SKU: CF.BE26L
UPC: 680160924455.
SKU: HL.49045256
ISBN 9790001197168. UPC: 888680697471. 9.0x12.0x0.137 inches.
Als Auftragswerk fur den Physiker Sam Steppel komponierte Olli Mustonen drei Satze unterschiedlichen Charakters: Auf die geheimnisvollen Klange des Misterioso folgt ein wildes Furioso. Der pragnante dritte Satz (Ad Astra) erinnert zunachst an eine ernste Passacaglia, erreicht aber gegen Schluss ekstatische und beschwingte Hohen. Das Triptychon ist Steppels verstorbener Frau gewidmet.
SKU: HL.50600660
8.25x12.0x0.05 inches.
â??I already wrote the Concerto for Guitar, Tympani and Strings for the outstanding Polish guitarist Lukasz Kuropaczewski. The 'Triptych' for guitar solo is my second work for this interpreter. The individual titles of the 'Triptych' movements â?? Fantasia, Aria and Impromptu furioso â?? refer to the characters of the individual movements. I completed 'Triptych' for guitar solo in December 2014. The piece is permeated by double contrasts: in terms of harmony, the guitar's own mood and sound world are contrasted with my harmonic thinking. In terms of technique, on the other hand, performance gestures of the Flamenco tradition are contrasted with those of the practice of classical guitar playing. The dialogue between different harmonic and historical levels can thus be discovered through a complex, clearly demarcated discourse. The performance duration of the work is about 15 minutes.â? (Krzysztof Meyer).
Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.
SKU: SU.91480170
Text: Ursula K. LeGuin.
Instrumentation: soprano, double strings Duration: 11' Text: Ursula K. LeGuin Composed: 1982 Full Score & Parts available on rental Published by: Subito Music Publishing.
SKU: SU.91410080
Instrumentation: soprano, double strings Duration: 11' Text: Ursula K. LeGuin Composed: 1982 Full Score & Parts: available on rental Published by: Subito Music Publishing.
SKU: HL.50600530
UPC: 888680704391. 8.25x12.0x0.198 inches.
“I like the idea of exploring the dramatic, ritualistic side of music. In The Mirror With Three Faces, one can look at three different faces or roles of the same person or at three distinct personalities – each with its own face. Each character (i.e. instrument) may be isolated, in conflict, or in harmony with others and itself. This trio explores individuality and ensemble, harmony and conflict, one in three or three in one – that is the ambiguous nature of this work, structured in the form of a triptych.†(Lera Auerbach).
SKU: AP.38513S
UPC: 038081438955. English. Traditional.
This medley of three fantastic folk fiddle tunes, set in a totally authentic style, will delight players and audiences. Arkansas Traveler, Fire on the Mountain, and Devil's Dream are featured in the violins and violas with great accompaniment parts for the cellos and basses.
SKU: GI.G-2123
UPC: 785147212393.
Complete Score and [Opt.] String Parts (2,2,1,1,1), Acc. Choral Parts: See individual listings for O Come, All Ye Faithful - O Little Town of Bethlehem - Joy to the World .
SKU: BT.PWM5365010
SKU: KN.09635S
SKU: KN.9635
SKU: DY.DO-1526
ISBN 9782897963064.
Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
SKU: UT.CH-335
ISBN 9790215326538. 9 x 12 inches.
The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition. Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.
SKU: HL.14012287
ISBN 9788759865002. 12.25x16.5x0.92 inches. English.
Triptykon for Percussion and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1985. Dedicated to Gert Mortensen. Programme note: TRIPTYKON is inspired by the visual arts (a triptych is a painting on three panels, hinged side by side - for instance an altarpiece). The three movements of TRIPTYKON are composed in an eff ort to create clear contrasts of colour. The first movement employs only winds in the orchestra, the second movement only strings, and in the third movement the first two movements are repeated, on top of each other, played simultaneously. Tue percussion solo part has equally distinct colours: for the first movement: metal only, for the second movement: woodonly, and then finally in the third movement- together with the orchestral tutti - skin! Other distinct features in TRIPTYKON are block-like dispositions, polyrhythmic layers and simplicity of tonal colours. Tue often crude articulation of motifs and the frequent use ofrepetition lend a ritual character to the music. TRIPTYKON was composed in close collaboration with percussionist Gert Mortensen and the work is dedicated to him.
