6 Studies on 8 Notes

Par SERRANO JUAN. Cet ouvrage magistral, complet présente dix Sevillanas plus dix falsetas de chacune des formes populaires et traditionnelles flamenco suivantes : Alegrias por Arriba, Alegrias por Medio, Bulerias, Columbianas, Fandangos, Farrucas, Granainas, Romeras, Siguiriyas, Soleares, Tangos et Tarantas. Ce texte de point de repère présente le développement systématique de Flamenco tech-nique. Chacune des formes de danse contient des notes de performance and un bref historique. En anglais and espagnol et écrit en tablature et notation standard. Comprend le coffret de 2 CD de compagnon. / Niveau : Intermédiaire / Flamenco - Technic / Tablatures / Guitare Tablatures Classique

Media Type : Book+CD+DVD Level : Beginning Musical Genre : All Styles Series : Mastering Guitar Number of pages : 144 Mastering the Guitar is an innovative, exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen, this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature, it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1A: Presents the essential foundational studies for contemporary guitar performance; Immediately introduces the student to the concept of playing contemporary music through the creative use of tablature; Logically and methodically teaches note-reading, utilizing the notes in first position on each string in numerous pages of playing material (over 155 solos and duets in the keys of C, A minor, G, and E minor); Contains more than 140 scale and picking studies, chord etudes, and accompaniment pieces, teaching contemporary techniques such as the slur, hammer-on, pull-off, vibrato and slide; Includes in-depth sections on back-up guitar and rhythm; Incorporates guitar duet material. Includes DVD.

24 STUDIES FOR FLAMENCO GUITAR.Intermediate level. 24 Studies for Flamenco Guitar designed for: Students who have already acquired a correct technique so that it comes automatically, and have passed the 21 Studies for Flamenco Guitar (Basic level) A studies are in fact small flamenco pieces in one or other flamenco rhythm or style, so that while practicing the technique the student can become impregnated with flamenco rhythms and sounds: soleá, fandango, bulería, alegría, tango? / Guitare

Contains studies chord melody solos chord studies quartal harmony etudes triad studies and duets in the keys of B G#m Db Bbm Gb and Ebm. Presents a comprehensive listing of chords found in each key. Foreach key etudes are presented in four different positions. The most comprehensive approach to contemporary Guitar mastery available! Access to online audio.

Description Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic box scale fingerings by developing pathways that continually shift between and connect the five pentatonic “boxes”. Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic boxes. Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic box. The resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included. Presented in standard notation and tablature.

With Online Audio-This comprehensive method book is best suited to an intermediate to advanced six string guitarist who is learning the seven string Guitar. Included are sections on scale and arpeggio fingerings as well as an extensive sectionon chord voicings. All examples are presented in both tablature and standard notation with diagrams also included where appropriate.The seventh string is tuned to a low A throughout. The included CD contains play-alongtracks with full rhythm section single note studies with accompaniment (in split-track format) and unaccompanied solo studies. Most examples can be played either fingerstyle or with a pick.

A Comprehensive Method for Today's Guitarist!-Mastering the Guitar is an innovative exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1B: Teaches keys of D A E F D minor and B flat - Contains over 130 solos and duets - Contains over 40 comprehensive scale and picking studies - Includes numerous chord progression studies and chord accompaniment pieces. Includes access to online audio.

Jean-Baptiste Duvernoy (1800?1880 Paris) was a French pianist, composer and professor of piano at the Conservatoire de Paris.

His overall oeuvre comprises more than 300 works.

He is known particulary for his studies which include 'Ècole primaire' (25 studies for elementary instruction).

These studies were written for beginner's lessons on the piano, consisting of a simple structure.

They are supposed to train primarily the dexterity and independence of the fingers. But the special appeal of this collection lies, due to the cantabile character of the individual pieces, in the musical texture of these wonderful and expressive melodies.

Their focus is on the experience of sound which is why these studies are very popular in lessons and perfectly suitable as performance pieces. / [Etudes Elémentaires Opus 176] / Méthodes

Contained within Etudes For Electric Guitar are twelve exciting pieces for solo Electric Guitar designed to improve your skill and technique specially devised by renowned composer Kris Lennox. As well asthe standard notation and tab the accompanying Download Card also gives you instant access to professionally-recorded demonstrations by the author himself. If your Guitar-playing is somehow stuck in a rut orperhaps you just want some pieces to play away from a band setting then Etudes For Electric Guitar is the book for you. Designed for intermediate guitarists these twelve completely original studies will helpimprove your technique and range by really focusing on certain aspects of your playing such as fingering rhythm and picking. These are challenging pieces but if incorporated into a practice routine they'll be hugelybeneficial as well as simply enjoyable to play.  To give you a taste of how great these sound check out Kris demonstrate the Etude In Gm beautifully in the videobelow: Author and composerKris Lennox feels strongly about the etudes included in this collection of solo Guitar sheet music and this is evident in his extensive written introductions justifications and guidance notes for each study. He hasnoticed that the majority of electric guitarists can play the rhythm or lead parts of songs while the electric Guitar is rarely thought of as its own solo instrument. With Etudes For Electric Guitar Lennox hopes to change this composing pieces that sound great while also being technically challenging and entirely worthy of your time. You won't need any special equipment just a standard electric Guitar and a

Perfect for the student of Jazz. --Michael Brecker ?I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!? Fred Hamilton, professor of jazz guitar, University of North Texas ?These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.? Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Transcribed for Viola by Margaret Banwell from the Violin originals explores in detail the fingering patterns of first position offers exercises for arpeggios and scale patterns legato string-crossing and the lifting of the bow and exercises for trills and grace-notes.