Symphonies Nos. 35, 36, And 38

With these transcriptions intermediate to advanced pianists can re-create the texture and grandeur of these final symphonies by the 19th-century melodic masterContents4th Symphony in F Minor Opus 365th Symphony in E Minor Opus 646th Symphony in B Minor ('Pathetique') Opus 74

Pour Deux Piano A Quatre Mains. Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos

Référence unique par son ISBN 9790044031887 cette partition musique de Lalo n'est autre que SYMPHONIE ESPAGNOLE 2 PIANOS qui a été composée pour 2 Pianos. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DF00635600. / 2 Pianos / Partition

Par HAYDN FRANZ JOSEF. Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the 'English symphonies” as they are stylistically closely linked to the 'London Bach”, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as 'Leicht und nicht vil Concertirend”, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. The Bärenreiter catalogue now includes the complete performance material for several 'Sturm und Drang” symphonies as well as all the London and Paris symphonies./ Répertoire / Conducteur

Originally commissioned by the BBC and first performed by Phyllis Sellick and Cyril Smith with the BBC Symphony Orchestra conducted by the composer.. . .has an enchantingly gentle Ravelian slow movement and an outrageously jazzy finale which was encored at its Proms premiere - understandably as it centres on one of Arnold's most infectious tunes. . .Ivan March Gramophone December 1994