fragmentaire. Quel malheur que Mozart n?ait pas achev? cette tout aussi merveilleuse page ? elle va toutefois un peu au-del? de l?exposition et convient ainsi parfaitement ? un petit bis. Gr?ce ? une mise en page soign?e comme par exemple divers d?pliants et des pages blanches les trois parties s?par?es offrent une parfaite fluidit? de lecture et de jeu. L??dition de travail disponible s?par?ment (HN 9625) propose la partition correspondant ? ces parties s?par?es.

After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano trio literature.Includes an informative introduction (Eng/Ger) and a critical commentary (Eng).In addition to Bärenreiter?s scholarly-critical editions of Brahms? trios an arrangement of Brahms? String Sextet Op.18 for Piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock Brahms publisher issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823 1903).Christopher Hogwood?s scholarly-critical edition includes an introduction which sheds light not just on thehistory of the arrangement and its validity in its own right but also on Kirchner and his relationship to Brahms.Chamber Works by Brahms already published:Trio for Violin Violoncello and Piano Op.87 (BA 9436)Trio for Violin Violoncello and Piano Op.101 (BA 9437)Trio for Violin Horn (Viola or Violoncello) and Piano Op.40 (BA 9435)Trio for Clarinet (Viola) Violoncello and Piano Op.114 (BA 9438)

This study score of Franz Schubert’s complete string trios (Violin Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert’s very first essay in the genre which only resurfaced in 1997: the draft trio in B-flat major D 111A (1814). Besides this draft two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions the first based on the autograph score the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form rhythm articulation and dynamics. - All of Schubert's string trios- All drafts and alternative versions for the first time in a study score- Urtext from the New Schubert Edition Contents:- Trio in B-flat major D 471 (movement 1)- Trio in B-flat major D 581 (versions 1 and 2)- Incomplete first movement to Trio in B-flat major D 111A- Incomplete second movement to Trio in B-flat major D 471

This work brings me as much pleasure as if I were writinga major symphony... This washow Dvorak communicated to his publisher Simrock the joy he felt while workingonopus 75a (Miniatures for Two Violins and Viola), and he immediately set aboutreworkingit for violin and piano, giving it a new title, Romantic Pieces. The four shortmovementsfully evoke the atmosphere of home music-making for which it was written. TheCzechedition goes by the title Drobnosti (Miniatures) and is accompanied by a shortGavotte,dated 1890 and also written in a simpler style for three violins. This title ispart of the firstComplete Critical Edition of Works by Antonin Dvorak.