Syncopated Sam

The Syncopated Piano Music. Par MATTHIESEN BILL. Cette collection met en valeur la musique pour piano syncopée de l'Amérique latine au cours des XIXe et XXe siècles. Il comporte des rythmes latins, qui sont des rythmes africains vraiment apporté aux Amériques par les esclaves et appliqués à la musique des colons européens. Ces rythmes sont variées et complexes et tellement est leur histoire. Ils ont eu une influence largement répandue et profonde sur l'évolution de la musique populaire, non seulement en Amérique latine, mais également aux Etats-Unis. Les plus évidentes ramifications sont le tango en Argentine et l'Uruguay et la plupart des autres danses populaires du Sud et Amérique centrale, ainsi que de ragtime et jazz aux Etats-Unis. Jelly Roll Morton revendiqué que cette ' teinte Latin ' est l'élément essentiel qui distingue les jazz de ragtime. Ces rythmes sont les racines musicales de groupes tels que ' Le Buena Vista Social Club. ' Comprend les tangos historiques écrits par Ignacio Cervantes - Cuba, Manuel Saumell - Cuba, Juan Morel Campos - Porto Rico, Jose Quinton - Porto Rico, Ernesto... / Niveau : Intermédiaire / Latin American - Solos / Recueil / Piano

The Syncopated Band Parade was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a ‘real band’ after only a few lessons. Because of the four-part instrumentation The Syncopated Band Parade is suitable for smaller strengths taking into account that it is important to divide parts evenly among the players. Also includes an ad-lib keyboard/piano part to support the ensemble.

NOT FOR SALE TO UK TRADE CUSTOMERS-Progressive Around the Drums with Syncopation introduces basic syncopated rhythm patterns to play around the Drums using quarter eighth sixteenth and triplet not combinations.Progressive Aroundthe Drums with Syncopation incorporates coordination independence bass Drum control counting and sight reading practice essentials for all Drumming styles.

Leroy Anderson's The Syncopated Clock arranged for Male Voices (TTBB) by Michael Edwards.

Studies For Playing Between the Beats-Drumset Syncopation picks up where beginning drum methods leave off providing the intermediate drumset player with practical studies that can be applied to real-life playing situations. Built on the syncopated rhythms that form the basis of popular music the book explores beats and fills in a variety of styles including: basic rock funk bossa nova samba reggae blues shuffles country/gospel and jazz. This indispensible book is filled with info that will take you from the practice room to the stage!

This method explores the most common syncopated rhythms found in jazz and improves coordinated independence and reading skills. Includes sections on snare drum and bass drum independence, drum fills in context, section and ensemble figures, 1-, 2- and 4-bar ensemble figures, and ensemble 'shout chorus' solos. 80 pages. / Batterie

A comprehensive method that first teaches music reading then explores many of the most common syncopated rhythms of modern popular music. Includes practice tips rhythm exercises beginning music theory and a CD demonstrating all the examples in the book.

Hal Leonard Easy Piano songbooks provide musically satisfying arrangements for anyone with a few years of experience at the piano. These simplified presentations include original bass lines chord progressions syncopation andlyrics ? everything you need to enjoy playing your favorite songs right away! This collection of nearly 20 classic favorites includes the title songs and: The Hokey Pokey ? Over the Rainbow ? Sing ? This LandIs Your Land ? When I Grow Too Old to Dream ? and more.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Later Elementary Level-This piano series approaches the study of technique various keys and rhythms easy-to-learn chords and fun-to-play solos that teach memorization patterns and reading skills. The catchy rhythms and melodies in Syncopation Rules are excellent for teaching syncopation at the elementary level.

Syncopation and Rolls for the Drumset presents exercises to help the beginning drummer master the two principal rudiments of alternating single strokes and alternating double strokes or press rolls, controlled at all tempos from very slow (open), to very fast (closed). The book includes various combinations of these two rudiments, in addition to valuable syncopation exercises. / Batterie

Gregory Stone has transcribed these three selected preludes for one piano-four hands. For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve a sort of jazz Wohltemperierte Clavier but his unexpected death from a brain tumour at the age of 38 prevented this. At least seven survive (others may have ended up as songs) and this set of three as published form a satisfying unit. The first opens with a blue-note riff which forms the basis of the first theme.Contrasting material follows making use of a distinctive repeated note figure then the first idea reappears in a quasi-orchestral climax. The second prelude shows a curious kinship with Chopin???s A minor Prelude with its eerie accompaniment and hypnotic melody. The third exploits a similar major/minor ambivalence but dextrous syncopation gives it driving rhythmic energy.

Ce DVD présente de nombreux rythmes et autres grooves de batterie dans la musique funk et plus généralement dans les musiques syncopées. Plus de 80 exercices pour vous aider à comprendre le rôle essentiel de la batterie dans ces styles, et à être capable par la suite de créer vos propres grooves. Pour cela, sont abordés des sujets tels que la syncope grosse caisse et caisse claire, les ouvertures et patterns de charleston, les ghosts notes, les grooves basse/batterie, l'influence des différents styles sur la musique funk, ainsi qu'une approche plus moderne, au travers du 'linear concept?. Le tout illustré de très nombreux exemples en solo mais aussi en groupe. Durée : 85 mn / Batterie

Par JOHNSON TIMOTHY. Composer Timothy Johnson spent many years as a school band director. His teaching experience qualifies him to approach the development of this new entry into the CMP Essentials of Musicianship Series with reality-based confidence. Ever so gradually this product takes the band from the simplest forms of syncopation to more and more complex notation. Your students can build their reading skills at a pace they can handle. The astute teacher will also notice that there is plenty of concept reinforcement as the group steps from easy to more challenging rhythms. A great teaching tool! / Niveau : 1-2 / Répertoire / Educatif