Tahwidah

In what is neither an instructional nor a concert-style format acoustic Guitar master and acknowledged Harp Guitar pioneer Stephen Bennett plays ten captivating Harp Guitar solos demonstrating the capabilities ofthis rarely heard instrument in a relaxed recording studio setting. With one exception the traditional fiddle tune Westphalia Waltz Stephen composed all of the music heard here.Stephen introduces each tune with insightfulremarks about Harp Guitar history the tunings he developed for the additional six bass strings and the events or circumstances that inspired his compositions .One of the original advertising claims made for Harp Guitars was thatthey would do to the standard Guitar what the Piano did to the Harpsichord; that is make it obsolete. That may or may not occur but in this video you will at least hear some of the inherent possibilities of the HarpGuitar.Ultimately you may find yourself thinking that those early claims might not be so farfetched; indeed magic happens when these instruments are in the right hands and Stephen Bennett clearly has thosehands. Join Stephen for an intimate introduction to this largely forgotten instrument and allow yourself to fall under the spell of the Harp Guitar.

This is the Complete Method For Autoharp Or Chromaharp currently available. Teacher and author Meg Peterson presents a diverse array of songs and styles as well as a myriad of strumming patterns in aneasy-to-understand manner. This self-teaching course features Meg's highly acclaimed and easy-to-use system for teaching melody solo performance on the Autoharp alongside access to downloadable audio that demonstrates many of thestrum patterns and tunes included. Each of its 48 lessons builds on the one before it with a reference section included for those who wish to learn about music notation theory harmony transposition andchord substitution. There are 122 practice songs and many more suggested ones. Also included is invaluable information on tuning changing strings and altering chord position on the instrument.  Theaudio download available online is a stereo teaching tape with vocal instruction and performance demonstrating many of the strum patterns and tunes in the book at full tempo with a singer.

This superb 2CD collection of 40 masterpieces by 10 great composers features performances by the world's leading soloists and orchestras including The Royal Philharmonic Orchestra and the National Philharmonic Orchestra. Theaudio CDs are accompanied by a specially produced book containing the same pieces for solo piano. Here is an opportunity to enjoy some of the world's most beautiful classical music and to then sit down at the Piano and play themyourself using the accompanying folio. So if you're one of those people who feel like playing as well as listening this is the collection for you!

Ivor Mairants (1908-1998) was known for his sensitive and musical approach to jazz and its teaching. In this his last work the student benefits from a lifetime of experience coupled with the skill of a great communicator as heintroduces basic and advanced chords fingerings effects and styles plus several attractive and practical pieces. Mairants played with most of Britain's leading dance bands including Ambrose Lew Stone Geraldo and TedHeath and was also a member of Mantovani's orchestra for 15 years. This book by one of the great Jazz guitarists will ease open the Jazz door for many developing players.

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Call Me Madame est un musicale de la musique et les paroles par Irving Berlin. Une satire sur la politique et des affaires étrangères qui usurpe le penchant de l'Amérique pour les prêts des milliards de dollars aux pays nécessiteuses, il se concentre sur Sally Adams, une veuve de mondaine bien intentionnés mais mal informés qui est nommée Ambassadeur au pays de EuAvailableean fictif de Lichtenburg. Alors que là, elle ravit la noblesse locale, surtout Cosmo Constantine, tandis que son attaché de presse que Kenneth Gibson tombe amoureux de la princesse Maria. / Chant/Vocal/Choeur