SKU: RM.LANG05044-CO
SKU: SU.96010060
Instrumentation: SATB Chorus, & Piano Duration: 3:30' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: HL.211634
ISBN 9781495085673. UPC: 888680661762. 9.0x12.0x0.289 inches. Strum & Sing Series.
The Strum & Sing series provides an unplugged and pared-down approach to your favorite songs – just the chords and the lyrics, with nothing fancy. These easy-to-play arrangements are designed for both aspiring and professional musicians. This fantastic collection lets you play over 40 songs in lots of styles, knowing just 3 chords on the guitar! Includes: Already Gone • Barbara Ann • Big Yellow Taxi • Cold, Cold Heart • Daughter • Free Fallin' • Hound Dog • I Still Haven't Found What I'm Looking For • La Bamba • Lay down Sally • Route 66 • Sweet Caroline • Werewolves of London • You Are My Sunshine • and more.
About Strum & Sing
The Strum & Sing series provides an unplugged and pared-down approach to your favorite songs- just the chords and the lyrics, with nothing fancy. These easy-to-play arrangements are designed for both aspiring and professional musicians.
SKU: BT.MUSAM91734
ISBN 9780711938502.
Joni Mitchell's music includes some of the most distinctive protest songs of the 1960s. Blessed with a voice that is instantly heart-warming, gentle and poignant, Joni's performances grew to reflect her life and surroundings inadelicate but always direct manner. With hits including Both Sides Now and the evergreen Big Yellow Taxi her voice remains, alongside those of Paul Simon and Bob Dylan, a distinctive example of the power ofthefolk/protest tradition. This special selection contains twenty of Joni's best-loved songs has been arranged for Piano and Voice with Guitar chords.
SKU: BT.YE0082
For Double Bass and speaking musician. Taxi! was inspired by those frantic cabs in Paris, but the problems are universal. An hilarious music-theatre style piece by the French virtuoso, equally successful for speaking bassist or with narrator. Grade: Medium.
SKU: AP.36017S
UPC: 038081418025. English.
The straight-eighth rock groove is easy for the rhythm section and incorporates the sound of honking taxi horns! A solo section that is written-out for winds with flexibility for one, some, or all wind players. It even has lyrics: Hey Tax-i! A clever chart that is fun to play and accessible to all young players.
SKU: HL.48189635
UPC: 888680885625. 8.25x12.0x0.15 inches.
Montaudouin Taxi Valse Guitar Solo Book.
SKU: HL.356773
ISBN 9781705113066. UPC: 840126941944. 9.0x12.0x0.345 inches.
The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 great songs. This easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. A great resource for beginning stringed instrument players who are ready to experience the fun of making music together! This collection includes 70 tunes perfect for your next coffeehouse gig: Across the Universe • Alison • Big Yellow Taxi • The Boys of Summer • Budapest • Constant Craving • Diamonds on the Inside • Dust in the Wind • Free Fallin' • Give a Little Bit • Good Riddance (Time of Your Life) • Hallelujah • I Melt with You • Iris • Leaving on a Jet Plane • Norwegian Wood (This Bird Has Flown) • The Scientist • You're So Vain • and more.
SKU: SU.96010061
Instrumentation: SATB Chorus, & Piano Duration: 5' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.T As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing. Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi. At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed. -- Joe Gianono Note: Taxi, Noise, and Time may be performed separately.
SKU: SU.96010062
Instrumentation: SATB Chorus, & Piano Duration: 4' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: SU.91409191
Seven Works and a Documentary Video Recordings of live performances of music by: Christopher Fulkerson and Peter Maxell Davies with Gary Palmer and his dance company stage designs and costumes by Ariel. Christopher Fulkerson conducting The Composers Chamber Players with soloists John Casten - violin Thalia Moore - cello Lynne Morrow - mezzo soprano and with William Carslake - conducting The London Charity Orchestra with the documentary The Taxi Composer by Kate Imbach Christopher Fulkerson The Truth About Cinderella (8:50) Peter Maxwell Davis Vesalii Icones (44:44) Christopher Fulkerson L'Altrui Man Veste (9:57) Del Duo Pel Contesta (14:50) Ceremonial I (8:05) Suite for Solo Cello (16:40) The Lantern in the Crypt (3:20) The Taxi Composer (7:44) A Documentary by Kate Imbach.
