Format : Score
SKU: BA.BA11305-90
ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.
Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.Saint-Saëns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.
SKU: BA.BA11305
ISBN 9790006567027. 31 x 24.3 cm inches. Text Language: Latin. Preface: Stahl, Christina M.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.B371
ISBN 9790220219511.
Volume 9 completes the collection of Byrd's Latin sacred works from the late 1570s onwards preserved in manuscript alone. It includes Domine, exaudi orationem meam, which is published for the first time in fully reconstructed form. Philippe de Monte's partial Psalm 136 setting, Super flumina Babylonis, to which Byrd's Quomodo cantabimus (here appearing for the first time with text correctly underlaid) was a musical response, features in the appendices, together with the fragmentary Ad punctum in modico and a number of motets putatively ascribed to the composer, but judged unlikely to be by him.
SKU: CA.411096
ISBN 9790007183745. Key: C major. Language: Latin.
Score available separately - see item CA.411000.
SKU: BR.SON-339
ISBN 9790004802854. 10.5 x 13.5 inches. Latin.
The present volume contains the Psalmi Davidis Poenitentiales, seven penitential psalms that had already been supplemented with the motet Laudate Dominum de coelis in the first edition (1584). In the Complete Edition, however, the compilation is preceded by the vocal piece S u Su p e r per Super (1567), which experiments with syllables. Though reprinted many times, it was assigned to various genres according to its place of publication: while the piece was considered as a motet in Germany, in France it was classified as a chanson and in Italy as a madrigal a unique case in the reception history of vocal music in the 16th century. To this day we still do not know the significance of the vocal text Super flumina Babylonis, which gradually evolves out of syllables. Perhaps Lasso wanted to depict a biblical scene that evokes the gradual learning of a language.
SKU: SU.29130460
CF 3. English Title Mankind Wanders In Dreams. Motet in Five Movements, Text from the Vulgate.1. O vos omnes 2. Verumtamen in imagine 3. Super flumina Babylonis 4. Domine Non est exaltatum 5. Quomodo obscuratum est aurumSATB Soli & SATB Chorus Duration: 12’ Composed: 1976-2018 Published by: Christopher Fulkerson Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at.
SKU: BA.BA11309-91
ISBN 9790006569182. 27 x 19 cm inches. Text Language: English.
Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.
