3 Tangos (NAZARETH ERNESTO)

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha? (Tango) (Ernesto Nazareth) - Por Que, Eh? (Why, Eh?) (I.Cervantes) - Que Le Importa a Usted? (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

Selected Works for the Piano-The tangos in this collection are not traditional Argentinean dance pieces but rather instrumental pieces written specifically for the piano. Included are delightful pieces by composers Isaac Albéniz Ernesto Nazareth Manuel Ponce Joaqu n Turina and others. The selections range in difficulty from intermediate to moderately difficult.

19 Pieces-A graded collection of 19 piano pieces compiled by the authors of EXPLORING LATIN PIANO John Crawford De Cominges and Tim Richards. As well original compositions by the authors in Bossa Nova Frevo Baion Partido Alto Afoxé and Chorinho style the compilation features a selection of classic Brazilian Tangos by Ernesto Nazareth and Francisca Gonzaga. Suitable for pianists of all levels from Grade 3 to 8.

for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tangos for Cello with Piano accompaniment. Among them are such classics as El choclo gems by Eduardo Arolas and Rosendo Mendizabal and lesser known titles such as El d a que me quieras by Carlos Gardel simple but effective for the cellist concise and stylistically apt for the pianist.The arranger George A. Speckert is a composer writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles.- The loveliest tangos for Cello and Piano.- Effective recitalpieces.Contents:Pantaleon; Libertango [Astor Piazzolla]El Enrerriano [Rosendo Mendizábal]Odeon [Ernesto Nazareth]Derecho viejo [Eduardo Arolas]El choclo [Ángel Villoldo]El d a que me quieas [Carlos Gardel]