Suite for Flute in A minor [Suite in A minor No. 2, for Flute, Strings and Continuo, TWV 55: a 2]

for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.

Par . Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included. / Date parution : 2022-11-29/ Recueil / Flûte Traversière

Learn and perform at a flute master class with the legendary Murray Panitz as your teacher! Perfect for practice rehearsal auditions contest solos performances and more! This third volume of advanced solos features Murray Panitz of the Philadelphia Orchestra performing each piece with piano accompaniment. Then you step in and take his place. Includes additional slow-tempo practice versions of the Handel Sonata's Presto Henze's Sonatine and the Quantz Concerto's Allegro. Includes a high-quality printed music score annotated with performance suggestions and a CD with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.

TCL Flute Exam Pieces from 2023: Grade 7. Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included.

Dans une courte note préliminaire imprimée sur la page de titre, le compositeur a fait remarquer que ces suites avec tous les ornements nécessaires sont fournis et qu'il peuvent être joués sans basse comme un solo pieces. / Flûte Traversière

Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.

Par . Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included. / Date parution : 2022-11-29/ Recueil / Flûte Traversière

Andalag # 2 - Duo for two Flutes (2011). Part of Andalag - Suite in 11 movements. Programme note Some years ago I was asked by the Faroese ensemble Aldubáran to compose duets for the woodwinds within the ensemble. The idea then came to me to write a Suite with the name “Andalag” in 11 movements. 8 movements are duets and are approximately 4 min. long. 2 movements are quartets and are approximately 8 min. long and 1 movement is an octet which is approximately 16 min. long. In other words the Suite will last approximately 60 min.   The (octet) instrumentation is 2 flutes 2 clarinets 2 horns and 2 bassoons. The Faroese word “andalag” has a multilayerd meaning. The first half of the word is “anda” and means to breath or spirit and the second half of the word “lag” means melodi mood or layer. I use two small ideas in this Suite. One idea is in a sort of major mood and the other in a sort of minor mood. Sunleif Rasmussen May 2013

Bach's Suite In A Minor BWV 997 was originally composed for a Lute however has been beautifully arranged here for Flute and Guitar by Gerd-Michael Dausend. This charming piece offers a wonderful enrichment to the repertoire of both instrumentalists alike.This piece was originally known as the 'second' lute Suite and despite such titles as 'Partita' and 'Sonata' the title 'Suite' is the most commonly used. Bach originally composed this profound piece in 1740 and so is among his later works.In addition to the score both the solo flute and guitar parts are also included on separate inserts.

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

For flute with piano accompaniment Édité par Kovács Lóránt Instrument: Flute et piano Genre: Pedagogical performance pieces Pages: 76 pp Date du parution: 1985 Contenu: 1. Vivaldi, Antonio: Largo from The Four Seasons 2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor 3. Bach, Johann Sebastian: Badinerie from the Suite in B minor 4. Händel, Georg Friedrich: Largo from Xerxes 5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14 6. Paganini, Niccolo: Moto perpetuo 7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6 8. Bizet, Georges: Minuet from L'Arlesienne 9. Gounod, Charles: Ave Maria 10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee 11. Schumann, Robert: Träumerei 12. Chopin, Frédéric: Variations on a Theme by Rossini 13. Schubert, Franz: Ave Maria 14. Saint-Saens, Camille: The Swan 15. Massenet, Jules: Tha´s Meditation

This Mazurka with its characteristic emphasis on the second beat of the bar consists basically of a rondo theme separated by episodes in (mostly) related keys. When I first heard it it occurred to me that it would work particularly well for the flute accompanied by piano (or indeed harp). The harp's basic key is Cb major making flat keys more natural for the instrument. The key here is Bb minor which has a warmth well-suited to the flute although the piece does touch on Db major F minor and C major before ending triumphantly in Bb major.The first performance was given by Philip Tinker in March 2006.